Romero writes almost entirely in free-verse form. He writes his poems in both English and Spanish. His first full book of poetry (In the Gathering of Silence) was published in 1996. By 2010, Romero continued to write on the side while working as a visiting Research Scholar in the School of Architecture and Planning at UNM.[6]
The cultural and geographical landscapes of the Embudo Valley influences many of Romero's early and later works.[7] A notable example is his poem "Tres Copas de Chanate Black and Sweet," which features characteristics of Romero's hometown and the surrounding area. A portion of the poem reads:
"pickup trucks once danced
into the Royal Fork restaurant parking lot
from Gallup and Farmington
slipping through the honeydew
sweetness of ripening September"[8]
A concept that Romero frequently deals with in his poetry is counterculture, primarily that which exists in the Southwest. The primary counterculture Romero examines is the lowrider (lowcura in Spanish). The lowrider tradition is known as a cultural marker in not only the Embudo Valley where Romero grew up, but in multiple places across the Southwest. In brief, the lowrider can be reasonably described as someone who modifies classic cars such that the body of the vehicle rides very close to the ground. Romero considers low-riding as a vehicle through which to express one's identity. This can be seen in the poem "Wheels," which was published in the Gathering of Silence. A particular aspect Romero touches on is the so-called enchantment of the low-ride.[9] He writes:
"how can I tell you
baby, oh honey, you'll
never know the ride
the ride of a lowered chevy
slithering through the
blue dotted night along
Riverside Drive Española."[10]
Romero also derives inspiration from the everyday and the commonplace. Many of his poems feature snippets of conversation from strangers or interactions that might otherwise seem unimportant. For example, "Corner of 5th & Central, featured in A Poetry of Remembrance, takes place on a street corner. Romero writes:
"I am on the corner of 5th & Central
albuquerque, new mexico
united states of America
northern hemisphere
the planet is divided up into four quadrants
how I got started carving?"[11]
Romero has cultivated an active interest in filmmaking in addition to his poetry. Similar to his poetry, the focus of his documentaries centers around the cultural landscape of New Mexico and the people therein. One of his documentaries, "Going Home Homeless," won the People's Choice Award at the 2014 Taos Film Festival.[12]
In the preface to A Poetry of Remembrance, Chicano author Rudolfo Anaya wrote: “The spiritual essence of the Rio Grande corridor and its tributaries shines in every poem. From the loco to the sublime, Levi's poems are a blessing on our heads.”[13]
A Poetry of Remembrance was described by the Albuquerque Journal: "Whether recalling a 'love-hate' relationship' with his high school English teacher or remembering a street-corner encounter, Romero sees and hears the courage, grace, honesty, and beauty so many of us often miss. It is the poet's job to remind us of those things, and Romero does this admirably."[14]
In addition to being named centennial poet of New Mexico in 2012, he was named as the state's inaugural Poet Laureate in 2020. Romero received the PBS Bill Moyers Language of Life Award.[15][16]
