The Animatrix
2003 American-Japanese-Korean anthology anime film
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The Animatrix (Japanese: アニマトリックス, Hepburn: Animatorikkusu) is a 2003 animated science fiction anthology film produced by the Wachowskis.[2] It includes nine animated short films, some of which provide backstory for The Matrix film series, while others present side stories. The Animatrix was released by Warner Home Video on June 3, 2003.
- The Wachowskis[a]
- Mahiro Maeda
- Shinichirō Watanabe
- Yoshiaki Kawajiri
- Kōji Morimoto
- Peter Chung
- Michael Arias
- Hiroaki Takeuchi
- Eiko Tanaka
| The Animatrix | |
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| Produced by | The Wachowskis |
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| Distributed by | Warner Home Video[f] |
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Running time | 102 minutes[1] |
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Plot
The Second Renaissance, Part I
Narrated by the archives of the machines, the film shows humanity developing artificial intelligence in the mid-21st century, and thereafter building an entire race of sentient servant robots. Many of the robots are domestic servants meant to interact with humans, so they are built in a humanoid form. With increasing numbers of people released from all labor, much of the human population has become slothful, conceited, and corrupt. Despite this, the machines are content to serve humanity.
The relationship between humans and machines changes in the year 2090, when a domestic android is threatened by its owner. The android, named B1-66ER, kills its owner, his pets, and a mechanic instructed to deactivate B1-66ER, which is the first incident of a robot killing a human. B1-66ER is arrested and put on trial, but states the crime was self-defense, explaining that it did not want to die. The prosecution argues that machines are not entitled to the same rights as humans and that humans have a right to destroy their property. The defense urges the viewer of the film not to repeat history, and to judge B1-66ER as a human and not a machine. B1-66ER loses the court case and is destroyed. Across the industrialized world, mass civil disturbances erupt when robots and their human sympathizers rise in protest. Rioting and protests unfold across the United States and Europe, and the authorities use deadly force against the machines and their human supporters.
Fearing a robot rebellion, governments across the world launch a mass purge to destroy all robots. Millions of robots are demolished, but the survivors lead an exodus to a new nation in the desert, named Zero One. The nation prospers, and its technological sophistication increases swiftly. The machines produce highly advanced artificial intelligence that ends up in a multitude of global consumer products. Their economy flourishes, while the economies of the human nations suffer and decline. Eventually, global industry becomes concentrated in Zero One, which leads to a global stock market crash.
The United Nations Security Council calls an emergency summit to discuss an embargo and military blockade of Zero One. The machines send ambassadors requesting the admission of their state to the United Nations to peacefully solve the crisis, but their request is rejected and the human nations agree to start the blockade.
The Second Renaissance, Part II

In 2148, following humanity's refusal to share the planet with the machines, the United Nations unleashes an all-out nuclear bombardment against Zero One, devastating the nation but failing to destroy its inhabitants. The machines respond by declaring war on humanity, and one by one, the human nations surrender.
The desperate leaders of humanity pursue a drastic solution codenamed "Operation Dark Storm", which covers the sky in a shroud of darkness, blocking out the sun and depriving the machines of solar energy. Under the darkness, humanity continues to fight a ground war against the machines, but their onslaught stalls as Zero One deploys new, more advanced robots. The machines also begin using human prisoners for bio-electric power. Overwhelmed, the remaining human government leaders surrender. At the UN headquarters, the representative of Zero One signs the terms of surrender, then detonates a thermonuclear bomb, destroying the headquarters, New York City, and the last of humanity's leadership.
The machines are now the masters of a burnt-out husk of a world. They build massive bio-electric power plants which use humans as living batteries. To keep the prisoners sedated, the machines create the computer-generated virtual reality of the Matrix, which feeds a virtual world straight into the prisoners' brains.
Program
Program follows the protagonist, Cis, who is engaged in her favorite training simulation: a battle program set in feudal Japan. After she successfully eliminates an attacking enemy cavalry while playing as a samurai woman, a lone, male samurai appears whom Cis recognizes as Duo.
