Kevin Kopelson

American literary critic From Wikipedia, the free encyclopedia

Kevin Kopelson is an American literary critic. He received a B.A. from Yale University, a J.D. from Columbia University, and a Ph.D. from Brown University.[1] Currently,[when?] he is Emeritus Professor of English at The University of Iowa.

Quick facts Years active, Academic background ...
Kevin Kopelson
Years active1994–present
Academic background
Alma materUniversity of Iowa
InfluencesRoland Barthes[citation needed]
Academic work
Main interestsGender studies literary criticism cultural studies 20th century in literature
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He is a contributor to the London Review of Books.[2] He writes on topics ranging from fin-de-siècle literature to fashion photography.

Fields

Kopelson has published in the fields of sexuality studies,[3] critical theory, cultural studies, and 20th-century literature.

Works

  • Love's Litany: The Writing of Modern Homoerotics (Stanford University Press, 1994).[4]
  • Beethoven's Kiss: Pianism, Perversion, and the Mastery of Desire (Stanford University Press, 1996).[5]
  • The Queer Afterlife of Vaslav Nijinsky (Stanford University Press, 1997).[6]
  • Finishing Proust (2000)
  • Neatness Counts: Essays on the Writer's Desk (University of Minnesota Press, 2004).
  • Sedaris (University of Minnesota Press, 2007).[7]
  • Confessions of a Plagiarist: And Other Tales from School (Counterpath Press, 2012).
  • Adorno and the Showgirl: Or Late Style (2016)

References

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