Josefa Palacios

In 1849 and 1854 she was working on her art piece Landing of the Thirty Three Orientals (Desembarco de los Treinta y Tres Orientales), an oil painting on canvas that became the first representation in the visual arts of the landing of Thirty Three Orientals on the Playa de la Agraciada in 1825.^[6]

The painting represents a poorly lit night landscape, appearing in the center Juan Antonio Lavalleja, who in his left hand holds the blue, white and red tricolor flag, with a group of components of the liberating expedition and in the background, in the center, you can see the Uruguay River and a boat that is moving away.^[6]

This work was painted by Josefa Palacios twenty-three years before her compatriot Juan Manuel Blanes depicted the same historical event.^[1] The painting belongs to the collection of the Museo Histórico Nacional since 1911 when it was donated by Palacios’ children.^[3][7]

In 1913 the painting was restored for the first time by the painter Ernesto Laroche.^[8]

Until 2012, the painting Landing of the Thirty-Three Orientales had remained almost unnoticed by the Uruguayan public when Prof. Sonia Bandrymer carried out the research the realization of "Active Art. Digital catalog of artists visuals of Uruguay".^[8]

There are few records and testimonies of the rest of her pictorial works, including the portrait of María Ortiz Laguna de Argentó, her daughter, and Florencio Varela.^[6] Francisco Acuña de Figueroa suggests other works by Palacios include an effigy of her husband and a painting of the Virgin Mary.^[2]

In 1997, the Departmental Board of Montevideo named after Palacios a street in the Paso de la Arena neighborhood in Montevideo.^[3]

In 2019, another street in the city of Colonia del Sacramento was named after her.

Currently the Regional Historical Archive located in Colonia del Sacramento, has as its headquarters in the "Casa de Palacios" where Palacios lived.^[1]