List of Argentine films of 2019
From Wikipedia, the free encyclopedia
A list of Argentine films released in 2019.
January–March
| Opening | Title | Distributor | Director | Country | Ref. | |
|---|---|---|---|---|---|---|
| J A N U A R Y |
3 | Plaza Paris | Primer Plano Film Group | Lucía Murat | BR, PT, AR | [1][2] |
| 10 | 50 Chuseok | Los Griegos Producción SRL | Tamae Garateguy | AR | [3] | |
| My Days in the Traveling Circus | Rodeo Distribución | Juan Ariel Soto Paz | AR, BO | [4] | ||
| A oscuras | Primer Plano Film Group | Victoria Chaya Miranda | AR | [5] | ||
| 17 | Anibal, justo una muerte | Independent | Meko Pura | AR | [6] | |
| Florianópolis Dream | Cine Tren | Ana Katz | AR, BR | [7] | ||
| 24 | Mujer nómade | Independent | Martin Farina | AR | [8] | |
| The Jerusalem of Argentina | Independent | Melina Serber | AR | [9][10] | ||
| Un continente incendiándose | Independent | Miguel Zaballos | AR | [11][12] | ||
| 31 | Alberto Greco. Obra fuera de catálogo | Independent | Paula Pellejero | AR | [13][14] | |
| Anoche | Primer Plano Film Group | Paula Manzone and Nicanor Loreti | AR | [13][15] | ||
| Los últimos románticos | Aura Films | Gabriel Drak | AR | [13][16] | ||
| Un cine en concreto | Independent | Luz Ruciello | AR | [13][17] | ||
| F E B R U A R Y |
7 | Atenas | Independent | César González | AR | [18][19] |
| El día que resistía | Independent | Alessia Chiesa | AR, FR[20] | [18][21] | ||
| El tío | Primer Plano Film Group | María Eugenia Sueiro | AR | [18][22] | ||
| La nostalgia del centauro | Cine Tren | Nicolás Torchinsky | AR | [18][23] | ||
| Ladrillos capitales | Independent | Gustavo Laskier | AR | [18][24] | ||
| 14 | Antonio Gil | Independent | Lía Dansker | AR | [25][26] | |
| Hora-Día-Mes | Primer Plano Film Group | Diego Bliffeld | AR | [25][27] | ||
| Tampoco tan grandes | Buena Vista International | Federico Sosa | AR | [25][28] | ||
| 21 | Happy Hour | Primer Plano Film Group | Eduardo Albergaria | AR, BR | [29][30] | |
| Leónidas | 16M | Miguel Colombo | AR | [29][31] | ||
| Reina de corazones | Independent | Guillermo Bergandi | AR | [29][32] | ||
| Wanderlust, cuerpos en tránsito | Independent | María Pérez Escalá | AR | [29][33] | ||
| 28 | Amanecer en mi tierra | Independent | Ulises de la Orden | AR | [34][35] | |
| Ciclos | Independent | Francisco Pedemonte | AR | [34][36] | ||
| El cuidador | Independent | Rodolfo Pochat | AR | [37][38] | ||
| Entre gatos universalmente pardos | Independent | Ariel Borenstein and Damián Finvar | AR | [34][39] | ||
| Guerrero de norte y sur | Elefante Films | Germán Souza and Mauricio Halek | AR | [34][40] | ||
| La misma sangre | Buena Vista International | Miguel Cohan | AR, CL | [34][41] | ||
| Los árboles | Independent | Mariano Luque | AR | [34][42] | ||
| Memorias de la sangre | Independent | Marcelo Charras | AR | [34][43] | ||
| M A R C H |
7 | Black or White | Independent | Matías Rispau | AR | [44][45] |
| Callcenter | 3C Films | Federico Velasco and Sergio Estilarte | AR | [44][46] | ||
| Fearing Future | Aeroplano | Nacho Sesma | AR | [44][47] | ||
| Femicidio. Un caso, múltiples luchas | Independent | Mara Avila | AR | [44][48] | ||
