List of works by Sam Gilliam

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Includes unstretched painted canvas and canvas alternatives (e.g., nylon, fabric, etc.), and unstretched canvas installed with physical objects, including sawhorses, metal beams, and stones.

• Bow Form Construction (1968); Acrylic and enamel on draped canvas; Overall: 119 7/16 × 332 5/16 in (303.4 × 844.1 cm) [irreg.]; Whitney Museum, New York^[4]
• Carousel State (1968); Acrylic and aluminum powder on canvas; Overall: 119.13 × 846.22 in (302.6 × 2149.4 cm), 157 × 264 in (398.8 × 670.6 cm) [irreg.]; Metropolitan Museum of Art, New York^[5]
• Double Merge (Carousel I and Carousel II) (1968); Acrylic on canvas; Left panel: 122 × 800 1/2 in (309.9 × 2033.3 cm), right panel: 118 5/8 × 862 1/2 in (301.3 × 2190.8 cm); Museum of Fine Arts, Houston, and Dia Art Foundation, New York (jointly owned)^[6][7]
• Niagara (1968); Acrylic on canvas; 120 × 528 in (304.8 × 1341.1 cm)^[8]
• Relative (1968); Acrylic on canvas; Overall: 120 × 528 in (304.8 × 1341.1 cm), installed: 120 × 162 in (304.8 × 411.48 cm) [irreg.]; National Gallery of Art, Washington, D.C.^[9]
• Swing Sketch (1968); Acrylic on canvas with leather cord; 73 3/4 × 89 3/4 × 9 in (187.3 × 228 × 22.9 cm), dimensions vary with installation^[10]
• 10/27/69 (1969); Acrylic on canvas; 140 × 185 × 16 in (355.6 × 469.9 × 40.6 cm); Museum of Modern Art, New York^[11]
• Carousel Form II (1969); Acrylic on canvas; 120 × 900 in (303.8 × 720.1 cm); Speed Art Museum, Louisville, Kentucky^[12]
• Combustion (1969); Acrylic on canvas; 133 1/2 × 151 1/4 × 15 in (339.1 × 384.2 × 38.1 cm), dimensions vary with installation^[13]
• Cut (1969); Acrylic on raw canvas with rawhide; 68 × 97.5 × 6 in (172.7 × 247.7 × 15.2 cm)^[14]
• Dakar I (1969); Acrylic on canvas; 113 × 59 × 14 in (287 × 149.9 × 35.6 cm); Philadelphia Museum of Art^[15]
• Genghis (1969); Acrylic on raw canvas, rawhide, acrylic on wood ball; 62 × 120 × 9 in (157.5 × 304.8 × 22.9 cm)^[16]
• Light Depth (1969); Acrylic on canvas; 120 × 900 in (304.8 × 2286 cm); Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.^[17]
• Swing (1969); Acrylic and aluminum on canvas; 119 5/8 × 283 1/2 in (303.8 × 720.1 cm); Smithsonian American Art Museum, Washington, D.C.^[18]

• Arc II (1970); Acrylic on unstretched canvas; 47 × 90 in (119.4 × 228.6 cm); Museum of Fine Arts, Houston^[19]
• Balance (1970); Acrylic on canvas with cowhide strips; 69 × 72 × 12 in (175.3 × 182.9 × 30.5 cm); Museum of Fine Arts, Boston^[20]
• Basque 1 Range (1970); Acrylic and aluminum on canvas; 67 × 118 in (170.2 × 299.7 cm); Pérez Art Museum Miami^[21]
• Carousel (1970); Acrylic on unstretched canvas; 118 × 805 in (199.72 × 2044.7 cm); Madison Museum of Contemporary Art, Madison, Wisconsin^[22]
• Carousel Change (1970); Acrylic on canvas and leather; Installed: 140.1 × 283.4 in (356 × 720 cm); Tate, London^[23]
