John Proctor Is the Villain
2022 stage play by Kimberly Belflower
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John Proctor Is the Villain is a stage play written by American playwright Kimberly Belflower. It is a revisionist take on the classic American play The Crucible by Arthur Miller, centering on a group of modern-day high school students and their interpretation of the historical events the play is based on.[1]
| John Proctor Is the Villain | |
|---|---|
Broadway Promotional Poster | |
| Original language | English |
| Written by | Kimberly Belflower |
| Genre | Dramedy |
| Setting | Rural Georgia, 2018 |
| Premiere | |
| Date | April 27, 2022 |
| Place | Studio Theatre, Washington D.C. |
Summary
John Proctor Is the Villain is set in a high-school classroom in a small, rural Georgia town in 2018.[2] Carter Smith is the English teacher for several 11th-graders—the straight-A student Beth, the new transfer student Nell, the wealthy girl Ivy, the pastor's daughter Raelynn, the slightly awkward Mason, and Raelynn's boyfriend Lee.[3][4][5] Mr. Smith assigns the students the play The Crucible, the protagonist of which is John Proctor, who was convicted of witchcraft during the Salem witch trials.[3][5] Beth forms the school's feminist club, with Mr. Smith as its sponsor.[5] Tensions rise when Raelynn's estranged friend Shelby returns to school after a prolonged absence.[4][2] During the semester, Ivy's father is accused of sexual harassment during the #MeToo movement,[5] a source of controversy in the small town,[2] causing her to withdraw from the club. Lee tries to repair his relationship with Raelynn (having cheated on her with Shelby).[3] Miss Gallagher, the school's guidance counselor, mediates various issues between Mr. Smith and the students.[5] Over the course of the year, the class discusses The Crucible's themes of power, gender inequality, and female sexuality. In a tense class period, Shelby loudly disagrees with Mr. Smith's insistence that John Proctor is a good man, and announces that Mr. Smith had been sexually abusing her over the last year.
The accusation causes waves throughout the town. Despite her feminist ideals, Beth deeply admires Mr. Smith and is reluctant to believe Shelby, further straining relations among the girls. Nell and Mason grow closer, but Mason insults Shelby's perceived promiscuity, causing her to take off. Raelynn, her reluctant assigned partner for an interpretative project based on the play, follows her and the two reconcile.[5] Shelby admits that Mr. Smith's abuse of power had left her feeling vulnerable, which is why she slept with Lee. Mr. Smith is allowed to continue teaching and turns his attentions to Beth. On the day of the project presentation, Ms. Gallagher, who has been assigned by the school board to supervise Mr. Smith's class, reveals to him she has been aware of rumors of his predatory behavior since college. Raelynn and Shelby, acting as Elizabeth Proctor and Abigail Williams from the play, imagine a world where their actions are not defined by the men in their lives. They begin dancing, echoing Abigail's dance in the woods. Mr. Smith angrily attempts to stop the performance, but the girls' cathartic dance is supported by Nell, Mason, and Ms. Gallagher. In the final moments of the dance, Beth stands from her desk and takes a step towards the girls; the lights go out, leaving the audience to wonder if Beth joins them.[6]
John Proctor Is the Villain includes several songs by pop artists such as Lorde and Taylor Swift.[5] In some productions, these songs are performed in between scenes, as well as before the first scene and during the last scene.[7] The Broadway production used ominous sounds and flickering lights to denote the transitions between each scene.[8][9] Belflower received permission to use excerpts from The Crucible from Arthur Miller's estate.[4][10]
Notable casts
| Character | Washington D.C. | Boston | Broadway | London | Vancouver |
|---|---|---|---|---|---|
| 2022 | 2024 | 2025 | 2026 | 2027 | |
| Shelby Holcomb | Juliana Sass | Isabel Van Natta | Sadie Sink | Sadie Soverall | Georgia Acken |
| Mr. Carter Smith | Dave Register | Japhet Balaban | Gabriel Ebert | Dónal Finn | |
| Miss Bailey Gallagher | Lida Maria Benson | Olivia Hebert | Molly Griggs | Molly McFadden | Rachel Drance |
| Beth Powell | Miranda Rizzolo | Jules Talbot | Fina Strazza | Holly Howden Gilchrist | Anisha Cheema |
| Nell Shaw | Deidre Staples | Victoria Omoregie | Morgan Scott | Lauryn Ajufo | Kyla Ward |
| Ivy Watkins | Resa Mishina | Brianna Martinez | Maggie Kuntz | Clare Hughes | Madison Simms |
| Raelynn Nix | Jordan Slattery | Haley Wong | Amalia Yoo | Miya James | Marianna Zouzoulas |
| Mason Adams | Ignacio Diaz-Silverio | Maanav Aryan Goyal | Nihar Duvvuri | Reece Braddock | Tai Leathem |
| Lee Turner | Zachary Keller | Benjamin Izaak | Hagan Oliveras | Charlie Borg | |
| Understudies | Mollie Greenburg, Lauren Fraites, J. Bradley Bowers, Bowen Fox, Martha Epstein, Tre Mon Kentrell Mills, and Julia Souza | Jaime Jose Hernandez, Patrick O'Konis, Valyn Lyric Turner, Jack Greenberg, Katherine Callaway, Zehava Younger, and Jessica Golden | Noah Pacht, Fiona Robberson, Shian Tomlinson, Garrett Young and Victoria Vourkoutiotis | ||
Production history
Developmental workshops and productions (2018-2019)
The play was originally commissioned by The Farm Theater for their College Collaboration Project and first workshopped in 2018 and 2019 in three colleges theatre departments: Centre College in Danville, Kentucky[11], Furman University in Greenville, South Carolina[12], and Rollins College in Winter Park, Florida[13]. The play was also workshopped as part of the Ojai Playwrights Conference's New Works Festival in 2019.[14]
Washington, D.C. (2022)
The play was first professionally produced by Studio Theatre in Washington D.C in 2022, running from April 27 until June 5, directed by Marti Lyons.[15] Since then, it has been performed by various small theaters and colleges in the DMV area, including Georgetown University's Mask and Bauble Dramatic Society in 2023, until its Broadway premiere in 2025.[16]
Boston (2024)
In 2024, another production was staged at the Huntington Theatre Company in Boston, running from February 8 until March 10, directed by Margot Bordelon.[17] The Boston production was nominated for six Elliot Norton Awards, winning Outstanding Play, Large; and Outstanding Ensemble.