| Juntas | 996 Films | Nadina Marquisio and Laura Martínez Duque | AR, CO | [44][49] | ||
| Olmedo, el rey de la risa | 3C Films | Mariano Olmedo | AR | [44][50] | ||
| 14 | Alicia | Independent | Alejandro Rath | AR | [51][52] | |
| Down para arriba | Kligger Contenidos | Gustavo Garzón | AR | [51][53] | ||
| El hermano de Miguel | Fly Films | Mariano Minestrelli | AR | [51][54] | ||
| Foto estudio Luisita | Yaguareté Cine | Sol Miraglia and Hugo Manso | AR | [51][55] | ||
| Lobos | Primer Plano Film Group | Rodolfo Durán | AR | [51][56] | ||
| Un lugar en el tiempo | Independent | Nicolás Purdia and Pablo José Rey | AR | [51][57] | ||
| 21 | Impresiones obreras | Independent | Hugo Colombini | AR | [58][59] | |
| La feliz, continuidades de la violencia | Independent | Valentín Javier Diment | AR | [58][60] | ||
| Yo no me llamo Rubén Blades | Compañía de Cine | Abner Benaim | AR, PA | [58][61] | ||
| Yo, mi mujer y mi mujer muerta | Buena Vista International | Santi Amodeo | AR, ES | [58][62] | ||
| 28 | Candomberos de dos orillas | Independent | Ernesto Gut | AR | [63][64] | |
| El kiosko | Primer Plano Film Group | Pablo Gonzalo Pérez | AR | [63][65] | ||
| La guarida del lobo | 3C Films | Alex Tossenberger | AR | [63][66] | ||
| Yvonne | Independent | María Laura Rubino | AR | [63][67] | ||
April–June
| Opening | Title | Distributor | Director | Country | Ref. | |
|---|---|---|---|---|---|---|
| A P R I L |
4 | 4x4 | Buena Vista International | Mariano Cohn | AR, ES | [68] |
| Chaco | Cine Tren | Fausta Quattrini and Danielle Incalcaterra | AR | [68][69] | ||
| Eduardo Pavlovsky, resistir cholo | Independent | Miguel Mirra | AR | [68][70] | ||
| 8 | End of the Century (Fin de siglo) | Alsina 427 | Lucio Castro | AR | [71] | |
| 11 | Clementina | Campo Cine | Jimena Monteoliva | AR | [72][73] | |
| Hojas verde de otoño | Primer Plano Film Group | Julio Midu and Fabio Junco | AR | [72][74] | ||
| 18 | 1100 | Cine Tren | Diego Castro | AR | [75][76] | |
| 25 | Acá y acullá | Maravillacine | Hernán Khourian | AR | [77][78] | |
| Ausencia de mí | Bellasombra | Melisa Teribili | AR | [77][79] | ||
| Estoy acá (Mangui fi) | Jaque Productora | Esteban Kabacznik and Juan Manuel Bramuglia | AR | [77][80] | ||
| La experiencia judía, de Basavilbaso a Nueva Amsterdam | Independent | Miguel Kohan | AR | [77][81] | ||
| Vida | Independent | María Eugenia Lombardi and Carolina Reynoso | AR | [77][82] | ||
| M A Y |
2 | El hijo | Energía Entusiasta | Sebastián Schindel | AR | [83][84] |
| La lupa | Independent | Marina Zeising | AR | [83][85] | ||
| Los miembros de la familia | Cine Tren | Mateo Bendersky | AR | [83][86] | ||
| Los periféricos | Independent | Los Periféricos | AR | [83] | ||
| Los tiburones | Compañía de Cine | Lucía Garibaldi | AR, UY | [83][87] | ||
| River, el más grande siempre | Buena Vista International | Luis Alberto Scalella, Marcelo Altmark and Mariano Mucci | AR | [83][88] | ||
| Traslasierra | Primer Plano Film Group | Juan Sasiaín | AR | [83][89] | ||
| 9 | Abrakadabra | 996 Films | Luciano and Nicanor Onetti | AR, NZ | [90][91] | |
| Boni Bonita | Compañía de Cine | Daniel Arosa | BR, AR | [90][92] | ||
| El bosque de los perros | Primer Plano Film Group | Gonzalo Zapico | AR | [90][93] | ||
