Liebesträume

Set of three solo piano works by Franz Liszt From Wikipedia, the free encyclopedia

Liebesträume (German, 'Dreams of Love') is a set of three solo piano nocturnes (S.541/R.211) by Franz Liszt published in 1850.[1] Originally the three Liebesträume were conceived as lieder after poems by Ludwig Uhland and Ferdinand Freiligrath. In 1850 two versions appeared simultaneously as a set of songs for high voice and piano, and as transcriptions for piano two-hands.[2]

Franz Liszt, portrait by Hungarian painter Miklós Barabás, 1847

The two poems by Uhland and the one by Freiligrath depict three different forms of love.[2] Uhland's "Hohe Liebe" (exalted love) is saintly or religious love: the "martyr" renounces worldly love and "heaven has opened its gates". The second song "Seliger Tod" (blessed death) is often known by its first line ("Gestorben war ich", "I had died"), and evokes erotic love; ("I was dead from love's bliss; I lay buried in her arms; I was wakened by her kisses; I saw heaven in her eyes"). Freiligrath's poem for the third nocturne is about unconditional mature love ("Love as long as you can!", "O lieb, so lang du lieben kannst").

Liebestraum No. 3

Liebestraum No. 3 in A major is the most familiar of the three nocturnes and is in three sections, each divided by a fast cadenza requiring dexterous fingerwork and a high degree of technical ability. One melody is used throughout, and varied, notably near the middle of the nocturne, at a climax, where it is played in a series of octaves and then rendered in arpeggios. A sample from the opening bars,[2] adapted from the first edition engraving (1850),[3] follows:


header {
  tagline = ##f
}

tempoMark = {
  once override Score.RehearsalMark #'self-alignment-X = #-1
  once override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)
  once override Staff.TimeSignature #'break-align-anchor-alignment = #-1
  mark markup bold "Poco Allegro, con affetto."
}

global = {
  	empoMark
  key as major
  	ime 6/4
  partial 4
}

parallelMusic #'(voiceA voiceB voiceC voiceD) {
  % Anacrusis
  r4   |
  s4   |
  ees4 |
  r4   |
  
  % Bar 1
  r8 ees [( aes c aes ees)] r ees [( aes c aes ees)] |
  c2.                         s                          |
  aes,4      s     s          c'2.                       |
  s4         r     r          r2.                        |
  
  % Bar 2
  r8 e   [( bes' c bes e,  )] r e   [( bes' c bes e,  )] |
  c2.                       ( c2  )              s4          |
  s2.                         s2                 c4          |
  g4         r     r          r2.                            |
}

right = {
  global
  <<
    
elative c' voiceA
    
    
elative c' voiceB
  >>
}

left = {
  global
  <<
    
elative c voiceC
    
    
elative c voiceD
    
ew Dynamics {
      s4 | 
epeat unfold 2 { s4sustainOn s1 s8 s8sustainOff | }
    }
  >>
}

score {
  
ew PianoStaff <<
    
ew Staff = "right" with {
      midiInstrument = "acoustic grand"
    } 
ight
    
ew Staff = "left" with {
      midiInstrument = "acoustic grand"
    } { clef bass left }
  >>
  layout { }
  midi {
    context {
      Score
      tempoWholesPerMinute = #(ly:make-moment 100 4)
    }
  }
}

References

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