In The Guardian, Marcel Theroux described the novel “spiky, timely and true, but also absolutely comfortless. That’s perhaps not surprising, given the times, but it’s also something to do with its choice of central character. The book contains many homages to The Great Gatsby, but it resembles a version of that novel where the lunkish proto-fascist Tom Buchanan is the hero.”[1] Novelist Jonathan Miles, writing in The New York Times Book Review, called it “so pungent, so frisky and so intent on probing the dissonances and delusions — both individual and collective — that grip this strange land getting stranger.”[2]
In The Washington Post, Ron Charles called it a “mature blending of the author’s signature wit and melancholy... Its bold ambition to capture the nation and the era is enriched by its shrewd attention to the challenges and sorrows of parenthood.”[3] In a starred review, Kirkus Reviews called it “as good as anything we've seen from this author: smart, relevant, fundamentally warm-hearted, hilarious of course, and it has a great ending.”[4]
Maureen Corrigan at NPR said Shteyngart's “comic view of the country is, by turns, compassionate and mournful; wickedly satirical and ultimately, aspirational.”[5] In The New York Review of Books, Cathleen Schine wrote that Shteyngart's “plots are clammy, fantastical, a snarl of personal and political absurdity. If he is often overwrought, and he is, he is also sharp and refined in his understanding of self-consciousness. Lake Success is moodier, less showy than his earlier novels, closer in tone to Little Failure, his brilliant, funny, heartbreaking memoir.”[6]
Lake Success made year-end “best books of 2018” lists from The New York Times,[7] Financial Times,[8] The Washington Post,[9] NPR,[10] The Globe and Mail,[11] Mother Jones,[12] Library Journal,[13] and the San Francisco Chronicle.[14]