| El sonido de los tulipanes | Aura Films | Alberto Masliah | AR | [90][94] | ||
| Escuela monte | La Granja Cine | Mariano Raffo and Cecilia Cisneros | AR | [90][95] | ||
| Gran Orquesta | Independent | Peri Azar | AR | [90][96] | ||
| Murder Me, Monster | Trapecio Cine | Alejandro Fadel | AR, CL, FR | [90][97] | ||
| 16 | Bazán Frías, elogio del crimen | Independent | Juan Mascaró and Lucas García | AR | [98][99] | |
| Cuadros en la oscuridad | Noche Creatividad and Cine Tren | Paula Markovitch | AR | [98][100] | ||
| Dóberman | Cine Tren | Azul Lombardía | AR | [98][101] | ||
| La cuarta dimensión | Independent | Francisco Bouzas | AR | [98][102] | ||
| La lección de anatomía | Bellasombra | Agustín Kazah and Pablo Arévalo | AR | [98][103] | ||
| The Weasel's Tale | BF París | Juan José Campanella | AR, ES | [98][104] | ||
| 23 | Badur Hogar | Cine Tren | Rodrigo Moscoso | AR | [105][106] | |
| Infierno grande | Primer Plano Film Group | Alberto Romero | AR | [105][107] | ||
| 30 | A mas tardar | Independent | Mariana Guth | AR | [108][109] | |
| Breve historia del planeta verde | 3C Films | Santiago Loza | AR, DE, BR, ES | [108][110] | ||
| Bailar la sangre | Independent | Eloísa Tarruella and Gato Martínez Cantó | AR | [108][111] | ||
| El Ratón Pérez y los guardianes del libro mágico | Buena Vista International | Juan Pablo Buscarini | AR, ES | [108][112] | ||
| J U N E |
6 | Blindado | Cine Tren | Eduardo Meneghelli | AR | [113][114] |
| Cuando dejes de quererme | Primer Plano Film Group | Igor Legarreta | AR, ES | [113][115] | ||
| De nuevo otra vez | Compañía de Cine | Romina Paula | AR | [113][116] | ||
| La visita | Bellasombra | Jorge Leandro Colás | AR | [113][117] | ||
| La escuela contra el margen | Independent | Lisandro González Ursi and Diego Carabelli | AR | [113][118] | ||
| Soy lo que quise ser | Rodeo Distribución | Betina Casanova and Mariana Scarone | AR | [113][119] | ||
| 13 | Encuentro | Independent | Martín Paolorossi and Juan Lupiañez | AR | [120][121] | |
| Kollontai, apuntes de resistencia | Independent | Nicolás Méndez Casariego | AR | [120][122] | ||
| Rapto | Primer Plano Film Group | Frank Pérez-Garland | AR, PE | [120][123] | ||
| Un suelo lejano | Independent | Gabriel Muro | AR, PY[124] | [120][125] | ||
| 20 | A una legua | Independent | Andrea Krujosky | AR | [126][127] | |
| Astrogauchos | Kligger Contenidos | Matías Szulanski | AR | [126][128] | ||
| El diablo blanco | Primer Plano Film Group | Ignacio Rogers | AR, BR | [126][129] | ||
| Nada culmina en la víspera | Independent | Florencia Orce and Pablo Moro | AR | [126][130] | ||
| 27 | El ruido son las casas | Independent | Luciana Foglio and Luján Montes | AR | [131][132] | |
| La última búsqueda | Independent | Pepe Tobal and Eduardo Sánchez | AR | [131][133] | ||
| No soy tu mami | United International Pictures | Marcos Carnevale | AR, BR | [131][134] | ||
July–September
| Opening | Title | Distributor | Director | Country | Ref. | |
|---|---|---|---|---|---|---|
| J U L Y |
4 | Chubut, tierra y libertad | Maravillacine | Carlos Echeverría | AR | [135][136] |
| Delfín | Primer Plano Film Group | Gaspar Scheuer | AR | [135][137] | ||
| Las facultades | Cine Tren | Eloisa Solaas | AR | [135][138] | ||
