József Bécsi
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Born7 February 1884
OccupationCinematographer
Yearsactive1908–1942 (film)
József Bécsi | |
|---|---|
 Bécsi (third from right) in 1914. | |
| Born | 7 February 1884 |
| Died | 19 February 1947 (aged 63) |
| Occupation | Cinematographer |
| Years active | 1908–1942 (film) |
József Bécsi (1884–1947) was a Hungarian cinematographer, particularly active during the silent era.[1][2] He began his career as a projectionist.[3] He worked on many of the early films of director Michael Curtiz.
- The Last Bohemian (1912)
- My Husband's Getting Married (1913)
- Bánk Bán (1914)
- The Borrowed Babies (1915)
- The Wolf (1916)
- Seven of Spades (1916)
- The Medic (1916)
- Nobody's Son (1917)
- The Red Samson (1917)
- The Charlatan (1917)
- The Last Dawn (1917)
- Confessions of a Monk (1922)
- The Dead Wedding Guest (1922)
- The Tales of Hoffmann (1923)
- A Waltz by Strauss (1925)
- Prisoner Number Seven (1929)
- The Empress and the Hussar (1935)
- I Can't Live Without Music (1935)
- The Lady Is a Bit Cracked (1938)
- Isten rabjai (1942)