• Change (1970); Acrylic on canvas; 75.98 × 118.11 in (193 × 300 cm); Mumok, Vienna, Austria^[24]
• Cloud Kilimanjaro (1970); Acrylic on canvas; 65 × 65 × 16 in (165.1 × 165.1 × 40.6 cm); High Museum of Art, Atlanta^[25]
• Dakar (1970); Acrylic on canvas; 109 × 98 in (276.86 × 248.92 cm) [full canvas]^[26]
• Drape (1970); Acrylic on canvas; 90 × 68 × 14 in (228.6 × 172.72 × 35.56 cm)^[27]
• Drape Work (formerly Untitled)^[27] (1970); Acrylic on canvas; 108 × 108 in; Ogden Museum of Southern Art, New Orleans^[28]
• Half Circle, Green (1970); Acrylic on canvas; 30 × 66 × 7 1/2 in (76.2 × 167.64 × 19 cm)^[27]
• Idylls (1970); Acrylic, metallic paint, traces of crayon, and rawhide on canvas; 76 × 61 in (193 × 154.9 cm)^[29]
• Leaf (1970); Acrylic on canvas; 121 3/4 × 186 × 12 1/2 in (309.25 × 472.44 × 31.75 cm); Dallas Museum of Art^[30]
• Mazda (1970); Acrylic on canvas; Installed: 135 × 90 in (342.9 × 228.6 cm); Crystal Bridges Museum of American Art, Bentonville, Arkansas^[31]
• One (1970); Acrylic on unstretched canvas; Installed: 92 × 67 in (233.7 × 170.2 cm), unfolded: 116 1/4 × 67 1/4 in (295.3 × 170.8 cm); Mary and Leigh Block Museum of Art, Evanston, Illinois^[32]
• One On (1970); Acrylic on canvas; 123 × 93 × 13 in (312.4 × 236.2 × 33 cm), dimensions vary with installation^[33]
• Quadrille (1970); Acrylic on cutout canvas with leather tongs; 86 × 86 in (218.44 × 218.44 cm)^[26]
• Red Register (1970); Acrylic on canvas; 89 × 37 × 6 in (226.1 × 94 × 15.3 cm)^[34]
• Rio (1970); Acrylic on canvas; Dimensions variable; Honolulu Museum of Art^[35]
• Rite (1970); Acrylic on canvas; 100 × 74 × 20 in (254 × 188 × 50.8 cm), dimensions vary with installation^[36]
• Simmering (1970); Acrylic on canvas and leather string; 85 × 53.27 in (215.9 × 135.3 cm); Tate, London^[37]
• Street (1970); Acrylic on canvas; 104 × 73 × 16 in (264.2 × 185.4 × 40.6 cm); San Francisco Museum of Modern Art^[38]
• Three Point (1970); Acrylic on canvas; 296 × 118 in (751.8 × 299.7 cm); Dayton Art Institute, Dayton, Ohio^[39]
• Untitled (1970); Acrylic on canvas; 125 1/2 × 123 1/2 × 14 in (318.8 × 313.7 × 35.6 cm), dimensions vary with installation^[40]
• Arch (1971); Acrylic with fabric dyes on canvas; When flat: 108 × 108 in (274.3 × 274.3 cm); Cincinnati Art Museum^[41]
• Carousel Merge (1971); Acrylic on canvas; Installed: 120 × 900 in (304.8 × 2286 cm); Walker Art Center, Minneapolis^[42]
• Carousel Merge 2 (1971); Acrylic on canvas; 186 × 102 in (472.44 × 259.08 cm); Milwaukee Art Museum^[43]
• Little Dude (1971); Acrylic on draped canvas; Flat: 66 × 66 in (167.6 × 167.6 cm), Installed: 57 × 55 in (144.5 × 139.7 cm) [variable]^[44]
• Maya (1971); Acrylic on canvas; 92 × 50 × 9 in (233.68 × 127 × 22.86 cm)^[45]
• Rondo (1971); Acrylic on canvas with oak beams; 103 × 144 × 78 in (261.6 × 365.8 × 198.1); Kunstmuseum Basel, Switzerland^[46]
• Whisk (1971); 96 × 36 × 10 in (243.8 × 91.4 × 25.4 cm), dimensions vary with installation^[47]
