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List of Shakespearean settings

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This is a list of the settings of Shakespeare's plays. Included are the settings of 38 plays, being the 36 plays contained in the First Folio, and Pericles, Prince of Tyre and The Two Noble Kinsmen.

Places mentioned in Shakespeare's[a] text are not listed unless he explicitly set at least one scene there, even where that place is important to the plot such as Syracuse in The Comedy of Errors or Milan in The Tempest. Similarly, the place where an historical or mythical event depicted by Shakespeare is supposed to have happened is not listed unless Shakespeare mentions the setting in the play's text, although these places are sometimes mentioned in the text or footnotes. For example, most editors place act 3 scene 2 of Julius Caesar ("Friends, Romans, countrymen...")[1] at "the Forum"[b] but there is no listing for the Forum on this page because Shakespeare's text does not specify it.

Contents:

Nations, cities and towns:

A | B | C | D | E | F | G | H | I | K | L | M | N | O | P | R | S | T | V | W | Y

Less-specific settings

More-specific settings

Wars and battles

Settings by scene:

All's Well That Ends Well | Antony and Cleopatra | As You Like It | The Comedy of Errors | Coriolanus | Cymbeline | Hamlet | Henry IV, Part 1 | Henry IV, Part 2 | Henry V | Henry VI, Part 1 | Henry VI, Part 2 | Henry VI, Part 3 | Henry VIII | Julius Caesar | King John | King Lear | Love's Labour's Lost | Macbeth | Measure for Measure | The Merchant of Venice | The Merry Wives of Windsor | A Midsummer Night's Dream | Much Ado About Nothing | Othello | Pericles, Prince of Tyre | Richard II | Richard III | Romeo and Juliet | The Taming of the Shrew | The Tempest | Timon of Athens | Titus Andronicus | Troilus and Cressida | Twelfth Night | The Two Gentlemen of Verona | The Two Noble Kinsmen | The Winter's Tale

References


Settings in Britain
Settings in Britain and France
Settings elsewhere

Nations, cities and towns

A

B

C

D

  • For Denmark see "Elsinore".
  • Dover in England and various places in its vicinity, including the camps of the French and British armies nearby, are settings in the latter half of King Lear.[71][72][53][73]

E

  • For Egypt see "Alexandria" and, under more-specific settings below, "Cleopatra's Monument".
  • Elsinore:
  • England:
    • See also "Barnet", "Bosworth", "Coventry", "Dover", "London", "Rochester", "Salisbury", "Shrewsbury", "Southampton", "St Albans", "St Edmundsbury", "Tewkesbury", "Wakefield", "Windsor" and "York", and, under less-specific settings, below, "Castle", and, under more-specific settings below, "Baynard's Castle", "Blackfriars", "Eastcheap", "Ely House", "Forest of Arden", "Gad's Hill", "Garter Inn", "Gaultree Forest", "Gloucestershire", "Herne's Oak" "Kenilworth Castle", "Kimbolton Castle", "Pomfret Castle" "Southwark", "Swinstead Abbey" "Temple Garden", "Tower of London" "Westminster Palace" and "York Place".
    • See also "English Court" under more-specific settings below.
    • The frame story of The Taming of the Shrew (i.e. the two scenes of the "Induction" and a short exchange at the end of act 1 scene 1), in which the drunken tinker Christopher Sly is persuaded he is a lord and is invited to watch a play, has no specified setting, but appears to be in England since Sly claims to be from Burton Heath,[78] Warwickshire, and to know a "fat alewife of Wincot".[79][80]
    • England, probably at the court of Edward the Confessor, is the setting of a lengthy scene in which Malcolm tests Macduff's loyalty, and then Macduff learns of the murder of his family, in Macbeth.[81][82][83][84]
    • England, somewhere near the border by Berwick (which was, at the time the play is set, in Scotland), King Henry visits his former dominions, and is captured by two keepers, in Henry VI, Part 3.[85][86][87]
    • "England" is the only location given in a stage direction in Henry VI, Part 3, presumably to clarify the location since the scene (act 4 scene 2) includes French soldiers. Neither it nor the following scene, in which Warwick's powers overcome Edward's guards at his tent and take him prisoner, is given any more specific location.[88][89]
  • Ephesus:

F

G

  • For Greece see "Actium", "Athens", "Mytilene", "Philippi" and "Thebes".

H

I

K

L

  • For Libya see "Pentapolis".

"It is a truism that every Shakespearean city is always, to some degree, London."

— Kent Cartwright[117]

M

N

O

P

R

"Rome, dominated by men, appears as a daylight world of conquest, rationality, and self-sacrifice. Eqypt, dominated by women, appears as a night-time world of love, fantasy and self-indulgence."

