Kerouac: Kicks Joy Darkness
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| Kerouac: Kicks Joy Darkness | |
|---|---|
 | |
| Studio album by Various Artists | |
| Released | April 8, 1997 |
| Genre | Spoken word |
| Length | 79:30 |
| Label | Rykodisc |
| Producer | Jim Sampas |
Kerouac: Kicks Joy Darkness is a 1997 spoken word tribute album released through Rykodisc featuring late Beat Generation writer Jack Kerouac's work performed by various artists. Notable performers include: Michael Stipe, Allen Ginsberg, Hunter S. Thompson, Johnny Depp, and Patti Smith. Seven out of the twenty-five tracks are strictly spoken word pieces, while the rest feature music.[1]
Kerouac: Kicks Joy Darkness was produced by Jim Sampas, a musician in Boston-area bands,[2] whose aunt was married to Jack Kerouac.[3] Sonic Youth's Lee Ranaldo was brought on board as associate producer, and he enlisted Thurston Moore, Eddie Vedder, Michael Stipe, and others to the project. Sampas said of the Kerouac work chosen for the album, "The mainstream books are more appealing, more accessible, but we wanted to do things people hadn't heard before, open people's eyes to work never published before." Through literary executor John Sampas, previously unpublished material was made available.[2]
The album contains two tracks not written by Kerouac: album opener "Kerouac," performed by rock band Morphine, and "Letter to William S. Burroughs" / "Ode to Jack," in which gonzo-journalist Hunter S. Thompson departs from Kerouac's text to recite his own "Ode to Jack."[4]
Poets Allen Ginsberg and Lawrence Ferlinghetti were recorded live at the New York University Kerouac tribute at Town Hall in 1995.[2] Ginsberg's performance of "The Brooklyn Bridge Blues" is missing the final tenth chorus. This was due to a faxing machine error which stuck the last pages together when Ginsberg was faxed the lyrics. The final chorus is read by musician Eric Andersen instead, recorded on a DAT recorder from the Brooklyn Bridge.[1] Singer Patti Smith's performance with guitarists Thurston Moore and Lenny Kaye was recorded live at the Lowell Celebrates Kerouac Festival in 1995.[4]
The majority of the texts are taken from Pomes All Sizes (1992), except "Letter to William S. Burroughs" and "Letter to John Clellon Holmes," which are from Jack Kerouac: Selected Letters, Vol. 1, 1940–1956 (1995), "MacDougal Street Blues" is from Book of Blues (1995), and "Madroad Driving..." and "Have You Ever Seen Anyone Like Cody Pomeray?" are from Visions of Cody (1972).[5] "Dream: "Us Kids Swim off a Gray Pier...", "America's New Trinity of Love: Dean, Brando, Presley", "Dream: "On a Sunny Afternoon...", and "The Brooklyn Bridge Blues" are previously unpublished.[6]
Critical reception
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| Entertainment Weekly | B+ [7] |
William Ruhlmann, writing for AllMusic, wrote in his review: "Kerouac was not a fan of rock music, instead preferring bebop jazz, so the closest tracks to what he himself would have preferred are associate producer and Sonic Youth member Lee Ranaldo's excerpt from a letter to John Clellon Holmes, accompanied by saxophonist Dana Colley, Warren Zevon's "Running Through – Chinese Poem Song," accompanied by pianist Michael Wolff, and Matt Dillon's "Mexican Loneliness," with a jazzy sax and bongo accompaniment ... The selections present a good sampling of Kerouac's literary concerns, and, whether appropriate or not, the recordings demonstrate his extensive influence."[1]
