Khaled (album)

Khaled signed with French record label Barclay Records, then brought in American record producer Don Was to "incorporate American R&B—to Americanize the music", which Don Was achieved by combining Khaled's live musicians with loops and beats from his Macintosh computer and a keyboard.^[3] The result of these sessions in the studio that combined Khaled's rai with Was' R&B, was, according to Was, "pretty wild music."^[3]

The response from the Arab public was mixed. Many of the more conservative Arabs stopped buying his records and going to his concerts, feeling offended by exposure to what they perceived as the liberal West, and by what they saw as "(selling) out to Western commercialism".^[4] Others saw this as new, cool, and revolutionary, and he attracted a new audience.^[4]

The music from the album, especially "Didi," was played in French nightclubs and on Hip Hip Hourah, and the album began to sell well throughout France. The French emcee Abdelmalek Sultan of hip-hop band IAM called Khaled the "Public Enemy Arabe" and is regarded as the first raï artist to successfully cross over into the French pop market.^[4]

1. "Didi" – 5:02
2. "El Arbi" – 3:35
3. "Wahrane" – 4:27
4. "Ragda" – 3:51
5. "El Ghatli" – 4:07
6. "Liah Liah" – 4:21
7. "Mauvais Sang" – 6:13
8. "Braya" – 4:46
9. "Ne m'en voulez pas" – 4:57
10. "Sbabi" – 4:05
11. "Harai" – 3:57