| Perros del fin del mundo | 3C Films | Juan Dickinson | AR | [135][139] | ||
| Segundo subsuelo | Independent | Oriana Castro and Nicolás Martínez Zemborain | AR | [135][140] | ||
| 11 | Bikes | 3C Films | Manuel Javier García | ES, AR, CN | [141][142] | |
| Encandilan luces, viaje psicotrópico con los psíquicos litoraleños | Bellasombra | Alejandro Gallo Bermúdez | AR | [141][143] | ||
| Fragmentos de una amiga desconocida | mitaifilms | Magda Cristina Hernández | AR | [141][144] | ||
| Historias breves 17 | National Institute of Cinema and Audiovisual Arts | Various | AR | [141] | ||
| Holy Beasts | Cine Tren | Israel Cárdenas and Laura Amelia Guzmán | DO, AR, MX | [141][145] | ||
| La casa en la playa | Cristar Films | July Massaccesi | AR | [141][146] | ||
| Un rubio | 3C Films | Marco Berger | AR | [141][147] | ||
| 18 | Volviendo a casa | Independent | Ricardo Preve | AR | [148][149] | |
| 25 | Digo la cordillera. Cuadernos de viaje | Independent | Ciro Néstor Novelli | AR | [150][151] | |
| Nueva mente | Independent | Ulises de la Orden | AR | [150][152] | ||
| A U G U S T |
1 | Esa película que llevo conmigo | Cine Tren | Lucía Ruiz | AR | [153][154] |
| La casa de Wannsee | DocBsAs | Poli Martínez Kaplún | AR | [153][155] | ||
| La huella de Tara | Independent | Georgina Barreiro | AR | [153][156] | ||
| Marta Show | Duermevela | Malena Moffatt and Bruno López | AR | [153][157] | ||
| Rebobinado | Independent | Juan Francisco Otaño | AR | [153][158] | ||
| Vigilia en Agosto | Cine Tren | Luis María Mercado | AR | [153][159] | ||
| 8 | Cara sucia con la magia de la naturaleza | Primer Plano Film Group | Gastón Gularte | AR | [160][161] | |
| El día que me muera | 3C Films | Néstor Sánchez Sotelo | AR | [160][162] | ||
| Hombres de piel dura | Compañía de Cine | José Celestino Campusano | AR | [160][163] | ||
| 15 | Alejandro del Prado, el eslabón perdido | Primer Plano Film Group | Marcelo Schapces and Mariano del Mazo | AR | [164][165] | |
| El llanto | Independent | Hernán Fernández | AR | [164][166] | ||
| Heroic Losers | Warner Bros. | Sebastián Borensztein | AR, ES | [164][167] | ||
| Pasco, avanzar más allá de la muerte | Independent | Martín Sabio | AR | [164][168] | ||
| 22 | Baldío | Cine Tren | Inés de Oliveira Cézar | AR | [169][170] | |
| La afinadora de árboles | Primer Plano Film Group | Natalia Smirnoff | AR, MX | [169][171] | ||
| La sequía | Aura Films | Martín Jáuregui | AR | [169][172] | ||
| Los índalos | Independent | Santiago Nacif Cabrera, Juan Andrés Martínez Cantó and Roberto Persano | AR | [169][173] | ||
| 29 | Cuando los hombres quedan solos | Primer Plano Film Group | Fernando Martínez | BO, AR, CO, ES | [174][175] | |
| Margen de error | Primer Plano Film Group | Liliana Paolinelli | AR | [174][176] | ||
| Mekong-Paraná: Los últimos laosianos | Independent | Ignacio Luccisano | AR | [174][177] | ||
| Paso San Ignacio | Independent | Pablo Reyero | AR | [174][178] | ||
| Shalom Taiwan | Digicine | Walter Tejblum | AR | [174][179] | ||
| S E P T E M B E R |
5 | El retiro | Buena Vista International | Ricardo Díaz Iacoponi | AR | [180][181] |
| Los payasos | Independent | Lucas Bucci and Tomás Sposato | AR | [180] | ||