• Situation VI - Pisces 4 (c 1972); Synthetic polymer paint on polypropylene fabric; Unfolded: 185 3/4 × 496 1/4 in (471.8 × 1260.5 cm); Williams College Museum of Art, Williamstown, Massachusetts^[48]
• Flipping (1972); Acrylic on canvas; 80 × 66 × 6 in (203.2 × 167.64 × 15.24 cm)^[49]
• Idle Twist (1972); Acrylic on canvas; Flat: 67 × 65 in (170.18 × 165.1 cm), installed: 48 × 60 × 12 in (121.92 × 152.4 × 30.48 cm), dimensions variable^[50]
• Ruby Light (1972); Acrylic on canvas; 80 × 57 × 12 in (203.2 × 144.7 × 30.7 cm) [approx.], dimensions vary with installation; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.^[51]
• Wall Circle I (1972); Acrylic on draped and folded canvas; 108 × 46 in (274.3 × 116.8 cm); Asheville Art Museum, Asheville, North Carolina^[52]
• "A" and the Carpenter I (1973); Acrylic and canvas draped over wooden sawhorses; Installed: 96 × 132 in (243.84 × 335.28 cm) [floor], dimensions vary with installation; Art Institute of Chicago^[53]
• Crystal (1973); 92 3/4 × 29 3/4 × 7 1/2 in (235.6 × 75.6 × 19.1 cm), dimensions vary with installation^[54]
• Fan Craze (1973); Acrylic on canvas; 61 × 58 5/8 × 9 1/2 in (154.9 × 148.9 × 24.1 cm), dimensions vary with installation^[55]
• Gram (1973); Acrylic on canvas; Diameter: 60 in (152.4 cm), depth: 1/16 in (0.2 cm); Detroit Institute of Arts^[56]
• Length Fanned (1973); Acrylic on canvas; 76 × 72 × 13 in (193 × 182.88 × 33.02 cm)^[27]
• Red Cowl (1973); Acrylic on draped canvas; Flat: 103 3/4 × 43 in (263.5 × 109.2 cm), Installed: 96 × 43 in (243.8 × 109.2 cm) [variable]^[57]
• Softly Still (1973); Acrylic, latex and dyes on polypropylene, ponderosa pine sawhorse; Painting: 182 × 119 in (462.3 × 302.3 cm), sawhorse: 30 1/4 × 36 × 13 in (76.8 × 91.4 × 33 cm); Allen Memorial Art Museum, Oberlin, Ohio^[58]
• Stand (1973); Mixed media on canvas; 85 1/2 × 118 1/4 in (217.2 × 300 cm)^[59]
• U.S.A. (1973); Acrylic on canvas; 86 1/2 × 30 × 10 in (219.7 × 76.2 × 25.4 cm), dimensions vary with installation^[60]
• Wall Circle III (1973); Acrylic on canvas with sewn felt and woven fabric swatches; Flat: 113 × 43 1/2 in (287.02 × 110.49 cm), installed: 83 × 24 1/2 × 8 in (210.82 × 62.23 × 20.32 cm), dimensions variable^[61]
• Whole Lot of Shaking (1973); Acrylic on canvas; 59 4/5 × 63 1/10 in (152 × 160.5 cm); Museum Boijmans Van Beuningen, Rotterdam^[62]
• Half Circle Red (1975); Acrylic on canvas; 78 × 33 × 6 in (198.1 × 83.8 × 15.2 cm); Saint Louis Art Museum^[63]
• Art Ramp Angle Brown (1978); Acrylic and oil enamel on canvas and nylon; 35 7/8 × 242 1/2 in (91.0 × 616.0 cm); Smithsonian American Art Museum, Washington, D.C.^[64]
• Eiler Blues (1978); Oil on stitched and unstretched awning canvas with grommets and objects; Installed: 300 × 84 × 192 in (118 × 33 × 75.5 cm) [approx.]; Madison Museum of Contemporary Art, Madison, Wisconsin^[65]
