| Process |
Year |
Projection method |
Inventor(s) |
Introductory film |
| Lee-Turner Colour |
1899 |
Additive (3 color) |
Edward Raymond Turner[1][2] |
N/A (Experimental) (circa 1902) |
| Biocolour |
1905 |
Additive (2 color) |
William Friese-Greene |
Untitled Film (1906)[3] |
| Kinemacolor |
1906 |
Additive (2 color) |
George Albert Smith |
Representatives of the British Isles (1909)[4] |
| Warner-Powrie[5] |
1906 |
Mosaic (3 color) |
John Hutchison Powrie Florence M. Warner[6] |
Untitled film (1928) |
| Keller-Dorian |
1908 |
Lenticular (3 color) |
Albert Keller-Dorian Rodolphe Berthon |
Unknown |
| Cinecolorgraph[5] |
1912 |
Subtractive (2 color) |
A. Hernandez-Mejia |
Unknown |
| Brewster Color (I) |
1913 |
Subtractive (2 color) |
Percy Douglas Brewster |
Unknown |
Chronochrome a.k.a. Gaumont Color |
1913 |
Additive (3 color) |
Leon Gaumont |
Unknown |
| Prizma (I) |
1913 |
Additive (2 color) |
William van Doren Kelley |
Our Navy (1917) |
| Cinechrome[5] |
1914 |
Additive (3 color) |
Colin Bennett |
Prince of Wales in India (1921) |
| Kodachrome (I) |
1916 |
Subtractive (2 color) |
John G. Capstaff Eastman-Kodak |
Concerning $1,000 |
| Technicolor (I) |
1916 |
Additive (2 color) |
Daniel F. Comstock Herbert Kalmus W. Burton Wescott |
The Gulf Between (1917) |
Douglass Color (Douglass Natural Color) |
1918 |
Additive (2 color) |
Leon Forrest Douglass |
Nature Scenes (1918) and Cupid Angling (1918) |
| Kesdacolor |
1918 |
Subtractive (2 color) |
William van Doren Kelley Carroll H. Dunning |
American Flag (1918) |
| Prizma (II) |
1918 |
Subtractive (2 color) |
William van Doren Kelley |
The Glorious Adventure (1922) |
| Gilmore Color |
1918 |
Additive (2 color) |
Frederic Eugene Ives Otto C. Gilmore |
Unknown |
| Zoechrome[5] |
1920 |
Subtractive (3 color) |
T.A. Mills |
Unknown |
| ColorCraft[5] |
1921 |
Subtractive (2 color) |
W.H. Peck |
Unknown |
| Polychromide |
1922 |
Additive (2 color) |
Aron Hamburger |
Unknown |
| Technicolor (II) |
1922 |
Subtractive (2 color) |
Daniel F. Comstock Joseph A. Ball Leonard T. Troland Jarvis M. Andrews |
The Toll of the Sea (1922) |
| Szczepanik |
1924 |
Additive (3 color) |
Jan Szczepanik |
Unknown |
| Kelleycolor |
1926 |
Subtractive (2 color) |
William van Doren Kelley Max Handschiegl |
Unknown |
| Color Cinema Corporation |
1927 |
Subtractive (2 color) |
Color Cinema Corporation |
Unknown |
| Lignose Naturfarbenfilm[5] |
1927 |
Additive (3 color) |
Lignose |
Unknown |
| Busch Color[5] |
1928 |
Additive (2 color) |
|
Unknown |
| Harriscolor[5] |
1928 |
Subtractive (2 color) |
William Van Doren Kelley |
Unknown |
| Kodacolor (I) |
1928 |
Lenticular (3 color) |
Rodolphe Berthon |
N/A (16 mm home movies only) (1928) |
| Raycol |
1928 |
Additive (2 color) |
Maurice Elvey |
The School for Scandal (1930) |
| Splendicolor |
1928 |
Subtractive (3 color) |
|
Unknown |
| Technicolor (III) |
1928 |
Subtractive (2 color) |
Daniel F. Comstock |
The Viking (1928) |
| Agfa bipack |
1929 |
Subtractive (2 color) |
Agfa |
Unknown |
| Horst Color |
1929 |
Additive (3 color) |
L. Horst |
Unknown |
| Multicolor |
1929 |
Subtractive (2 color) |
William Thomas Crespinel |
Unknown |
| Finlay |
1929 |
Additive (3 color) |
Clare l. Finlay |
Unknown |
| Harriscolor |
1929 |
Subtractive (2 color) |
J.B. Harris Jr. |
Unknown |
| Cinechrome |
1930 |
Unknown |
Cinecolor Ltd. |
Unknown |
| Cineoptichrome |
1930 |
Additive (2 color) |
Lucien Roux Armand Roux |
Unknown |
| Dascolor |
1930 |
Subtractive (2 color) |
M. L. F. Dassonville |
Unknown |
| Harmonicolor |
1930 |
Additive (2 color) |
Maurice Combs |
Talking Hands (1936) |
| Hirlicolor |
1930 |
Subtractive (2 color) |
George A. Hirliman |
Captain Calamity (1936) |
| Photocolor[5] |
1930 |
Subtractive (2 color) |
Photocolor Corp. |
The Gift of Montezuma (1930) |
| Pilney Color[5] |
1930 |
Subtractive (2 color) |
|
Unknown |
| Allfarbenfilm |
1930 |
Additive (3 color) |
|
Unknown |
| Sennettcolor[5] |
1930 |
Subtractive (2 color) |
Mack Sennett (financier) |
Strange Birds (1930) |
| Sirius Color[5] |
1930 |
Subtractive (2 color) |
L. Horst |
Unknown |
| Brewster Color (II) |
1930 |
Subtractive (2 or 3 color) |
