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Kermit S. Champa

American art historian From Wikipedia, the free encyclopedia

Kermit Swiler Champa (August 20, 1939 – July 22, 2004) was an American art historian and educator. A scholar of Impressionism, Champa was the Andrea V. Rosenthal Professor of the History of Art and Architecture at Brown University from 1970 to 2004.

Born
Kermit Swiler Champa

(1939-08-20)August 20, 1939
DiedJuly 22, 2004(2004-07-22) (aged 64)
SpouseJudith Tolnick
Children3
Quick facts Born, Died ...
Kermit S. Champa
Born
Kermit Swiler Champa

(1939-08-20)August 20, 1939
DiedJuly 22, 2004(2004-07-22) (aged 64)
SpouseJudith Tolnick
Children3
Academic background
Alma materYale University
Harvard University
ThesisThe Genesis of Impressionism (1965)
Frederick B. Deknatel
InfluencesClement Greenberg
Academic work
DisciplineArt history
Sub-discipline
Impressionism
InstitutionsBrown University
Notable students
Olivier Berggruen
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Career

Born in Lancaster to Valentino Anthony and Gladys Swiler, Champa earned a Bachelor of Arts in Art History from Yale University in 1960, where he played trombone. He went on to receive a Doctor of Philosophy in Art History from Harvard University in 1965, where he studied under Frederick B. Deknatel and Clement Greenberg.[1] Champa wrote a doctoral dissertation about the Impressionist period, under Deknatel.[2]

A specialist on Impressionist paintings, Champa first taught at Yale as an Assistant Professor of Art History.[3] He then moved to Brown University in 1970. A year later, he was honored by the Government of Germany with the Order of Merit of the Federal Republic of Germany. In 1974, Champa became a full Professor and was named the Andrea V. Rosenthal Professor of the History of Art and Architecture in 1995. He taught there until death in 2004 from lung cancer.[4]

Selected works

  • German Painting of the 19th Century, 1970
  • Studies in Early Impressionism, 1973
  • Mondrian Studies, 1985
  • The Rise of Landscape Painting in France: Corot to Monet, 1991
  • Masterpiece Studies: Manet, Zola, Van Gogh, and Monet, 1994

See also

References

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