John Bruce Wallace
From Wikipedia, the free encyclopedia
John Bruce Wallace | |
|---|---|
 | |
| Background information | |
| Born | February 6, 1950 |
| Genres | Avant-rock, experimental, free improvisation, free jazz, industrial, Avant-garde, Progressive Metal |
| Occupation | Musician |
| Instrument | Guitar |
| Years active | 1966–present |
| Labels | Waving Bye |
| Website | jacewbal |
John Bruce Wallace is an American composer and avant-garde, free jazz, fusion, experimental, improvisational progressive metal guitarist.[1][2][3]
John Bruce Wallace a/k/a jacewbal was born February 6, 1950, in Calais, Maine, United States. John exhibited an affinity for the performing arts at an early age, first in acting, playing the lead roles in grade school plays, later he expanded his interests to include singing solo for his grade school classmates. Encouraged by his father to take up trumpet, he began studying clarinet while in grade school. By high school John had found "the Guitar" and would perform almost daily during summers on his family's front porch for the traffic passing by.[4] Bands formed during this time were all short lived usually breaking up due to disagreements over the musical direction that the group members wanted to go in. John's early influences included Sun Ra, Pink Floyd, Frank Zappa, Rahsaan Roland Kirk, and Jimi Hendrix. After high school, John moved to Portland, Maine, to pursue music. He started several groups which all failed due to musical differences, although one failed after the band's equipment was stolen. However, during this time he would fill in on guitar for a number of traveling bands that were performing in night clubs in Portland. He was also at this time becoming more influenced by Experimental music, Progressive Metal, Avant garde, Rock, and Jazz.
On an invite to come to New York City to further develop musically, John gained insight into the inner musical culture opening potential doorways to pathways for future exploration. This move focused John's attention more closely at free improvisation, jazz, and 'free jazz' as practiced in Europe, by established artists such as Ornette Coleman, Anthony Braxton, Sun Ra, Cecil Taylor, Derek Bailey, and by certain young artists at the time beginning to work in Alphabet City on New York's lower East Side.[3]
Career
Being recognized for developing a new approach to electric guitar, the prime focus of his musical work is the expansion of the voicings of the electric guitar through improvised compositions.[2][5] A free jazz solo performer interested in freely improvised music with a focus on generating extended sound statements within the options afforded through solo performance. His approach incorporates totally improvised sound expressions with emphasis on deconstruction of structure and pattern - while generating a narrative of the moment.[6][7] His improvised compositions often incorporate multi-tonal qualities, dense, interwoven passages embellished with harmonic and micro-tonal sound statements, or silence further defined by irregular syntaxed rhythms and primitive beats. These extempore compositions incorporate complex musical riddles wherein are displayed the qualities of multiple instrument arrangements.[2][3] His music was invited for performance consideration at the American Pavilion during the 1991 São Paulo Art Biennial, in São Paulo, Brazil.[3][8] His recordings and performances have received reviews in leading foreign and domestic trade journals and publications as well as online media.[2][3][5][7][8] In the independent music magazine Forced Exposure it was written about John,"For a guy whose list of desert islands discs contains works by Scelsi, Globokar, Kagel, Xenakis & others of the same ilk, it's interesting to hear such a loud, aggressively rock-like, feedback laden approach to solo...electric guitar."[9]
Tours have included festivals in Russia and Lithuania, at the Vilnius Jazz Festival.[10][11] In his Jazz Podium review of the Vilnius Festival Bernd Jahnke wrote "Solo guitarist John Bruce Wallace, in free improvisation, revamped the modern guitar tradition and, using the technical possibilities of his instrument, transferred it into an individual sound language."[5]
In a 1994 review of Wallace's improvisational album Loud Noises in a Corner: Engagements on Urban Terrain, Mark Jenkins wrote in Washington City Paper "Wallace is a lot less predictable than that of many guitar warriors, and the best of it has a savage beauty that Eddie Van Halen couldn't achieve with six months of overdubs."[12]
His recordings have received radio and Internet airplay across the United States, Canada, Europe, Russia, Central and South America, Australia, and Asia.[13][14][15][16][17][18]
With the release of the album Taming The Day he joined the roster of Throne of Bael Records[19] an experimental record label in the United Kingdom and has made his Discography available via Internet media services.[20][21] He has recorded collaborations with Wilfried Hanrath (Hauchzart Ensemble), Pete Swinton, Antonella Eye Porcelluzzi, Vaders Orchestra (Ewald Wöstefeld), Siegfried Grundmann, and M. Nomized. In addition to his solo recordings, John has had compositions included in two compilations on Throne of Bael Records.
