Kalervo Palsa

During his life he had artist friends including Reidar Särestöniemi, but his two biggest supporters were his mother, and his soulmate/muse Maj-Lis Pitkänen, the sister of his childhood sweetheart Maaret.

After his death, Maj-Lis was bequeathed his artistic works and journal, and donated them to the Kiasma art museum in 1999.^[3] She would later go on to curate several exhibitions of his work and to edit compilations of his writings.^[4] She led a long-term campaign to install a memorial cenotaph for Palsa, which was sculpted by the Finnish artist, Pekka Pitkänen, Maj-Lis's husband. The statue, shaped like a stylized seed or bullroarer, was viewed by the parish as pagan, or even representing female sexual organs. Some argued against Palsa's burial in the parish due to his supposed sexual perversion, though his reputation has been partially rehabilitated since.^{[citation needed]}

Kalervo Palsa used a varied palette of techniques and materials, including housepaint. He painted over 1,000 self-portraits.

Most of his works explore in graphic detail the dark side of humanity, and especially of his native northern regions, with prominent themes including grotesque sexuality, sadism, homosexuality, bisexuality and a general emotional frigidity paraphilia.

Palsa went through a brief phase of experimentation with abstract art while staying in New York City. According to his diaries, this phase ended suddenly one day when he saw an unconscious black man sprawled on a subway bench.

Besides Hieronymus Bosch, his work has been compared to that of Frida Kahlo. His artistic influences include René Magritte and Vincent van Gogh, and his works also include references to Jean-Paul Sartre, August Strindberg and Jean Genet. On the first page of Eläkeläinen muistelee, he mentions other looser influences such as Jonathan Swift and Vladimir Lenin, among others.^{[citation needed]}

Some researchers have noted that though he remained active in his work up to his death in 1987, his work did not show signs of the postmodernism evident in the work of many other artists of the time.^{[citation needed]}

• Turva ("Security") is a painting of a giant anus surrounded by horrifying images. At the center of the painting the anus opens as a window showing a man seated serenely in a rocking chair, apparently untouched by the horrors.
• Missi Paskantaa ("A Beauty Pageant Contestant Takes a Dump"), a black-and-white inked comic strip. The work consists of a few pages of deadpan illustrated technical description of the practical ramifications of beauty pageant contestants having to defecate, and finally ends with an illustrated listing of varieties of consistency of faeces that might come out of such a girl's anus, with attendant analysis.
• Eläkeläinen Muistelee ("Retiree Reminisces"), a black-and-white inked comic-book recounting a plethora of highly surreal homosexual sadistic tales.
• Miehen Kuukautiset ("The Male Period"), a painting of a man's bleeding anus.
• Vapautuminen ("Deliverance"), a painting of a man suspended in mid-air, hung by a rope attached around the glans of his own huge penis.
• Uusi Ihminen ("New (Hu)Man"), a man giving birth through his anal opening.