Jonah Bokaer

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Born (1981-10-01) October 1, 1981 (age 43)
Ithaca, New York
OccupationChoreographer, Media Artist
GenreChoreography, Dance, Performance, Media, Activism, New Genres
Jonah Bokaer
Bokaer performing "Three Cases Of Amnesia" in 2011
Bokaer performing "Three Cases Of Amnesia" in 2011
Born (1981-10-01) October 1, 1981 (age 43)
Ithaca, New York
OccupationChoreographer, Media Artist
GenreChoreography, Dance, Performance, Media, Activism, New Genres
Notable worksWhy Patterns, REPLICA, STACKS, The Invention Of Minus One, A Cure For Surveillance
Website
jonahbokaer.net

Jonah Bokaer (born October 1, 1981) is an American choreographer and media artist. He works on live performances in the United States and elsewhere, including choreography, digital media, cross-disciplinary collaborations, and social enterprise.[1]

Originally from Ithaca, New York,[2] Bokaer trained in dance at Cornell University, and subsequently graduated from University of North Carolina School of the Arts as a North Carolina Academic Scholar (Contemporary Dance/Performance, 2000).[3] Recruited for the Merce Cunningham Dance Company at the unprecedented age of 18,[4] Bokaer pursued a parallel degree in Visual & Media Studies at The New School (2003–2007),[5] where he received the Joan Kirnsner Memorial Award. Additional studies in media and performance occurred at Parsons The New School for Design, NYU Performance Studies, and through self-taught explorations into digital media and 3D animation: such studies led to the development of a rare, multi-disciplinary approach to choreography, addressing the human body in relation to contemporary technologies.[6]

Dance and choreography

As a dancer, Bokaer has worked with Merce Cunningham (2000–2007), John Jasperse (2004–2005), David Gordon (2005–2006), Deborah Hay (2005), Tino Sehgal (2008), and many others. He has also interpreted the choreography of George Balanchine as restaged by Melissa Hayden. Bokaer is also a frequent choreographer for Robert Wilson (2007–Present).[7]

Bokaer is the author of 30 original choreographies, produced in Belgium, Canada, Cuba, Denmark, France, Germany, Greece, Holland, India, Spain, Switzerland, Thailand, the United Kingdom, and the United States. Recent engagements include the Attakalari Performance Biennale (Bangalore 2009), the Rotterdamse Schouwburg (Holland 2010), Jacob's Pillow Dance Festival (Becket, MA 2011), Festival d'Avignon (Avignon, 2012), BAM Next Wave Festival, and a commission from the National Academy of Sciences (Washington, D.C.).[8]

Activism and social enterprise

Under the leadership Bokaer in 2002, a group of artists and choreographers formed Chez Bushwick,[9] an adventurous arts organization that has significantly impacted a new generation of dance artists, choreographers, and performers in the United States, and beyond. Founding artists developed a series of public programs that have become emblematic of a new way of working in New York City: across borders, across disciplines, employing variable aesthetic signatures, and overturning divisions between choreographer, curator, producer, and audience member. Through strategies of collaboration, activism, and public dialogue, these cultural strategies have achieved economic justice during a challenging real estate and funding climate in NYC. Chez Bushwick was recently awarded by the Rockefeller Foundation NYC Cultural Innovation Fund.[10]

Bokaer is a co-founder of the Center for Performance Research (CPR), a nonprofit organization in collaboration with John Jasperse/Thin Man Dance. CPR's L.E.E.D.-certified green building, the first in Brooklyn, provides affordable space for rehearsal and performance, arts programming, education and engagement with the community.

Writing

Bokaer's writings have been published in Artwurl, The American Society for Alexander Teachers, Critical Correspondence, AADIAL Magazine, Goldrush Dance Magazine, ITCH, Movement Research Performance Journal, and NYFA Current.

Selected works

Collaborations

Museums, performances and commissions

Relations with France

Bokaer's choreography over the past decade has been made possible in large part through a vigorous artistic relationship with France.

Dance and choreography

  • Working with the Merce Cunningham Dance Company throughout 30 French cities, in 9 regions, over the course of 8 years
  • Touring new choreography to Alternative Spaces in Paris - Naxos Bobine (2006), La Générale (2006), Atelier de Paris (2007), Galerie Emmanuel Perrotin (2007, 2010)
  • Production support in Marseille - La Compagnie (2006), Ballet National de Marseille (2010), MAC Marseille (2010)
  • Production support in Lyon - Les Subsistances (2007)
  • Production support in Nîmes - Le Carré d'Art (2009)
  • Production support in Paris - Art/Dan/Thé Festival, Vanves (2010)
  • Production support in Avignon - Les Hivernales Festival (2011), Les Penitents Blancs (2011), CDC Avignon (2011)
  • Receipt of the FUSED / French U.S. Exchange in Dance grant (2011)

Production and presentation

  • Provision of residencies to Alexandre Roccoli (Chez Bushwick, 2007)
  • Provision of residencies to Christian Rizzo (CPR, 2008)
  • Provision of residencies to Steven Cohen (CPR, 2009)
  • Provision of residencies to David Wampach (CPR, 2009)
  • Restaging of French choreography on U.S. artists via David Wampach (CPR, 2009)

Leadership

Partnerships

  • FUSED / French U.S. Exchange in Dance (2007, 2008, 2010, 2011)
  • Cultural Services of the French Embassy (2008, 2009, 2010)
  • FIAF's Crossing The Line Festival (2007, 2008, 2009)
  • ONDA (2010)

Awards and honors

References

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