Broadway (2025)
The play premiered on Broadway in 2025, directed by Danya Taymor and starring Sadie Sink. Previews began on March 20, 2025, with an opening date of April 14, 2025 at the Booth Theatre.[18] The show opened to positive reviews and received seven Tony Award nominations, including Best Play.[19] Before the play officially opened, its run was extended by two weeks to July 6,[20] then by another week to July 13.[20][21] That June, the play's run was extended again to August 31,[22] with Chiara Aurelia replacing Sink in the role of Shelby Holcomb after July 13.[23][24] The show ended its Broadway run on September 7, 2025.[25]
London (2026)
The play made its European premiere at London's Royal Court Theatre from March 20, running for a limited engagement until April 25, 2026. The entire Broadway creative team reunited, while a whole new cast was formed for this production.[26][27] It received critical acclaim and sold out its entire engagement.
The cast includes Holly Howden Gilchrist, Lauryn Ajufo, Donal Finn and Sadie Soverall.[28][29][30]
West End (2027)
The play is set to transfer to the Wyndham’s Theatre in the West End for a limited 12-week engagement from February 2027.[31]
Reception
Broadway
Jesse Green of the New York Times wrote that Belflower "smartly keeps the play from becoming a polemic by moving on several tracks at once" by combining such elements as "pure high school comedy", pop music, and feminist interpretations of classic works.[4] Reviewers for AmNewYork and Vulture wrote that John Proctor Is the Villain was particularly relevant during the second presidency of Donald Trump, during which references to diversity, equity, and inclusion initiatives were being discouraged by the U.S. government.[3][32] A reviewer for Variety wrote that John Proctor Is the Villain interpreted The Crucible through a feminist lens, "demonstrating the power of feminine solidarity and rage",[5] a sentiment shared by an Entertainment Weekly critic.[8] Another reviewer for The Hollywood Reporter called the storyline "a poignant story of girlhood and empowering friendships".[2] Conversely, a writer for TheWrap described the short scenes as characteristic of novice playwrights,[9] and a New York Daily News writer said: "I wish "John Proctor" made its very fair point about girls forging their own narratives with more ambivalence and less certitude."[33]
London
Sarah Hemming of the Financial Times described the play as "a joyous, blazingly intelligent play...at once a restless interrogation of the role of art in defining and expressing who we are; a compassionate, funny portrayal of what it means to be a teenage girl; and a furious appraisal of the way power games repeat across generations."[34] Sarah Crompton from WhatsOnStage wrote that the play is "a witty and convincing picture of teenage girlhood, its brightness, hopes and fears."[35] Alice Saville of The Independent wrote that Belflower's play "like The Crucible...shows how quickly new ideas can contaminate a small, contained environment, spreading like penicillin spores on white bread. And this town doesn’t want to take its medicine."[36]j
Awards and nominations
2023 Original production
| Year | Award | Category | Nominee | Result | Ref. |
|---|---|---|---|---|---|
| 2023 | Helen Hayes Awards | Outstanding Production in a Play | John Proctor Is the Villain | Won | [37][38] |
| Outstanding Ensemble in a Play | Cast of John Proctor Is the Villain | Won | |||
| Charles MacArthur Award for Outstanding New Play or Musical | Kimberly Belflower | Nominated | |||
| Outstanding Lead Performer in a Play | Juliana Sass | Nominated | |||
| Jordan Slattery | Nominated | ||||
| Outstanding Supporting Performer in a Play | Ignacio Diaz-Silverio | Nominated | |||
| Deidre Staples | Nominated | ||||
| Outstanding Direction in a Play | Marti Lyons | Nominated | |||
| Outstanding Lighting Design | Jesse Belsky | Nominated | |||
| Outstanding Set Design | Luciana Stecconi | Nominated | |||
| Outstanding Sound Design | Kathy Ruvuna | Nominated |
2024 Boston production
| Year | Award | Category | Nominee | Result | Ref. |
|---|---|---|---|---|---|
| 2024 | Elliot Norton Awards | Outstanding Play | John Proctor Is the Villain | Won | [39] [40] |
| Outstanding Ensemble | Cast of John Proctor Is the Villain | Won | |||
| Outstanding Featured Performance in a Play | Jules Talbot | Nominated | |||
| Isabel Van Natta | Nominated | ||||
| Haley Wong | Nominated | ||||
| Outstanding Director | Margot Bordelon | Nominated |
2025 Broadway production
Film adaptation
On July 18, 2025, it was announced that Universal Pictures successfully outbid other studios for the rights to the play, which will be adapted by Belflower into a feature film. Tina Fey, Eric Gurian, Marc Platt, Adam Siegel and Jared LeBoff are producing, and actress Sadie Sink is an executive producer.[45] Taymor, who directed the original play, signed on as director.[46]