— Robert S. Miola[153]

S

T

V

W

Y

Less-specific settings

  • Battlefield:
    • For specific battlefields, see the entry for the place after which the battle is named.
    • An unnamed battlefield is the setting of a supernatural scene in which Joan communes with fiends, in Henry VI, Part 1, followed by her capture, and then Suffolk captures Margaret. Historically, Joan was captured at Compiègne in France, and Suffolk's capture of Margaret is unhistorical.[257][258]
  • Castle:
    • For specific castles identified by Shakespeare, see more-specific settings below.
    • A castle somewhere in England is the setting of the death of Arthur in King John. There is an internal scene in which Arthur persuades Hubert not to kill him, and an external scene in which Arthur dies in trying to escape, and his body is discovered. Shakespeare gives no indication which castle is intended: speculation has included Northampton, Dover, Canterbury or the Tower of London.[259] Historically, Arthur was not held in England at all, but at Rouen Castle in France.[260][261]
    • In Henry IV, several scenes (act 2 scene 3 of Part 1, and act 1 scene 1 and act 2 scene 3 of Part 2) are set at the castles which are the homes of Hotspur and Northumberland, without the location being specified other than being described by Rumour as "this worm-eaten hole of ragged stone".[262] Historically in both cases this would have been Warkworth Castle.[263][264]
    • In Henry VI, Part 3, a scene is set at "your Castle",[265] near Wakefield: meaning York's. Historically, that was Sandal Castle.[266]
  • Forest:
  • Gaol:
    • An unspecified gaol is the setting of the (unhistorical) meeting of York with Mortimer in Henry VI, Part 1.[275]
  • Graveyard:
    • A graveyard near Elsinore is the setting of the "Alas, poor Yorick"[276] sequence, and of the funeral of Ophelia, in act 5 scene 1 of Hamlet.[277][278][279]
  • Island:
  • Park:
    • A park, where Edward is out hunting accompanied by his captors, is the setting of the rescue of Edward by Richard and his followers, in Henry VI, Part 3. The only textual hint to its location is that Edward is the prisoner of the Bishop of York. Historically, Edward was held at Middleham Castle, in Yorkshire.[283][284][285][286]
  • Road:
  • Ship:
    • Pericles' ship, on its voyage around the Mediterranean, is the setting of various scenes in Pericles.[296]
    • A ship threatened by a storm on a voyage from Tunis to Naples is the setting of the opening scene of The Tempest.[297]

More-specific settings

Locations identified as being in or around the home of a specific character are not listed, including where that home is a "castle", "cave" or "cell". Similarly, the "court" of any character who is a ruler is not listed unless Shakespeare gives it a specific location. Also not listed are generic locations such as "abbey", "brothel", "mart", "palace", "prison", "seashore" or "street", nor buildings given fictional names such as "the Porpentine", "the Phoenix" and others in The Comedy of Errors or "the Elephant" in Twelfth Night.

Military camps are not listed separately, and where relevant are mentioned under the name of the city being besieged or the place after which the battle is named.

Many Shakespearean characters are named after places: usually because they are known by their noble title rather than their actual name. This list does not assume that the homes of those characters are in that place unless Shakespeare's text explicitly places them there: even where that was true of the historical person upon whom the character is based. For example, there is no listing on this page for Gloucester in England (although see "Gloucestershire" below) even though there are characters usually described as Gloucester in King Lear, Henry IV (Part 2), Henry V, all three parts of Henry VI, and Richard III, and some scenes are set at their homes.

Wars and battles

This table is a chronological list of the historical wars and battles partially dramatized by Shakespeare[a] in the 38 plays covered by this page.

‡ Italics in the "Battle or Siege" column indicate a battle not explicitly dramatized by name, with an explanation of the reason for its inclusion in the footnotes.

The battles in All's Well That Ends Well,[af] Cymbeline,[ag] King Lear,[ah] Titus Andronicus[ai] and The Two Noble Kinsmen[aj] appear to have no basis in any real indentifiable historical conflicts, and accordingly are not listed in the table.

Also not included are popular rebellions: specifically, Jack Cade's Rebellion of 1450 is dramatized by Shakespeare[ak] in act 4 of Henry VI, Part 2.[466] Its presentation includes events drawn from the chronicles of the rebellions of Jack Straw and Wat Tyler also.[465]

