Karl Ludwig Schröder

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Born(1877-07-30)30 July 1877
Zerbst, Germany
Died23 September 1940(1940-09-23) (aged 63)
Occupationsscreenwriter, director, agent
SpouseIrma Schröder
Karl Ludwig Schröder
Born(1877-07-30)30 July 1877
Zerbst, Germany
Died23 September 1940(1940-09-23) (aged 63)
Occupationsscreenwriter, director, agent
SpouseIrma Schröder

Karl Ludwig Schröder (1877-1940) was a screenwriter, director, and agent known for engaging noted authors as scenarists.

Schröder was Dramaturg and director in 1904 of the United Municipal Theaters in Cologne, in 1905 at the Volksoper Wien, 1906 at the Municipal Theatre Glogau, 1908-1909 Deputy Director, director and dramaturg at the Deutsches Theater in Hannover, 1910-1912 executive director of the Koblenz City Theater. Schröder was a journalist, editor of Dramaturgische Blatter in 1905 and co-editor of the German theater magazine (1908–11), secretary 1911/12 and treasurer of the Association of Rhenish-Westphalian Theater Directors.[1]

Film career

The film medium had in its early years a somewhat tarnished reputation. It was regarded as reckless, vulgar, and titillating. In the 1910s a number of filmmakers tried to lift the medium to a more artistic level. Schröder was in the period 1912 - 1914 head of Nordisk Film Company's branch in Berlin. In this position he was the first to use acclaimed writers as screenwriters and scenarists for film. He called them Autorenfilm. The first such film was the Danish silent film Atlantis (1913 film), which was based on a book of the same name by the German writer Gerhart Hauptmann, who had received the Nobel Prize in Literature (1912).[2] Schröder collaborated with Arthur Schnitzler in early efforts to transfer Schnitzler's play Liebelei to film, Liebelei (film).[3]

Agent

References

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