La Amara Vita

From Wikipedia, the free encyclopedia

Episode no.Season 2
Episode 7
Directed byMimi Leder
Written by
Cinematography byDavid Lanzenberg
"La Amara Vita"
The Morning Show episode
Episode no.Season 2
Episode 7
Directed byMimi Leder
Written by
Cinematography byDavid Lanzenberg
Editing bySidney Wolinsky
Original release dateOctober 29, 2021 (2021-10-29)
Running time51 minutes
Guest appearance
Episode chronology
 Previous
"A Private Person"
Next 
"Confirmations"
List of episodes

"La Amara Vita" is the seventh episode of the second season of the American drama television series The Morning Show, inspired by Brian Stelter's 2013 book Top of the Morning. It is the seventeenth overall episode of the series and was written by series developer Kerry Ehrin and Scott Troy, and directed by executive producer Mimi Leder. It was released on Apple TV+ on October 29, 2021.

The series follows the characters and culture behind a network broadcast morning news program, The Morning Show. After allegations of sexual misconduct, the male co-anchor of the program, Mitch Kessler, is forced off the show. It follows Mitch's co-host, Alex Levy, and a conservative reporter Bradley Jackson, who attracts the attention of the show's producers after a viral video. In the episode, Alex visits Mitch at Italy to get him to clarify a few details from Maggie's book.

The episode received generally positive reviews from critics, although some were divided over the closure to Mitch's story arc.

In Italy, Mitch (Steve Carell) hopes to return to see his children after his quarantine with Paola (Valeria Golino) ends. To Paola's surprise, Mitch asks her to delete her interview where he discusses Hannah, feeling the world should not see it. Hearing the doorbell, he is surprised to see Alex (Jennifer Aniston) outside.

Alex confronts Mitch for talking with Maggie; he did not deny their affair, which is taken as a confirmation by the book. She wants her to make a statement denying it, but he will only do it after talking with his attorney. As she prepares to leave, Mitch convinces her to stay and get to understand his mindset, before finally moving on. Mitch explains some of his actions and addressing his relationship with Alex. Alex is forced to drive to Milan to find a new flight, but falls asleep in her car. During this, Paola informs Mitch that the professor they interviewed has died from COVID-19.

Alex pulls over to take a sleep, until a police officer wakes her up. With Italy on a lockdown and zero contacts to help her, Alex is forced to return to Mitch's mansion. Mitch has written the statement, but welcomes her back after she expresses feeling lost, while also getting her a flight home in the morning. As they spend time together, Alex confesses that she once felt she was pregnant again after having sex with Mitch, and was disappointed it wasn't true, as she felt content with him. Mitch asks Alex to help Paola build a career with her connections, and she promises to try it. When a news report shows up detailing Mitch's preference towards African American women, Alex decides to leave.

Depressed, Mitch visits Paola, where he finally gives in and has sex with her. Paola reveals she has not deleted the interview, as she wants to have a memory of him. As Alex drives to the airport, Mitch drives back home. Feeling the turmoil of how people view him, Mitch willingly drives his car off a cliff. Before dying, Mitch reminisces over his stay with Alex, with both dancing together.

Development

Production

The episode was written by series developer Kerry Ehrin and Scott Troy, and directed by executive producer Mimi Leder. This was Ehrin's fifth writing credit, Troy's second writing credit, and Leder's sixth directing credit.[1]

Writing

The episode features the death of the character Mitch Kessler, portrayed by Steve Carell.[2] Kerry Ehrin explained that she came up with the idea since the beginning of the series.[3] Ehrin said that his death was more "ambiguous", but Carell "pitched the idea that it was a more active choice, which I thought was really interesting from someone who was really inside the character."[4]

Critical reviews

References

Related Articles

Wikiwand AI