Lanyon, Lynn and Lanyon
Architectural firm
From Wikipedia, the free encyclopedia
Lanyon, Lynn & Lanyon, Civil Engineers and Architects was a 19th-century firm working mainly in Dublin and Belfast, and the leading architectural firm in Belfast during the 1860s. Its partners were Charles Lanyon, William Henry Lynn, and Charles' son John Lanyon.
Charles Lanyon was the head of the firm and its most famous architect. In 1854, he took Lynn, his former apprentice, into partnership. Their projects included the "Lombardic" Gothic-style Sinclair Seaman's Presbyterian Church in Belfast, and the Venetian Gothic banks at Newtownards, County Down, and Dungannon, County Tyrone.[1]
Lanyon, Lynn & Lanyon was created when John Lanyon became junior partner in 1860. The partnership with Lynn was dissolved in 1872.
Projects
Designs for buildings and other projects by Lanyon, Lynn & Lanyon include:
| Building | Date[2] | Location | Style and remarks |
|---|---|---|---|
| Sion Mill | 1853 | Sion Mills, County Tyrone | linen mill[citation needed] |
| Sandford Road Church of Ireland | Ranelagh, Dublin | first Dublin commission for the firm[3] | |
| Unitarian Church | 1861–1863 | St. Stephen's Green, Dublin | described in Lynn's obituary as "the best example extant of a modern Gothic church on a narrow street frontage"[4] |
| St. Andrew's Church | 1862–1866 | St Andrew Street, Dublin | "an ambitious Gothic church on a cramped site"[5] |
| Chester Town Hall | 1862–1869 | Chester | "Lynn, seemingly ignoring the request for an 'economical' building, incorporated numerous fancy Gothic features and utilised two types of local sandstone, pink and grey"[6] |
| Belfast Castle | 1862–1870 | Cavehill Country Park, Belfast | Scottish Baronial style in sandstone, with "striking"[7] serpentine Italianate stairway; cost overruns and the family's depleted fortune delayed completion[8] |
| West Church | 1863 | Ballymoney Road, Ballymena | black basalt in Decorated Gothic style; gutted by fire in 1926 and restored[9] |
| Charles Sheils Buildings | 1868 | Downpatrick, County Down | series of almshouses with a bell tower[10] |
| Clarence Place Hall | May Street, Belfast | style has been compared to Chester Town Hall; photo[11] | |
| Linen warehouse for Moore and Weinberg | 1864 | 16–18 Donegall Square, North Belfast | yellow-grey brick, with interior said to be "specially arranged for carrying on the linen business in all departments";[12] now Linen Hall Library[13] |
| St. Thomas Church | 1869–1870 | Belfast | "one of the grandest and most fully finished examples of High Victorian Gothic ecclesiastical architecture"; white sandstone decorated with red sandstone bands and colored marble discs and colonnettes; a notice of the laying of the foundation stone defines the style as "Gothic, of the Early French period"[14][11][15] |
| Dowdstown House | 1870 | near Navan in Leinster | described as using "many of the picturesque tricks" characteristic of the firm[16] |
| Portrush Town Hall | 1870–1872 | corner of Mark and Kerr, Portrush, County Antrim | "immensely vigorous high-Victorian building" with a "hotch-potch of styles"; Scottish Baronial with crow-stepped gables and "witch's hat" turret; red brick with bands of cream and black brickwork[17] |
Sources
- Gillian McClelland and Diana Hadden, Pioneering Women: Riddel Hall and Queen's University Belfast (Ulster Historical Foundation, 2005), p. 193 online.
- Antonia Brody, Directory of British Architects 1834-1914: L-Z (Continuum International Publishing Group, 2001), pp. 15–16 and 89 online.
- [18]
- Dictionary of Scottish Architects, Architect Biography Report, Lanyon, Lynn & Lanyon