• Untitled (1978); Acrylic on polypropylene canvas; 3 × 11 1/2 × 11 1/2 in (7.6 × 29.2 × 29.2 cm); Allen Memorial Art Museum, Oberlin, Ohio^[66]
• Triple Variants (1979); Acrylic and oil with aluminum powder on canvas, aluminum beam, stones; Dimensions vary with installation; Richard B. Russell Federal Building, Atlanta (collection of General Services Administration)^[67]

• Maquette: Campus Center View (1967-1977); Painted fiber and paper, wood, stone, fabric, and plastic assembled on wood base in plexiglass case; 18 7/8 × 38 1/8 × 29 1/8 in (47.9 × 96.7 × 74.0 cm); Smithsonian American Art Museum, Washington, D.C.^[68]

• Untitled (c. 1990s); Paint, thread, polypropylene; 18 × 13 x 110 in (46 × 33 × 3 cm)^[69]
• Well III (c. 1990s); Acrylic, thread, fabric; Dimensions variable, approx. 77 × 49 × 12 in (190 × 120 × 31 cm)^[70]
• Chinese (1990); Acrylic on shaped canvas; Dimensions variable; Washington and Lee University Museums, Lexington, Virginia^[71]
• Looking at the Moon (1991); Paint, handmade paper, thread, polypropylene; 27 × 25 × 2 in (69 × 64 × 5 cm)^[72]
• Folded Cottages II (1993); Acrylic, thread, synthetic fabric; 39 × 10 × 1 in (99 × 26 × 3 cm)^[73]
• Ballinglen (1994); Acrylic, thread, fabric; 53 × 26 1/2 × 3 in (134.6 × 67.3 × 7.6 cm)^[74]
• Doonfeeny Lower (1994); Acrylic, thread, fabric; 24 × 53 × 3 in (61 × 134.6 × 7.6 cm)^[75]
• Down Patricks' Head (1994); Acrylic, thread, fabric; 57 1/2 × 28 × 3 in (146 × 71.1 × 7.6 cm)^[76]
• Magician's Mail (1994); Acrylic, thread, canvas; Dimensions variable, approx. 77 × 55 × 14 in (196 x 140 × 36 cm)^[77]
• Silhouette on Template (1994); Acrylic, thread, canvas; Dimensions variable, approx. 47 × 158 × 14 in (120 × 402 × 36 cm)^[78]
• Silhouettes/Templates (1) (1994); Acrylic, thread, canvas; Dimensions variable, approx. 47 × 69 × 14 in (120 × 176 × 36 cm)^[79]
• Silhouette/Template (2) (1994); Acrylic, thread, fabric, canvas; Dimensions variable, approx. 60 × 75 × 11 in (152 × 190 × 28)^[80]
• Triangular (1994); Acrylic, thread, synthetic fabric, canvas; Dimensions variable, approx. 50 × 46 × 12 in (127 x 117 × 30 cm)^[81]
• Untitled (1994); Acrylic, thread, fabric; 59 1/2 × 27 1/2 × 3 in (151.1 × 70 × 7.6 cm)^[82]
• Untitled (1994); Acrylic, thread, fabric; Dimensions variable, approx. 74 × 62 × 12 in (188 × 158 × 31 cm)^[83]
• All Cats Are Grey at Night (1996); Acrylic on canvas; 65 × 44 × 8 in (165.1 × 111.76 × 20.32 cm), dimensions variable^[84]
• Curtains (1996); Acrylic, thread, canvas; Dimensions variable, approx. 92 × 100 × 16 in (234 × 254 × 41 cm)^[85]
• Round (1996); Acrylic, thread, canvas; Dimensions variable, approx. 71 × 69 × 9 in (181 × 176 × 23 cm)^[86]
• Norfolk Keels (1998); Acrylic on canvas; Section A: 312 × 164 in (792.5 × 416.6 cm), section B: 301 × 115 in (764.5 × 292.1 cm), section C: 463 × 101 in (1176 × 256.5 cm), section D: 322 × 164 in (817.9 × 416.6 cm), section E: 336 × 82 in (853.4 × 208.3 cm), section F: 412 × 98 in (1046.5 × 248.9 cm); Chrysler Museum of Art, Norfolk, Virginia^[87]