| Matar a un muerto | Cine Tren | Hugo Giménez | AR, FR, PY | [180][182] | ||
| Paternal | Bellasombra | Eduardo Yedlin | AR | [180][183] | ||
| Proyecto 55 | Independent | Miguel Angel Colombo | AR | [180][184] | ||
| 12 | Bu y Bu: Una aventura interdimensional | Independent | Eduardo Rodríguez Bossut | AR | [185][186] | |
| Claudia | Aura Films | Juan Sebastián De Caro | AR | [185][187] | ||
| La internacional del fin del mundo | Independent | Violeta Bruck and Javier Gabino | AR | [185][188] | ||
| Todo por el ascenso | 3C Films | Jorge Piwowartski | AR | [185][189] | ||
| Witch | BF París | Marcelo Páez Cubells | AR | [185][190] | ||
| 19 | El desentierro | Primer Plano Film Group | Nacho Ruipérez | AR, ES | [191][192] | |
| Iniciales S.G. | Digicine | Rania Attieh and Daniel Anthony García | AR | [191][193] | ||
| La deuda | Lita Stantic Producciones | Gustavo Salvador Fontán | AR | [191][194] | ||
| Latinoamérica: Territorio en disputa | Independent | Nicolás Trotta and Esteban Alfredo Cuevas | AR | [191][195] | ||
| Magalí | Primer Plano Film Group / Cine Tren | Juan Pablo Di Bitonto | AR | [191][196] | ||
| Palestina, imágenes robadas | Aura Films | Rodrigo Vázquez | UK, AR | [191][197] | ||
| 26 | El panelista | Independent | Juan Manuel Repetto | AR | [198][199] | |
| ¿Quién mató a mi hermano? | Cine Tren | Ana Fraile and Lucas Scavino | AR | [198][200] | ||
| The Moneychanger | Buena Vista International | Federico Veiroj | AR | [198][201] | ||
October–December
| Opening | Title | Distributor | Director | Country | Ref. | |
|---|---|---|---|---|---|---|
| O C T O B E R |
3 | El prof3s1on4l | Cinemilagro | Martín Farina | AR | [202] |
| Porno para principiantes | Primer Plano Film Group | Carlos Ameglio | AR, BR, UY | [202][203] | ||
| Punto muerto | Aura Films | Daniel de la Vega | AR | [202][204] | ||
| Que sea ley | Cine Tren | Juan Diego Fidel Solanas | AR, FR, UY | [202] | ||
| 10 | La hermandad | Bellasombra | Martín Falci | AR | [205][206] | |
| Monos | Campo Cine / Cine Tren | Alejandro Landes and Alexis Dos Santos | AR, CO, NL, DE, SE, UY, US | [205][207] | ||
| Pistolero | Primer Plano Film Group | Nicolás Galvagno | AR | [205][208] | ||
| Retrato de propietarios | Independent | Joaquín Maito | AR | [205][209] | ||
| 17 | Construcciones | Periferia Cine | Fernando Martín Restelli | AR | [210][211] | |
| Fondo | Independent | Alejandro Bercovich | AR, QA | [210][212] | ||
| Los hipócritas | El Calefón | Santiago Sgarlatta and Carlos Ignacio Trioni | AR | [210][213] | ||
| Rosita | Cine Tren | Verónica Chen | AR | [210][214] | ||
| 24 | ¿Yo te gusto? | Primer Plano Film Group | Edgardo González Amer | AR | [215][216] | |
| El rocío | Compañía de Cine | Emiliano Grieco | AR | [215][217] | ||
| Exilio en África | Independent | Ernesto Aguilar and Marcela Inés Suppicich | AR | [215][218] | ||
| Stand Up Villero | 3C Films | Jorge Croce | AR | [215][219] | ||
| Una de nosotras | Bellasombra | Soledad Castro Lazaroff | AR, UY | [215][220] | ||
| 31 | Candy Bar | CineWorld | Alejandra Szeplaki | VE, AR | [221][222] | |
| Crímenes imposibles | BF París | Hernán Findling | AR | [221][223] | ||
| Desertor | Cierren | Pablo Brusa | AR | [221][224] | ||