Recent Single Video and Audio Recordings
- After Tones Of Propaganda[22] 2021
- Ablated Musings After Sundown[23] 2021
- Isolated Aspirations[24] 2021
- Call of Anxiety on Evening Debate[25] 2020
- Interrogative[26] 2020
- The Pundit's Them[27] 2019
- Loss At The Scales Of Non-Such[28] 2018
- Non-Such And Pretenders[29] 2018
- Aural Parables From Mountain Tops and Valleys[30] 2018
- Improv For The Children[31] 1991/2018
- Incantations And Redemptions[32] 2018
- At The Druid's Feast[33] 2018
- Imperious Inferences[34] 2018
- Quantum Occlusion of Time[35] 2018
- Temporal Fazia[36] 2018
- Solitary Midnight Vespers[37] 2018
- Night Cries of Soulful Reckoning[38] 2017
- 2:30 am Prelude to Angst[39] 2017
- Talisman[40][41] 2017
- Was Was Not[42] 2017
- Memories[43][44] 2004 - 2016
Collaborations and contributions
- midnightradio compilation 112 - (Comlipation by Midnightradio: "Shoals of Lost Care" by John Bruce Wallace)[45] 2022
- midnightradio compilation 111 - (Comlipation by Midnightradio: "Without Clear Insight" by John Bruce Wallace)[46] 2022
- midnightradio compilation 110 - (Comlipation by Midnightradio: "Escape From Yesterday" by John Bruce Wallace)[47] 2022
- midnightradio compilation 109 - (Comlipation by Midnightradio: "Retreat from the Egress" by John Bruce Wallace)[48] 2021
- midnightradio compilation 108 - (Comlipation by Midnightradio: "The Jagged Edge of Tomorrow" by John Bruce Wallace)[49] 2021
- midnightradio compilation 107 - (Comlipation by Midnightradio: "Corrosive Brainstorming" by John Bruce Wallace)[50] 2021
- midnightradio compilation 106 - (Comlipation by Midnightradio: "Symphonic Mesoscale Convective Inversion" by John Bruce Wallace)[51] 2021
- midnightradio compilation 105 - (Comlipation by Midnightradio: "Demurred Interjections" by John Bruce Wallace)[52] 2021
- Electronic Breakdown In The Morning - (John Bruce Wallace & Siegfried Grundmann Collaboration on Basetrack: 'Uebermensch' by John Bruce Wallace: E-Guitar and Effects, Siegfried Grundmann: Arrangement, Electronics and Effects)[53] 2020
- Attenuated Lifeforce Articulation - (Collaboration on ORGASMUSLIEDER by ORGASMUSLIEDER Antonella Eye Porcelluzzi "Attenuated Lifeforce Articulation" by John Bruce Wallace)[54][55] 2020
- Panic Virus (COVID - 19) (Usa) - (ANDREAS N°24 - Virus - Compilation - FRACTION STUDIO (M. Nomized) COMPILATION - 2020) [56] 2020
- J M Basquiat Emotive Stroke - (A collaborative track based on For JM Basquiat by SRIGALA (Pete Swinton))[57] 2020
- Unscheduled Clarity In Flashes Of Not - VadersOrchestra Collaboration and rework with Vaders Orchestra (Ewald Wöstefeld) on John Bruce Wallace composition "Unscheduled Clarity in Flashes of Not".[58] 2019
- Portland - Waiting In Phase - (John Bruce Wallace Collaboration on Portland a Wilfried Hanrath composition for open collaboration)[59] 2019
- Memories - (by John Bruce Wallace and VadersOrchestra (Ewald Wöstefeld))[60] 2019
- Liber Limbia Vol. 516 Chapter 1: Secret light holt black. Future rich under opus fire.(Talisman - John Bruce Wallace aka jacewbal contribution to Liber Limbia Podcast)[61][62] 2019
Discography
- Grail[63] 2023
- Divisive[64] 2022
- Angst At Noon[65] 2022
- Time Cutouts[66] 2021
- Threadbare Meanings[67] 2021
- Sometime In The Year 2021[68] 2021
- No Name Yet! Come Back Tomorrow![69] 2021
- Hindsight At A Paused Moment Of Reflection[70] 2021
- Waiting For The Rapture OR Pancake Breakfast[71] 2020
- What Its Come Too[72] 2020
- And The Gods Told Jokes[73] 2020
- Tales From The Street[74] 2020
- Disturbance[75] 2020
- Can This Be Real[76] 2020
- Retreat From The Egress[77] 2020
- Threadbare Sexuality in Regalia[78] 2020
- Collaborations[79] 2020
- Cruzing The Seventieth Level[80] 2020
- So Say Us[81][82] 2020
- Saints of Later Day Politics[83] 2019
- Zarathustra's Retreat From Plato's Cave[84][85] 2019
- Under Armor of Cloistral Aspirations[86][87] 2019
- Taming The Day[88][89] 2018
- Choice Cuts[90] 2018
- The Boundary Of Time's Sway[91] 2018
- Shredding The Cultural Fabric[92] 2018
- Battle of Betwixt and Between[93] 2018
- A Long Way For Not[94] 2018
- Aural Parables From Mountain Tops And Valleys[95] 2018
- Lost To The Myths Of Idolatry[96] 2018
- Society: A tonal Improvisation Played Out In Nine Parts[97] 2018
- Society Shamans and Wizards[98] 2018
- At The Druid's Feast[99] 2018
- The Anguished Cries Of Discarded Souls[100] 2018
- Land O Goshen[101] 2018
- Illusion of Immanence[102] 2018
- Sirens of A Distance Shore[103] 2018
- Once This Way Has Passed[104] 2018
- Chapel of Lost Soli[105] 2018
- Angst After Evermore[106] 2018
- Watching Time Disappear[107] 2018
- Along Came Yesterday 2018
- Energized Exchange 2018
- Reflections 2017
- Impaled Dreams of the Believer 2000
- Riding the Cusp of Time 2000
- Electro Static Time Line[108] 2000
- Loud Noises in a Corner: Engagements On Urban Terrain[109][110][111] 1994
- John Bruce Wallace in Russia 1991
- Plumbing the Depths of Reason[112] 1989
- Krank Cauls Disturb My Sleep 1988