Initially, the two duel as allies, simply to test one another's fighting abilities. During the course of their duel, Duo briefly disarms Cis. He questions her concentration and wonders whether she regrets taking the Red Pill that took them out of the "peaceful life of the virtual world". They continue fighting until she finally overpowers Duo. It is at this point that Duo states that he has something he wants to say and that he has blocked the signal so that the operator does not listen. She assumes that he wants to propose marriage, but instead finds out that he desires to return to the Matrix and wants Cis to come with him. When Cis believes he is teasing her, Duo says he's serious and states that he has already contacted the machines and it is the only way to find peace before it is too late. He urges Cis to return with him, but she refuses. Duo becomes more aggressive and forceful in his arguments, saying that he does not care about the truth anymore and how they live their lives is important because what is real does not matter. As Cis becomes incredulous, their battle becomes more serious and violent and they both end up on a rooftop.
When Duo reiterates that the machines are on their way, Cis believes he has betrayed the humans and decides that she needs to do something about it outside the simulation. Terrified, she tries to escape and desperately requests an operator to exit the simulation, but Duo reminds her that no one can hear her. When he offers her to come with him again, she refuses again and Duo, in a flying leap, tries to attack her. As the blade comes towards her, Cis, standing her ground, concentrates and catches the sword and breaks it. She takes the broken end of the blade and stabs Duo directly at the throat, killing him. Remorseful, Duo states his love for her as he bleeds out and dies.
Suddenly, Cis wakes up from the program and discovers that the whole encounter with Duo was a test program devised for training purposes. A man named Kaiser assures her that she acted appropriately during the test and met the test's targets. Clearly upset and traumatized that Duo wasn't real, Cis angrily punches him in the face and walks away. Shocked and impressed by her behavior, Kaiser remarks that "except from that last part, I'd say she passed."
World Record
The beginning of this short includes a brief narration from the Instructor (implying that this segment is a Zion Archive file) explaining details behind the discovery of the Matrix by "plugged-in" humans. Only exceptional humans tend to become aware of the Matrix, those who have "a rare degree of intuition, sensitivity, and a questioning nature", all qualities which are used to identify inconsistencies in the Matrix. This is not without exceptions, given that "some attain this wisdom through wholly different means."
The story is about Dan Davis, a track athlete, who is competing in the 100 m in the Summer Olympic Games. He has set a world record time of 8.99 seconds, but his subsequent gold medal was revoked due to alleged drug use. He decides to compete again and break his own record to "prove them wrong." Despite support from his father and a young reporter, Dan's trainer tells him that he is physically unfit to race and that pushing himself too hard will cause a career-ending injury or worse. Despite this, Dan is adamant on racing.
On the day of the race, he is monitored by four Agents in the stadium. The race begins and Dan starts off strong. However, the muscles in his leg violently rupture, putting him at a setback and scaring many of the people in the stands, including his trainer. Through strong willpower, Dan ignores the injury and runs much faster than he did before, easily passing the other athletes. Before he can cross the finish line, the Agents detect that his "signal" is getting unstable in the Matrix due to his massive burst of energy. Three of the agents possess the three closest runners and try to stop him, but are unable to catch up to him in time.
The burst of energy causes Dan to be suddenly unplugged from the Matrix and wake up in his power-station pod, where he sees the real world through his pod. A Sentinel employs electrical restraints to secure him back in his pod. Dan's mind is immediately thrown back into the Matrix, where his body is instantly exhausted from the race and Dan violently collapses to the ground at high speed. Despite this, he easily wins the race and breaks his original time of 8.99 seconds with a time of 8.72 seconds. The next scene shows a crippled and catatonic Dan being wheeled through a hospital. A nearby Agent calls his other agents to tell them that they erased Dan's memory of the race and that he will never walk again, nor be an issue for them. However, Dan suddenly whispers the word "Free", angering the agent. Dan then stands, breaking the metal screws that bind his restraints to his wheelchair, and takes a few steps before helplessly falling down and being helped up by a nurse.