• Beyond the Blue Door (1999); Acrylic on nylon; El Paso Art Museum, El Paso, Texas^[88]
• One Guitar (1999); Acrylic, thread, canvas; Dimensions variable, approx. 46 × 65 × 5 in (117 × 165 × 13 cm)^[89]

• Chair Key (2002); Acrylic on cotton duck; 240 × 60 in (609.6 × 152.4 cm); Philander Smith College, Little Rock, Arkansas^[90]
• The Illustrious Kites Made in Boxing Styles (2004); Acrylic on flag bunting; 600 × 180 in (1524 × 457.2 cm); Mint Museum, Charlotte, North Carolina^[91]
• Rotunda Unwound (2005); Acrylic on IFR muslin; 108 × 44 × 36 in (274.32 × 111.76 × 91.44 cm); Currier Museum of Art, Manchester, New Hampshire^[92]
• Mali (2006); Acrylic polyester muslin; Dimensions variable; Embassy of the United States, Bamako (Collection of United States Department of State)^[93]
• Alber's Chains (2008); Acrylic on nylon; Part 1: 242 × 94 1/4 in (614.68 × 239.4 cm), part 2: 94 1/4 × 47 3/4 in (239.4 × 121.29 cm), part 3: 94 1/4 × 242 in (239.4 × 614.68 cm); University of Michigan Museum of Art, Ann Arbor, Michigan^[94]
• Count on Us (2008); Acrylic on polyester muslin; Dimensions vary, approx. 102 × 80 × 24 in (259 × 203 × 61 cm)^[95]
• Dance Me, Dance You 2, #1-3 (2009); Acrylic on polyester; Installed: 52 × 42 × 35 in (132.1 × 106.7 × 88.9 cm) [three parts]; Museum of Contemporary Art San Diego^[96][97][98]

• Tempo Series: #1 (2009/2010); Acrylic on canvas; 70 × 38 × 11 in (177.8 × 96.5 × 27.9 cm) [approx.]^[99]
• Tempo Series: #2 (2009/2010); Acrylic on canvas; 72 × 36 × 11.5 in (182.8 × 91.44 × 29.2 cm) [approx.]^[99]
• Tempo Series: #3 (2009/2010); Acrylic on canvas; 67 × 32 × 13 in (170.1 × 81.28 × 33 cm) [approx.]^[99]
• Tempo Series: #4 (2009/2010); Acrylic on canvas; 60 × 36 × 10 in (152.4 × 91.44 × 24.4 cm) [approx.]^[99]
• Tinkerbell's Bookcase (2010/2011); Acrylic on canvas; 72 × 46 × 10 in (182.8 × 116.8 × 25.4 cm)^[99]
• Linger (2011); Acrylic on canvas; 54 × 60 × 8.5 in (137.1 × 152.4 × 21.6 cm)^[99]
• Untitled (2011); Acrylic on polypropylene; 121 × 71 1/4 × 66 1/2 in (307.3 × 181 × 168.9 cm), dimensions vary with installation^[100]
• Untitled (2011); Acrylic on polypropylene; 178 × 51 × 47.5 in (452.1 × 129.5 × 120.7 cm), dimensions vary with installation^[101]
• Sac I (2012); Acrylic on nylon; 42 × 39 × 13 in (106.68 × 99 × 33 cm)^[102]
• Sac II (2012); Acrylic on nylon; 22 × 22 × 9 in (55.88 × 55.88 × 22.86 cm)^[102]
• Untitled (2018); Acrylic on Cerex nylon; 286 1/2 × 118 in (727.7 × 299.7 cm); Memorial Art Gallery, Rochester, New York^[103]
• Untitled (2018); Acrylic on Cerex nylon; 304 × 114 1/2 in (772.2 × 290.8 cm); Memorial Art Gallery, Rochester, New York^[104]
• Untitled (2018); Acrylic on Cerex nylon; 118 1/2 × 33 × 21 in (301 × 83.8 × 53.5 cm), dimensions vary with installation^[105]
• Untitled (2018); Acrylic on Cerex nylon; 146 × 124 × 110 in (370.8 × 315 × 279.4 cm), dimensions vary with installation^[106]
