John Alcott

Alcott was born in Isleworth, England, in 1930.

He was the son of Arthur Alcott, an executive at Gainsborough Pictures and later Pinewood Studios.^[3]

Alcott began his career at a young age as a clapper boy.^{[citation needed]} During the production of 2001: A Space Odyssey (1968), Kubrick promoted Alcott to lighting cameraman, completing the "Dawn of Man" sequence after Geoffrey Unsworth's schedule forced him to depart from production.^[4]

Alcott subsequently shot three more films for Kubrick: A Clockwork Orange (1971), Barry Lyndon (1975), and The Shining (1980).^[5]

His work on Barry Lyndon broke new grounds in terms of natural lighting. Kubrick completely discarded electric lighting in favor of candle lighting to recreate the mood of an 18th century setting. The film ultimately won Alcott an Academy Award and BAFTA Award for Best Cinematography.

Alcott's work on The Shining also became innovative for inventive uses of a Steadicam to create more fluid camera movements.

In 1981, Alcott moved to the United States, where he directed and shot commercials for television at Paisley Productions.^{[citation needed]}

Alcott was featured in the 1986 PBS documentary Six Kinds Of Light (Masters Of Cinematography).^[6]

Alcott died of a heart attack in Cannes, France in 1986, at the age of 55.^[1]

His final two films, White Water Summer and No Way Out, were released posthumously, and were dedicated to his memory.

In his memory, the "BSC John Alcott ARRI Award" was created by the British Society of Cinematographers in 1990.^[3]