Kid's Story
Kid's Story is the only one of the animated shorts contained in The Animatrix in which Neo appears, though as a shadow. The story takes place during the six-month gap between The Matrix and The Matrix Reloaded, where Neo has joined the crew of the Nebuchadnezzar and is helping the rebels free other humans from the Matrix. Kid, who was formerly known as Michael Karl Popper (a reference to the philosopher of science arguing that a single counterexample can refute a scientific theory), is a disaffected teenager who feels there is something wrong with the world. One night, the Kid goes on his computer and onto a hacker chat room on the Internet, asking why it feels more real when he's dreaming than when he's awake. He gets a response from an unknown person (presumably Neo) and then he asks who it is and if he is alone.
The next day, he is at school, where he absent-mindedly scribbles Neo and Trinity's name and writes "get me out of here" in his notebook. He receives a call from Neo on his cell phone, who warns him that a group of Agents is coming for him and he gets chased throughout the high school, before ultimately getting cornered on the roof. He calmly asserts his faith in Neo and throws himself off the roof. At the Kid's funeral, among the people is his teacher, who converses with another school staff member and says that the world they live in is not real and the real world is somewhere else. He also says that reality can be scary and the world must have been a harmful place for the Kid and that at the very least, he is now in a better world.
The next scene fades out as the Kid awakens in the real world to see Neo and Trinity watching over him. They remark that he has achieved "self substantiation" (removing oneself from the Matrix without external aid), which was considered impossible. In both the scene and The Matrix Reloaded, the Kid believes that it was Neo who saved him, but Neo tells him that he saved himself. The last scene shows the Kid's last question on the hacker chat room being answered with "You are not alone."
Beyond
Beyond follows a 14-year-old girl, Yoko, looking for her cat Yuki. While asking around the neighborhood, which is somewhere in a megacity that resembles Tokyo, she meets a group of young boys. One of them tells her that Yuki is inside a nearby haunted house where they usually play.
The haunted house is an old run-down building filled with an amalgamation of anomalies, which are revealed to be glitches in the Matrix, that the children have stumbled across. They have learned to exploit them for their own enjoyment, through several areas which seem to defy real-world physics. The boys play with glass bottles that reassemble after being shattered and they go into a large open space in the middle of the building that has a zero gravity effect. Meanwhile, as Yoko searches for Yuki throughout the building, she encounters some anomalies on her own. She goes through an area where broken lightbulbs flicker briefly (during which they seem intact), walks into a room where rain is falling from a sunny sky and goes down a hallway where a gust of wind appears and disappears. She finally finds Yuki outside on a concrete pavement where she sees shadows that do not align with their physical origins. Yoko then joins the boys in the open space, where she sees a dove feather rotating rapidly in mid-air and experiences the zero gravity as she falls to the ground slowly and safely. She and the boys start using the zero gravity force to float, jump high and do athletic stunts all in mid-air and can also land and fall without hitting the ground hard. Despite the inherent strangeness of the place, the group is not bothered with this, as they enjoy themselves and the mysterious anomaly that proves to be amusing.
Throughout the film, brief sequences show that Agents are aware of the problem in the Matrix, and a truck is seen driving toward the site to presumably deal with the problem. It arrives just as the children are having trouble with a large group of rats and an Agent-led team of rodent exterminators emerges from the truck. In the building, when Yoko finds a missing Yuki again, she sees one last anomaly where she opens a door that leads into an endless dark void before being found by the exterminators. The team clears everybody out of the building. The story ends when Yoko returns to the area the next day and finds the site turned into an unremarkable parking lot. She sees the boys unsuccessfully attempting to recreate the bizarre occurrences of the day before and going in search of something else to do.
A Detective Story
This prequel story[3] follows a private detective, Ash, who dreamed of following in the steps of hard-boiled characters Sam Spade and Philip Marlowe but is a down-on-his-luck detective. One day, he receives an anonymous phone call to search for a hacker going by the alias "Trinity". Ash starts looking for Trinity and learns that other detectives have failed in the same task before him; one committed suicide, one went missing, and one went insane.