• Untitled (2018); Acrylic on Cerex nylon; 119 × 33 × 15 in (302.3 × 83.8 × 38.1 cm), dimensions vary with installation^[107]
• Untitled (2018); Acrylic on Cerex nylon; 52 × 32 × 32 in (386.1 × 81.3 × 813 cm), dimensions vary with installation^[108]
• Untitled (2018); Acrylic on Cerex nylon; 131 × 75 × 37 in (332.7 × 190.5 × 94 cm), dimensions vary with installation^[109]
• Untitled (2018); Acrylic on Cerex nylon; 135 × 26 × 26 in (342.9 × 66 × 66 cm), dimensions vary with installation^[110]
• Untitled (2018); Acrylic on Cerex nylon; 111 × 39 × 16 in (281.9 × 99.1 × 40.6 cm), dimensions vary with installation^[111]
• Untitled (2018); Acrylic on Cerex nylon; 132 × 50 × 29 in (335.3 × 127 × 73.7 cm), dimensions vary with installation^[111]
• Untitled (2018); Acrylic on Cerex nylon; 156 × 26 × 26 in (396.2 × 66 × 66 cm), dimensions vary with installation^[112]
• Untitled (2018); Acrylic on Cerex nylon; 134 × 28 × 28 in (340.4 × 71.1 × 71.1 cm), dimensions vary with installation^[113]
• Untitled (2018); Acrylic on Cerex nylon; 159 × 29 × 29 in (403.9 × 73.7 × 73.7 cm), dimensions vary with installation^[114]

• "A" and the Carpenter II (2022); Acrylic on polypropylene, wood, and leather string; Overall: 48 × 132 × 192 in (121.9 × 335.3 × 487.7 cm), sawhorse: 48 × 28 1/2 × 55 in (121.9 × 72.4 × 139.7 cm), dimensions vary with installation^[115]

Includes paintings on canvas with individual mixed media elements, including metal, fabric, and collage.

• Figure in Still-life Group (self-portrait) (1961); Oil on masonite; 22 1/8 × 27 7/8 in (56.2 × 70.8 cm); University of Louisville Art Collection; Louisville, Kentucky^[116]
• First Season (1962); Oil on cotton canvas; 38 × 28 in (96.52 × 71.12 cm)^[117]
• Diamas #9 (1964); Acrylic on canvas; 80.25 × 80.50 in (203.84 × 204.47 cm)^[118]
• Swing 64 (1964); Acrylic on canvas; 35 3/4 × 36 1/8 in (90.8 × 91.76 cm)^[119]
• Blue Let (1965); Acrylic on canvas; 71 3/8 × 47 1/8 × 3/4 in (181.3 × 119.7 × 1.9 cm)^[120]
• Coronet (1965); Acrylic on canvas; 70 11/16 × 48 15/16 × 1 1/2 in (179.5 × 124.3 × 3.8 cm)^[120]
• Dual Rod (1965); Acrylic on canvas; 47 7/8 × 47 9/16 × 1 1/2 in (121.6 × 120.8 × 3.8 cm)^[120]
• Helles (1965); Acrylic on canvas; 71 3/4 × 71 5/16 × 1 1/2 in (182.2 × 181.1 × 3.8 cm)^[120]
• Herald (1965); Acrylic on canvas; 72 × 72 in (182.9 × 182.9 cm)^[121]
• Khufu (1965); Acrylic on canvas; 72 × 72 in (182.9 × 182.9 cm); Oklahoma City Museum of Art^[122]
• Koa (1965); Acrylic on canvas; 24 × 24 in (60.96 × 60.96 cm); Phillips Collection, Washington, D.C.^[123]
• Long Green (1965); Acrylic on canvas; 72 1/4 × 24 × 7/8 in (183.5 × 61 × 2.2 cm); Anacostia Community Museum, Smithsonian Institution, Washington, D.C.^[124]
• Muse I (1965); Acrylic on canvas; 36 1/8 × 36 1/16 × 7/8 in (91.7 × 91.6 × 2.2 cm); Anacostia Community Museum, Smithsonian Institution, Washington, D.C.^[125]
