List of masses by Wolfgang Amadeus Mozart

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Wolfgang Amadeus Mozart (1756–1791) composed several masses and separate movements of the Mass ordinary (such as Kyrie).[1] Mozart composed most of his masses as a church musician in Salzburg:

  • Masses for regular Sundays or smaller feasts belonged to the missa brevis type. In the context of Mozart's masses brevis (short) applies primarily to the duration, i.e. the whole mass ceremony took no longer than three quarters of an hour. Instrumentation for such a missa brevis would usually be limited to violins, continuo (which included the organ), and trombones doubling the choral parts of alto, tenor and bass.[1]
  • The generic name for longer masses was missa longa, for more solemn and festive occasions. Additional instruments include oboes, trumpets, timpani, and for some of them also natural horns. Instead of treating each part of the mass liturgy in a continuous rendition of the text, there are repeats, fugues, and subdivisions in several movements with separate orchestral introductions.[1]
  • Missa longa is usually synonymous with missa solemnis (solemn mass), however in Mozart's Salzburg (due to duration restrictions imposed by Archbishop Colloredo), a hybrid brevis et solemnis (short and solemn) seems to have existed, short in duration, but nonetheless for the more festive occasions, for example including a more elaborate orchestration than the usual missa brevis.[1]
First page of the autograph of Mozart's Great Mass in C minor

After moving to Vienna, Mozart started to compose the Great Mass in C minor, with a broad orchestration including violas and 12 wind instruments. In 1791, he started writing a Requiem mass, which was unfinished when he died and was first completed by his pupil Franz Xaver Süssmayr.

Most nicknames of the masses were later additions. The attribution to Mozart has been disputed for several masses, most of these spurious works first published by Vincent Novello from 1819.

Masses and separate parts

More information Bärenreiter NMA, Breitkopf & Härtel AMA ...
Bärenreiter
NMA
Breitkopf & Härtel
AMA
Novello's edition Missa
brevis
No.[2]
Year of composition Köchel catalogue Type[1] Key Alternative
name(s)
Place of composition and notes
Vol. 1/1 No. 1[3] Serie I No. 1[4] 1 1768 K. 49 (47d) brevis G major Vienna[1]
Vol. 1/1 No. 2[3] Serie I No. 4[5] 1768 K. 139 (47a) solemnis (longa) C minor Waisenhausmesse
Orphanage Mass
Vienna[1]
Vol. 1/1 No. 3[3] Serie I No. 2[6] 2 1769 K. 65 (61a) brevis D minor Salzburg
Vol. 1/1 No. 4[3] Serie I No. 3[7] 1769 K. 66 solemnis (longa) C major (Pater) Dominicus
(Father) Dominicus
Salzburg
Vol. 1/1 No. 5[3] 6 1773 K. 140 (235d, Anh. C1.12) brevis G major Pastoralmesse
Pastoral Mass[8]
attribution uncertain
Vol. 1/2 No. 6[9] Serie I No. 5[10] 1773 K. 167 solemnis (longa) C major Missa in honorem Sanctissimae Trinitatis
Mass in honour of the Most Holy Trinity
Trinitatismesse
Salzburg
Vol. 1/2 No. 7[9] Serie I No. 6[11] No. 3[12] 3 1774 K. 192 (186f) brevis F major Kleine Credo Messe
Little Credo Mass
Salzburg
Vol. 1/2 No. 8[9] Serie I No. 7[13] No. 6[14] 4 1774 K. 194 (186h) brevis D major Salzburg
Vol. 1/2 No. 9[9] Serie I No. 8[15] No. 5[16] 5 17751776 K. 220 (196b) brevis et solemnis C major Spatzenmesse
Sparrow Mass
Salzburg
Vol. 1/2 No. 10[9] Serie I No. 12[17] 1776 K. 262 (246a) longa C major Longa Salzburg
Vol. 1/3 No. 11[18] Serie I No. 9[19] No. 2[20] 1776 K. 257 brevis and/or solemnis, longa C major Credo
Große Credo-Messe
Great Credo Mass
Salzburg
Vol. 1/3 No. 12[18] Serie I No. 10[21] No. 4[22] 7 1775 K. 258 brevis (et solemnis) C major Piccolomini or Spaur Mass
(Both nicknames are misleading.)[23]
Salzburg
Vol. 1/3 No. 13[18] Serie I No. 11[24] No. 11[25] 8 1775 or 1776 K. 259 brevis (et solemnis) C major Orgelsolo
Organ solo
Salzburg
Vol. 1/4 No. 14[26] Serie I No. 13[27] No. 10[28] 9 1777 K. 275 (272b) brevis B-flat major Salzburg
Vol. 1/4 No. 15[26] Serie I No. 14[29] No. 1[30] 1779 K. 317 brevis (or longa) C major Krönungsmesse
Coronation Mass
Salzburg
"shortest longa"[1]
Vol. 1/4 No. 16[26] Serie I No. 15[31] No. 14[32] 1780 K. 337 solemnis (and/or brevis) C major Missa solemnis
or Hofmesse[1]
or Missa aulica[33]
i.e. court mass
Salzburg
Vol. 1/5[34] Serie XXIV No. 29[35] 17821783 K. 427 (417a) solemnis C minor Große Messe
Great Mass
Vienna and Salzburg
incomplete
Vol. 1/6 No. 1[36] Serie III No. 1[36] 1766 K. 33 Kyrie F major Paris[2][1]
Vol. 1/6 No. 2[37] Serie III No. 2[37] 1772 K. 89 (73k) Kyrie G major contrapuntal study[1]
Vol. 1/6 No. 3[37] 1772 K. 90 Kyrie D minor contrapuntal study[1]
Vol. 1/6 No. 4[38] 1772 K. 223 (166e) Hosanna G major contrapuntal study[1]
Vol. 1/6 No. 7[39] Serie III No. 3[39] K. 322 (296a/b/Anh. 12) Kyrie E-flat major fragment, completed by Maximilian Stadler
Vol. 1/6 No. 9[40] Serie III No. 4[40] K. 323 (Anh. 13) Kyrie C major fragment, completed by Maximilian Stadler
Vol. 1/6 No. 13[41] Serie III No. 5[41] 1780–1781?
1788?
K. 341 (368a) Kyrie D minor Munich[2] or Vienna?[1]
large orchestra[1]
Vol. 2/1[42] Serie XXIV No. 1[43] No. 15[44] 1791 K. 626 Requiem D minor Vienna
most often published with the completions by Süssmayr
Serie XXIV No. 33 1771 (?) K. 116 (90a) brevis F major only the Kyrie is complete[45]
reattributed to Leopold Mozart[1][46]
Serie XXIV No. 28 1771 (?) K. 115 (166d) brevis C major incomplete[47]
reattributed to Leopold Mozart[1][48]
No. 12[49] around 1800? K. Anh. 232
(Anh. C1.04)
G major Twelfth Mass[50] attributed to Pichl in one source, Wenzel Müller in others[51][52]
No. 7[53] K. Anh. 233 B-flat major attributed to Süssmayr by Mozart's widow[52]
No. 8[53] K. Anh. 234 (Anh. C1.08) C major attributed to Franz Gleißner[52]
No. 9[53] K. Anh. 235 (Anh. C1.09) G major attributed to Franz Gleißner[52]
No. 13[54] K. Anh. 186 E-flat major spurious[52]
No. 16[54] K. Anh. 186 E-flat major spurious[52]
No. 17[54] K. Anh. 185 C major spurious[52]
No. 18[53] K. Anh. 237 Requiem brevis D major short Requiem not by Mozart[52]
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