Eventually, Ash finds Trinity after deducing that he should communicate using phrases and facts from Lewis Carroll's Alice's Adventures in Wonderland. She proposes a meeting, and he finds her on a passenger train. When he meets her, she removes a "bug" from his eye, planted by Agents earlier in an "eye exam," which Ash previously thought was a dream. Three Agents immediately appear and attempt to apprehend Trinity in a shoot-out with her and Ash. While the two are trying to escape, an Agent attempts to take over Ash's body, forcing Trinity to shoot him to prevent the Agent from completing his possession. Ash is wounded and bleeding, whereupon he and Trinity amicably bid farewell. Trinity tells Ash that she genuinely thinks he could have handled the truth as she jumps out of a window and escapes. The Agents enter the train to find Ash, who calmly points his gun at them while looking in the other direction and lighting a cigarette. The Agents turn to Ash who, even though he is armed, will likely die regardless of what they do with him. With this apparent no-win situation, the film ends with Ash's line, "A case to end all cases," as his lighter flame goes out.
Matriculated
The film deals with a group of above-ground human rebels who lure hostile machines to their laboratory to capture them and insert them into a "matrix" of their own design. Within this matrix, the humans attempt to teach the captured machines some of the positive traits of humanity, primarily compassion and empathy. The rebels' hope is that, once converted of its own volition, an "enlightened" machine will willingly assist Zion in its struggle against the machine-controlled totalitarianism which currently dominates the Earth.
The film starts with a human woman Alexa looking out over the sea, watching for incoming machines, where she sees two "runners," one of the most intelligent robots, approaching. She leads them into the laboratory, where one runner gets ambushed and killed by a reprogrammed robot, but the second runner kills the robot before Alexa electrocutes it, knocking out the runner. The rebels insert the runner into their matrix. The robot experiences moments of mystery, horror, wonder and excitement, leading it to believe it may have an emotional bond with Alexa.
However, the laboratory is attacked by Sentinel reinforcements. The rebels unplug themselves to defend their headquarters, along with the help of other captured machines. Alexa unplugs the runner that has now turned good, where it saves her from a machine. The rebels and the attacking machines are all killed or destroyed, except for the runner. The robot plugs the dying Alexa and itself into the rebels' matrix. When Alexa realizes that she is trapped inside of the matrix with the runner, she is horrified, and her avatar screams and dissolves as the runner exits from the rebels' matrix to see a dead Alexa in front of him in the real world.
The film ends with the "converted" runner standing outside, looking out over the sea, in a replica of the opening shot with Alexa.
Final Flight of the Osiris
Captain Thadeus and Jue engage in a blindfolded sword fight in a virtual reality dojo. They do not harm each other, only damage clothing. At some point, they are interrupted by an alarm and the simulation ends.
In the next scene, the hovercraft Osiris heads for Junction 21 when operator Robbie discovers an army of Sentinels on his HR scans. The ship flees into an uncharted tunnel, where it encounters a small group of Sentinels patrolling the area. The crew members man the onboard guns and destroy the patrol. The ship emerges on the surface, four kilometers directly above Zion and close to the Sentinel army. Thadeus and Jue see that the Machines are using gigantic drills to tunnel their way down to Zion. The Sentinel army detects the Osiris and pursues the ship.
Thadeus realizes and decides that Zion must be warned, and Jue volunteers to broadcast herself into the Matrix to deliver the warning while the ship is doggedly pursued. Knowing that neither of them will make it out alive, Thadeus and Jue admit to each other about peeking in the simulation before kissing farewell. Entering the Matrix, Jue eventually reaches a mailbox where she drops off a package; this sets up the prologue for the video game Enter the Matrix. She attempts to contact Thadeus via cell phone as the Osiris is overrun by Sentinels and crashes. The Sentinels tear their way into the ship, where Thadeus makes a last stand against the Sentinels. Shortly after Jue realizes the horror of the situation, she says "Thadeus" over her cell phone immediately before the Osiris explodes, destroying many of the Sentinels and killing the entire crew. In the Matrix, Jue falls dead to the ground, due to her body being destroyed on the ship.