| La vida en común | Independent | Ezequiel Yanco | AR | [221][225] | ||
| Mujer salvaje | Independent | Nadia Martínez | AR | [221][226] | ||
| N O V E M B E R |
7 | A Girl's Band | Independent | Marilina Giménez | AR | [227][228] |
| Amor de película | Buena Vista International | Sebastián Mega Rodríguez | AR | [227][229] | ||
| Cartero | Cine Tren | Emiliano Serra | AR | [227][230] | ||
| La forma de las horas | Independent | Paula de Luque | AR | [227][231] | ||
| La vida en común | Independent | Ezequiel Yanco | AR | [227][232] | ||
| Los Knacks: Déjame en el pasado | Primer Plano Film Group | Mariano and Gabriel Nesci | AR | [227][233] | ||
| Los prohibidos | Cine Tren | Andrea Schellemberg | AR | [227][234] | ||
| Mujer medicina | Independent | Daiana Rosenfeld | AR | [227][235] | ||
| Piedra, papel y tijera | APIMA | Macarena García Lenzi and Martin Blousson | AR | [227][236] | ||
| Un gauchito Gil | Primer Plano Film Group | Joaquin Pedretti | AR | [227][237] | ||
| 14 | De cerca nadie es normal | Independent | Marcela Villarino | AR | [238][239] | |
| El plan divino | Aura Films | Víctor Laplace | AR | [238][240] | ||
| Los adoptantes | Cine Tren | Daniel Gimelberg | AR | [238][241] | ||
| Los últimos | Bellasombra | Pablo Pivetta and Nicolás Rodríguez Fuchs | AR | [238][242] | ||
| Taxi a Gibraltar | Aura Films | Alejo Flah | AR, ES | [238][243] | ||
| 21 | 4 metros | Primer Plano Film Group | Francisco Palazzo | AR | [244][245] | |
| Apurímac. El dios que habla. | Primer Plano Film Group | Miguel Mato | AR | [244][246] | ||
| Cuerpos marcados | Independent | Ciro Néstor Novelli and Mariangeles San Martín | AR | [244][247] | ||
| El hombre del futuro | Compañía de Cine | Felipe Ríos | AR | [244][248] | ||
| Instrucciones para la poligamia | Cine Tren | Sebastián Sarquís | AR | [244][249] | ||
| Los sonámbulos | Digicine | Paula Hernández | AR, UY | [244][250] | ||
| 28 | El cuidado de los otros | Cine Tren | Mariano González | AR | [251][252] | |
| El secreto de Julia | Independent | Ernesto Aguilar | AR | [251][253] | ||
| Lectura según Justino | Primer Plano Film Group | Arnaldo André | AR | [251][254] | ||
| D E C E M B E R |
5 | Ciegos | Campo Cine / Cine Tren | Fernando Zuber | AR | [255][256] |
| El Patalarga | Primer Plano Film Group | Mercedes Moreira | AR | [255][257] | ||
| Las buenas intenciones | Cine Tren | Ana García Baya | AR | [255][258] | ||
| 12 | El gran combo | Kligger Contenidos | Matías Szulanski | AR | [259][260] | |
| Hogar | Campo Cine / Cine Tren | Maura Delpero | AR, IT | [259][261] | ||
| Inner Fires | Independent | Various | AR | [259][262] | ||
| La sabiduría | Primer Plano Film Group | Eduardo Pinto | AR | [259][263] | ||
| Lo intangible | Bellasombra | Matilde Michanie | AR | [259][264] | ||
| Raúl, la democracia desde adentro | Cine Tren | Juan Baldana & Christian Rémoli | AR | [259][265] | ||
| 19 | La botera | Compañía de Cine | Sabrina Blanco | AR, BR | [266][267] | |
| Lejos de Pekín | Primer Plano Film Group | Maximiliano González | AR | [266][268] | ||
| Mangoré, por amor al arte | Aura Films | Luis R. Vera | AR, PY | [266][269] | ||
| We Are the Heat | Primer Plano Film Group | Jorge Navas | CO, AR | [266][270] | ||