Percy Douglas Brewster |
Autumn Foliage (1930) |
UFAcolor a.k.a. Chemicolor, Spectracolor |
1930 |
Subtractive (2 color) |
UFA Studios |
Pagliacci (1936) |
| Vitacolor[5] |
1930 |
Additive (2 color) |
William Van Doren Kelley Max B. Du Pont (financier) |
Unknown |
| Chimicolor |
1931 |
Subtractive (3 color) |
Syndicate de la Cinematographe des Couleurs |
Unknown |
| Magnacolor |
1931 |
Subtractive (2 color) |
Consolidated Laboratories |
The Bold Caballero (1936) |
| Dufaycolor |
1931 |
Mosaic (3 color) |
Louis Dufay Dufay-Chromex Co. |
Sons of the Sea (1939) |
| DuPack[5] |
1931 |
Subtractive (2 color) |
DuPont Co. |
Unknown |
| Rota Farbenfilm |
1931 |
Subtractive (2 color) |
|
Unknown |
| Russian two-color system |
1931 |
Subtractive (2 color) |
Nikolai Agokos Fedor Provorov Pavel Mershin |
Karnaval cvetov (1935) |
| AGFAcolor (I) |
1932 |
Lenticular (3 color) |
AGFA |
N/A (16mm only) |
| Cinecolor (I) |
1932 |
Subtractive (2 color) |
William T. Crispinel Alan M. Gundelfinger |
Sweden, Land of the Vikings (1934) Honeymoon Hotel (1934) |
| Technicolor (IV) |
1932 |
Subtractive (3 color) |
Joseph A. Ball |
Flowers and Trees (1932) |
| Morgana Color[5] |
1932 |
Additive (2 color) |
Bell and Howell Lady Juliet Williams |
N/A (16mm only) |
| Gasparcolor |
1933 |
Subtractive (3 color) |
Bela Gaspar |
Kreise (1933) and Muratti Greift Ein (1934) |
| Vericolor |
1933 |
Subtractive (2 color) |
Vericolor Inc. |
The Magic Isle (1935) |
Francita Process a.k.a. Opticolor (UK) |
1935 |
Additive (3 color) |
British Realita Syndica, Ltd. |
Jeunies filles à marier (1935) |
| Kodachrome (II) |
1935 |
Subtractive (3 color) |
Eastman Kodak |
N/A (16mm only) |
| Cosmocolor |
1935 |
Subtractive (2 color) |
Otto C. Gilmore |
Wings Over the Golden Gate (1935) |
| Russian three-color process |
1936 |
Subtractive (3 color) |
Pavel Mershin Fedor Provorov Avenir Min |
The Fox and the Wolf (1937) |
| Telco-Color |
1936 |
Subtractive (3 color) |
|
Cavalcade of Texas (1938) |
| Dunningcolor |
1937 |
Subtractive (3 color) |
Carroll H. Dunning Dodge Dunning |
Tehauntepec (1937) |
AGFAColor (II) a.k.a. Sovcolor, Chrome Color Art Chrome Color,
ORWOcolor |
1939 |
Subtractive (3 color) |
I.G. Farben |
Frauen sind doch bessere Diplomaten (1939–41) |
| Thomascolor |
1942 |
Additive (3 color) |
Richard Thomas |
Unknown |
| Cinefotocolor |
1947 |
Subtractive (2 color) |
Daniel Aragonés |
El un rincón de España (1948) |
| Fullcolor |
1947 |
Subtractive (3 color) |
|
The Goldwyn Follies (1947 reissue) |
| Rouxcolor |
1947 |
Additive (3 color) |
Lucien Roux Armand Roux |
The Miller's Daughter (1948) |
| Thomson Color |
1947 |
Lenticular (3 color) |
Société Thomson |
Jour de fête (1949, color version not released until 1994) |
Cinecolor (II) a.k.a. SuperCineColor |
1948 |
Subtractive (3 color) |
Alan M. Gundelfinger |
The Sword of Monte Cristo (1951) |
| Konicolor |
1948 |
Subtractive (3 color) |
Konishi Roku |
|
| Magicolor |
1947 |
Subtractive (3 color) |
|
The Humpbacked Horse (a.k.a. The Magic Horse, 1947) |
| Polacolor |
1948 |
Subtractive (3 color) |
Polaroid Corp. |
Unknown |
| Technichrome |
1948 |
Subtractive (2 Color) |
Technicolor Company of England |
The Olympic Games of 1948 |
| Trucolor (II) |
1948 |
Subtractive (3 color) |
Republic Pictures Consolidated Film Industries |
This is Korea (1951) |
Eastmancolor a.k.a. DeLuxe Color Metrocolor Pathécolor (II) WarnerColor and Technicolor (after 1954) |
1950 |
Subtractive (3 color) |
Eastman Kodak |
Royal Journey (1951) |
Alfacolour a.k.a. Agfacolor |
1950 |
Subtractive (2 color) |
Alpha Photographic Laboratories |
Unknown |
| Ansco Color |
1952 |
Subtractive (3 color) |
General Aniline and Film Corp. |
Climbing the Matterhorn (1948) |
| Dugromacolor |
1952 |
Additive (3 color) |
Dumas, Grosset, and Marx |
Unknown |
| Ferraniacolor |
1952 |
Subtractive (3 color) |
|
Toto in Color (1952) |
| Fox Lenticular Film |
1953 |
Lenticular (3 color) |
Twentieth Century-Fox |
N/A (experimental) |
| Fujicolor |
1953 |
Subtractive (3 color) |
|
Adventure of Natsuko (1953) |
| Polavision |
1977 |
Additive (3 color) mosaic |
Polaroid Corp. |
Super 8mm only |