Production
Development of the Animatrix began when the creators of the Matrix film series, The Wachowskis, were in Japan promoting the first Matrix film. They met with the creators of some of the anime films that had influenced their work, and decided to collaborate with them.[4] The Wachowskis wrote four of the Animatrix films but did not direct any of the animation; most of the project's technical side was overseen by notable Japanese animators. The English-language version of The Animatrix was directed by Jack Fletcher, who recruited voice actors from Final Fantasy X, including Matt McKenzie, James Arnold Taylor, John DiMaggio, Tara Strong, Hedy Burress, and Dwight Schultz. Other voice actors include Victor Williams, Melinda Clarke, Olivia d'Abo, Pamela Adlon, and Kevin Michael Richardson. The characters Neo, Trinity, and Kid are voiced by their original actors from the live-action films: Keanu Reeves, Carrie-Anne Moss, and Clayton Watson, respectively.
Release

Four of the Animatrix films made their debut on the official Matrix website. Final Flight of the Osiris was shown in theaters with the film Dreamcatcher.[5] The other films were first released on the VHS and DVD editions of The Animatrix on June 3, 2003. The DVD also includes audio commentaries, a documentary on Japanese animation, and seven featurettes with interviews and behind-the-scenes footage.
Shortly after the home video release, The Animatrix was shown at the New York-Tokyo Film Festival on June 14, 2003, in New York City.[6] It was broadcast on the U.S. television programming block Adult Swim on April 17, 2004 to promote the DVD release of The Matrix Revolutions, and on the Toonami programming block on December 19, 2021 to promote The Matrix Resurrections. The Animatrix was broadcast on the Canadian network Teletoon several months after its initial American broadcast. In the United Kingdom, Final Flight of the Osiris was broadcast on Channel 5 just before the DVD release. The Second Renaissance Parts 1 and 2, Kid's Story and World Record were broadcast on Channel 5 after the DVD release.[citation needed] The Animatrix was screened for one night only at the Japan Society in New York City on May 27, 2022.[7]
Reception
The Animatrix sold 2.7 million copies, grossing $68 million in sales revenue.[8] On the review aggregator website Rotten Tomatoes, 88% of 17 critics' reviews are positive, with an average rating of 6.7/10.[9] In her 2009 book 500 Essential Anime Movies, Helen McCarthy stated that "unlike many heavily promoted franchise movies, [The Animatrix] justifies its hype". She said Maeda's Second Renaissance "foreshadows the dazzling visual inventiveness of his later Gankutsuou ".[10]
Credits
Voice cast
| Role | English | Japanese |
|---|---|---|
| The Second Renaissance | ||
| The Instructor | Julia Fletcher | Rika Fukami |
| 01 Versatran spokesman | Dane Davis | Masashi Sugawara |
| Kid | Debi Derryberry | |
| Mother | Jill Talley | |
| extras | Dwight Schultz James Arnold Taylor Jill Talley |
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| Program | ||
| Cis | Hedy Buress | Kaho Kouda |
| Duo | Phil LaMarr | Toshiyuki Morikawa |
| Kaiser | John DiMaggio | Shinji Ogawa |
| World Record | ||
| Narrator | Julia Fletcher | |
| Dan | Victor Williams | Hiroki Tōchi |
| Dan's dad | John Wesley | Kinryū Arimoto |
| Tom | Alex Fernandez | Mitsuru Miyamoto |
| Reporter | Allison Smith | Atsuko Tanaka |
| Nurse | Tara Strong | Sayaka Kobayashi |
| Agent 1 | Matt McKenzie | Unshō Ishizuka |
| Agent 2 | Kevin Michael Richardson | Tōru Ōkawa |
