Kingu (magazine)

Monthly general interest magazine in Japan (1924-1957) From Wikipedia, the free encyclopedia

Kingu (キング; King) was a monthly general interest and entertainment magazine published in Tokyo, Japan, which existed between December 1924 and January 1957. It was the first popular best-selling Japanese magazine.[1] It was also one of two most significant magazines in mid-twentieth century Japan, the other one being Ie no Hikari.[2]

CategoriesGeneral interest
FrequencyMonthly
FounderSeiji Noma
FoundedDecember 1924
Quick facts Categories, Frequency ...
Kingu
Cover page of the 1943 edition
CategoriesGeneral interest
FrequencyMonthly
FounderSeiji Noma
FoundedDecember 1924
First issueJanuary 1925
Final issue1957
CompanyKodansha
CountryJapan
Based inTokyo
LanguageJapanese
OCLC835840343
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History and profile

Kingu was established in December 1924.[3][4] The first issue appeared in January 1925.[5][6] It was the eighth magazine launched by Seiji Noma, the founder of the publishing company Kodansha.[7] It was modeled on Saturday Evening Post[8] and Ladies' Home Journal.[4] The magazine was published by Kodansha[9] on a monthly basis.[7]

Kingu covered moralistic stories and featured articles about samurai heroics, sentimental romance and melodramatic events.[10] The magazine was read by urban and rural men and women.[5] Major contributors included Yoshikawa Eiji, Kikuchi Kan, Maki Itsuma, Funabashi Seiichi, Tateno Nobuyuki, and Tsunoda Kikuo.[6] It ended publication in 1957.[5]

Circulation

Both Kingu and Ie no Hikari were the first Japanese million-seller magazines.[11] Kingu sold one million copies in its first year, 1925.[5] In 1928 the monthly circulation of the magazine was nearly 300,000 copies.[12] The same year its total circulation was 1.4 million copies.[13] Kingu sold more than a million copies again in 1927.[14]

Legacy

In 2019 Amy Bliss Marshall published a book named Magazines and the Making of Mass Culture in Japan in which she analyzed Kingu and Ie no Hikari to demonstrate the birth of mass culture in Japan.[15] The author argues that these two magazines were instrumental in the establishment of mass culture and in the socialization in Japan.[15]

The name of Kodansha's music subsidiary King Records was actually based from the magazine.

References

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