Kasoor

2001 film directed by Vikram Bhatt From Wikipedia, the free encyclopedia

Kasoor (transl.Fault) is a 2001 Indian Hindi-language legal thriller film directed by Vikram Bhatt and produced b Mukesh Bhatt's Vishesh Films. It stars Aftab Shivdasani and Lisa Ray in her Hindi film debut.[citation needed] Ray's voice was dubbed by Divya Dutta,[4][5] while Shivdasani's voice was dubbed by Bhatt himself.[6] Apoorva Agnihotri, Irrfan Khan and Ashutosh Rana appear in supporting roles. The film was released on 2 February 2001,[7] and was a critical and commercial success.[8][9] It is notable for the soundtrack composed by Nadeem–Shravan.[10]

Directed byVikram Bhatt
Written byMahesh Bhatt
Girish Dhamija
Produced byMukesh Bhatt
Quick facts Directed by, Written by ...
Kasoor
Directed byVikram Bhatt
Written byMahesh Bhatt
Girish Dhamija
Produced byMukesh Bhatt
StarringAftab Shivdasani
Lisa Ray
CinematographyPravin Bhatt
Edited byAmit Saxena
Music byNadeem-Shravan
Production
company
Distributed byEros International
Sony Pictures Networks India
Release date
  • 2 February 2001 (2001-02-02)
Running time
151 minutes[1]
CountryIndia
LanguageHindi
Budget₹3 crore[2]
Box office₹14.1 crore[3]
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The film is an unofficial remake of the 1985 American film Jagged Edge,[11] with the climax being borrowed from the 2000 American horror film What Lies Beneath, which was also adapted unofficially by Bhatt into a full-fledged film in 2002.[12][13][14]

Plot

The film starts with the murder of Priti, wife of Shekhar, a wealthy and well-known journalist. Inspector Lokhande investigates the case and accuses Shekhar of the murder, saying he has enough evidence to arrest and convict him. However, upon getting bail from the court, Shekhar asks his lawyer to fight his case for him; however, his lawyer tells him that he will not be able to fight his case because he is a corporate lawyer and only fights civil cases. He suggests Shekhar ask Simran Bhargav, who is a skilled criminal lawyer in his firm, to fight his case.

Shekhar goes to Simran's house to convince her to take his case. Simran tells Shekhar that she'll defend him only if she is convinced that he is innocent. Simran is battling inner demons over a case in which she got a man convicted for a crime he had not committed. Her guilt increases when she learns that the innocent man had committed suicide in custody.

While representing Shekhar, whom she considers innocent, Simran falls in love with him – a part of Shekhar's plan to win her trust. They end up spending the night together. Throughout the case, a mysterious man sends clues to Simran, which helps her prove Shekhar's innocence. It is revealed that Shekhar's wife Priti was having an affair with Jimmy Pereira. After the court declares Shekhar innocent, Simran spends the night with Shekhar at his house & start Loving Him.

Cast

Soundtrack

Quick facts Studio album by Nadeem-Shravan, Released ...
Kasoor
Studio album by
Released25 August 2000
Recorded2000
GenreFeature film soundtrack
LabelSaregama
ProducerNadeem-Shravan
Nadeem-Shravan chronology
Dhadkan
(2000)
Kasoor
(2000)
Ek Rishtaa: The Bond of Love
(2001)
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This was Nadeem-Shravan's second album after comeback. The song "Dil Mera Tod Diya" was unofficial remake of Pakistani song "Wo Mera Ho Na Saka" by Noor Jehan from movie Azmat.[15]

Track listing

All lyrics are written by Sameer; all music is composed by Nadeem-Shravan.

More information No., Title ...
No.TitleSinger(s)Length
1."Kitni Bechain Hoke"Alka Yagnik, Udit Narayan7:25
2."Zindagi Ban Gaye Ho Tum"Alka Yagnik, Udit Narayan5:35
3."Mohabbat Ho Na Jaye"Kumar Sanu, Alka Yagnik6:35
4."Koi To Saathi Chahiye"Kumar Sanu5:32
5."Dil Mera Tod Diya"Alka Yagnik5:07
6."Kal Raat Ho Gayee"Kumar Sanu, Alka Yagnik7:32
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Reception

The film received mixed to positive reviews from critics. Taran Adarsh of Bollywood Hungama praised the performance of the lead cast saying, "Kasoor scores the most in that one important department — performances. Credit for this must go primarily to the two principal performers — Aftab Shivdasani and Lisa Ray — who come up with proficient performances."[16] Aparajita Saha of Rediff.com stated, "this is a film that attempted an intriguing premise but failed when it didn't fully explore that very premise and take it to its logical and rightful conclusion."[17]

References

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