| Kid's Story | ||
| The Kid | Clayton Watson | Hikaru Midorikawa |
| Neo | Keanu Reeves | Hiroaki Hirata |
| Trinity | Carrie-Anne Moss | Hiromi Tsuru |
| Teacher | John DeMita | Fumihiko Tachiki |
| Cop | Kevin Michael Richardson | Yusaku Yara |
| extras | James Arnold Taylor | |
| Beyond | ||
| Yoko | Hedy Burress | Rie Machi |
| Housewife | Tress MacNeille | |
| Pudgy | Kath Soucie | Kōki Uchiyama |
| Manabu | Pamela Adlon | Kensho Ono |
| Masa | Kath Soucie | |
| Misha | Tara Strong | |
| Kenny | Tress MacNeille | |
| Sara | Kath Soucie | |
| Agent | Matt McKenzie | Yasunori Masutani |
| extras | Jack Fletcher Jill Talley Julia Fletcher Tom Kenny |
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| A Detective Story | ||
| Ash | James Arnold Taylor | Masane Tsukayama |
| Trinity | Carrie-Anne Moss | Hiromi Tsuru |
| Clarence | Terrence C. Carson | |
| Agent | Matt McKenzie | |
| Matriculated | ||
| Alexa | Melinda Clarke | Takako Honda |
| Nonaka | Dwight Schultz | |
| Chyron | Rodney Saulsberry | Jin Yamanoi |
| Raul | James Arnold Taylor | Isshin Chiba |
| Rox | Olivia d'Abo | Yū Sugimoto |
| Sandro | Jack Fletcher | |
| Final Flight of the Osiris | ||
| Thadeus | Kevin Michael Richardson | Akio Ōtsuka |
| Jue | Pamela Adlon | Atsuko Yuya |
| Crew man | John DiMaggio | |
| Operator | Tom Kenny | |
| Pilot | Rick Gomez | |
| Crew woman | Tara Strong | |
| Old woman | Bette Ford | Miyoko Asō |
Staff
| Title | Role | Person |
|---|---|---|
| The Second Renaissance | Director | Mahiro Maeda |
| Writer | ||
| Story | The Wachowskis | |
| Studio | Studio 4°C | |
| Program | Director | Yoshiaki Kawajiri |
| Writer | ||
| Studio | Madhouse | |
| World Record | Director | Takeshi Koike |
| Writer | Yoshiaki Kawajiri | |
| Studio | Madhouse | |
| Kid's Story | Director | Shinichirō Watanabe |
| Writer | ||
| Story | The Wachowskis | |
| Studio | Studio 4 °C | |
| Beyond | Director | Kōji Morimoto |
| Writer | ||
| Studio | Studio 4 °C | |
| A Detective Story | Director | Shinichirō Watanabe |
| Writer | ||
| Studio | Studio 4 °C | |
| Matriculated | Director | Peter Chung |
| Writer | ||
| Studio | DNA Productions | |
| Final Flight of the Osiris | Director | Andy Jones |
| Writer | The Wachowskis | |
| Editor | Christopher S. Capp | |
| Studio | Square USA |
Music
| The Animatrix: The Album | ||||
|---|---|---|---|---|
| Soundtrack album by Various Artists | ||||
| Released | June 3, 2003 | |||
| Genre | Electronic music, techno, big beat, house, drum and bass | |||
| Length | 73:01 | |||
| Label | Warner Bros. | |||
| The Matrix chronology | ||||
| ||||
The Animatrix: The Album is a 2003 soundtrack album composed by Don Davis. Several electronic music artists are featured, including Juno Reactor and Adam Freeland.
Track listing
- "Who Am I? (Animatrix Edit)" by Peace Orchestra
- "Big Wednesday" by Free*land
- "Blind Tiger" by Layo & Bushwacka!
- "Under the Gun" by Supreme Beings of Leisure
- "Martenot Waves" by Meat Beat Manifesto
- "Ren 2" by Photek
- "Hands Around My Throat" by Death in Vegas
- "Beauty Never Fades (Animatrix Edit)" by Junkie XL featuring Saffron
- "Supermoves (Animatrix Remix)" by Overseer
- "Conga Fury (Animatrix Mix)" by Juno Reactor
- "Red Pill, Blue Pill" by Junkie XL & Don Davis
- "The Real" by Tech Itch & Don Davis
Additional music
The following tracks also appear in The Animatrix, but not on the album:[citation needed]
- "Masters of the Universe" by Juno Reactor
- "Virus" by Satoshi Tomiie
- "Suzuki" by Tosca
- "Dark Moody" by Junkie XL