More information Wider Conflict, Battle or Siege ...
Wider Conflict Battle or Siege Play Scene[al]
The Trojan War Siege of Troy
12th or 13th Century BCE
Troilus and Cressida The whole play
Roman–Volscian Wars Siege of Corioli
493 BCE
Coriolanus Act 1 - scenes 4 to 11
Volsican invasion of Rome
491-488 BCE
Coriolanus Act 4 -scenes 6 & 7
Act 5 scenes 1 to 5
Liberators' Civil War Battle of Philippi
42 BCE
Julius Caesar Act 5 - the whole act[159][160]
Antony's Parthian War ‡ Battle of Mount Gindarus[am]
38 BCE
Antony and Cleopatra Act 3 - scene 1[422]
Last War of the Roman Republic Battle of Actium
September 31 BCE[467]
Antony and Cleopatra Act 3 - scenes 7 to 10[6][153][an]
Battle of Alexandria
1-30 July 30 BCE
Antony and Cleopatra Act 3 - scenes 12 to 13
Act 4 - the whole act
Act 5 - the whole act[10][422]
Rebellions against Macbeth Battle of Dunsinane
27 July 1054;[468] &
‡ Battle of Lumphanan
15 August 1057
[469][better source needed][ao]
Macbeth Act 5 scenes 2 to 11
First Hundred Years' War[ap] ‡ Siege of Mirabeau[aq]
1202[472]
King John Act 2 - the whole act
Act 3 - the whole act
‡ First Barons' War[ar]
1216[475]
King John Act 5 - scenes 2 to 5
Rebellions against Henry IV Battle of Shrewsbury
21 July 1403[476]
Henry IV, Part 1 Act 4 - scenes 1 and 3
Act 5 - the whole act[194][195]
‡ Gualtree Forest[as]
1405-1408
Henry IV, Part 2 Act 4 - scenes 1 & 2[478][477]
Hundred Years' War Siege of Harfleur
18 August - 22 September 1415
[better source needed]
Henry V Act 3 - scenes 1 to 3[479][480][481][482]
Battle of Agincourt
25 October 1415[483]
Henry V Act 3 - scene 7
Act 4 - the whole act[484][485]
Siege of Orléans[at]
12 October 1428 – 8 May 1429
Henry VI, Part 1 Act 1 - scenes 2 to 3 and 5 to 8
Act 2 - scenes 1 to 2[139][141][44]
‡ Rouen[au] Henry VI, Part 1 Act 3 - scenes 2 to 6
‡ Siege of Bordeaux[av]
August - October 1453
[better source needed]
Henry VI, Part 1 Act 4 - scenes 2 and 5 to 7
Wars of the Roses First Battle of St Albans
22 May 1455[486]
Henry VI, Part 2 Act 5 - scenes 2 to 5[487][486]
Battle of Wakefield
30 December 1460[488]
Henry VI, Part 3 Act 1 - scenes 3 and 4[aw]
‡ Battle of Mortimer's Cross[m]
2 February 1461
Henry VI, Part 3 Act 2 - scene 1
‡ Battle of Towton[ax]
28-29 March 1461[489]
Henry VI, Part 3 Act 2 - scenes 3 to 6
Battle of Barnet
14 April 1471[34][490]
Henry VI, Part 3 Act 5 - scene 2[34][491][492]
Battle of Tewkesbury
4 May 1471[493][494]
Henry VI, Part 3 Act 5 - scenes 3 to 5[495][496][492]
Battle of Bosworth Field
22 August 1485[497]
Richard III Act 5 - scenes 2 to 8[46][48]
Fourth Ottoman–Venetian War ‡ Ottoman invasion of Cyprus[ay]
1570[500]
Othello Act 1 - scene 3
Act 2 - scenes 1 to 2
Close

Settings by scene

"Too precise effort on the part of editors to indicate locations misrepresents the practices of Elizabethan stagecraft, which allowed the spoken language to establish place whenever an exact sense is required."

— David Scott Kastan[501]

This table lists each scene in the 38 plays covered by this article, and gives its location. Unlike the section "More-specific settings" above, the "specific setting" column does include the homes of particular characters, and generic non-geographical settings such as "market-place". Where the location is not specified in Shakespeare's text, the table will say "Not specified" but, where relevant, its footnote will mention the settings suggested by scholars or by Shakespeare's sources.

Although locations were, until recently, routinely provided for each scene by Shakespeare's editors, reflecting the pictorial and realistic sets of 18th to 20th century theatre practice, performances in Shakespeare's own time happened on bare, non-localized stages.[502][503] For examples, the early texts of neither Henry IV, Part 1 nor As You Like It contain any indications of their scenes' locations in their stage directions.[501][504] Michael Hattaway says "1 Henry VI was written for and, in my opinion, demands to be acted upon a stage which makes no attempt to create scenic illusion."[505]

As Stanley Wells explains modern editorial practice, with specific reference to King Lear:

The practice, going back to Rowe (1709) of heading each scene with a statement of its supposed location - 'A room in the Duke of Albany's Palace' or 'A Chamber in a Farmhouse adjoining the Castle' to quote from Muir's edition[az] - has slowly been abandoned... Some editors, however, continue the practice in their notes... It seems reasonable to do so when a location for the action is clearly implied, and provided it is understood that this need not be, and in Shakespeare's theatre would not have been, realistically represented.[507]

Plays on early modern public stages were not divided into acts and scenes, although they were at the private theatre at Blackfriars.[508] In the public theatres between 1592 and 1607, continuous flow, rather than act intervals, was the performance practice.[509] All act and scene divisions in the table are taken from The Oxford Shakespeare - The Complete Works (second edition) but these are not consistent across all modern editions of Shakespeare's plays.[ba]

More information Play, Act ...
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