• Nok (1965); Acrylic on canvas; 70 5/8 × 83 1/8 × 1 1/2 in (179.4 × 211.1 × 3.8 cm)^[120]
• Shoot Six (1965); Acrylic on canvas; 56 × 56 in (142.24 × 142.24 cm); National Gallery of Art, Washington, D.C.^[126]
• Stems (1965); Acrylic on canvas; 69 × 50 × 1 1/2 in (175.3 × 127 × 3.8 cm)^[120]
• Raw Meat (1965); Acrylic on canvas; 55.50 × 53.25 in (140.97 × 135.26 cm)^[118]
• Tempo (1965); Acrylic on canvas; 56 × 56 in (142.24 × 142.24 cm)^[127]
• Theme of Five I (1965); Acrylic on canvas; 70 × 83 × 1 1/2 in (177.8 × 210.8 × 3.8 cm)^[120]
• Least Rivers (1966); Acrylic on canvas; 42.13 × 43.88 in (107 × 111.44 cm)^[118]
• Light Fan (1966); Acrylic on canvas; 36 1/4 × 36 in (92.1 × 91.4 cm); Smithsonian American Art Museum, Washington, D.C.^[128]
• Medley (1966); Acrylic on canvas; 81 × 80 in (205.7 × 203.2 cm); Baltimore Museum of Art^[129]
• Saturday (1966); Acrylic wash on cotton duck canvas; 94 1/4 × 12 1/2 in (239.4 × 31.8 cm); Tacoma Art Museum, Tacoma, Washington^[130]
• Sky Chord (1966); Acrylic on canvas; 86 1/4 × 86 in (219.1 × 218.4 cm); Oklahoma City Museum of Art^[131]
• They Sail (1966); Acrylic on canvas; 56 × 24 in (142.24 × 60.96 cm); Phillips Collection, Washington, D.C.^[132]
• Tumble II (1966); Acrylic on canvas; 78 1/2 × 78 5/8 in (199.39 × 199.71 cm)^[133]
• Blue and Red (And Again) (1967); Acrylic on canvas; 90 × 40 in (228.6 × 101.6 cm); Rollins Museum of Art, Winter Park, Florida^[134]
• Bounce (1967); Acrylic on canvas; 92 1/4 × 40 1/4 in (234.3 × 102.2 cm); Fralin Museum of Art, Charlottesville, Virginia^[135]
• Breeze 1967 (1967); Acrylic on canvas; 111 × 90 3/16 in (282 × 229 cm); Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey^[136]
• Clear (1967); Acrylic on canvas; 48 × 92 in (121.92 × 233.68 cm)^[137]
• Cluster (1967); Acrylic, dye pigments, and bronze and aluminum powder on canvas; 86 × 22 1/2 × 2 in (218.4 × 57.1 × 5.1 cm)^[138]
• Green Web (1967); Acrylic on canvas; 90 1/2 × 39 3/4 in (230.0 × 101.0 cm); Smithsonian American Art Museum, Washington, D.C.^[139]
• Member (1967); Acrylic, due pigments, and aluminum powder on canvas; 90 × 43 3/4 × 1 in (228.6 × 111.1 × 5.1 cm)^[140]
• Red Petals (1967); Acrylic on canvas; 88 × 93 in (223.52 × 236.22 cm); Phillips Collection, Washington, D.C.^[141]
• Scope (1967); Acrylic on canvas; 89 3/8 × 48 1/4 × 2 1/2 in (227 × 122.6 × 6.4 cm)^[142]
• Slide (1967); Acrylic on canvas; 94 × 88 in (238.76 × 223.52 cm)^[137]
• Thrust (1967); Acrylic on canvas with beveled edge; 83 × 44 in (210.8 × 111.8 cm)^[143]
• Vertical (1967); Oil on canvas; 43 3/4 × 23 3/4 in (111.1 × 60.3 cm); Herbert F. Johnson Museum of Art, Ithaca, New York^[144]
• With Blue (1967); Aluminum with acrylic medium on canvas; 104 1/2 × 40 in (265.43 × 101.60 cm); George Washington University Art Collection, Washington, D.C.^[145]
• Alphabet I, II, and III (1968); Acrylic on canvas; 70 × 90 in (177.8 × 228.6 cm); Fralin Museum of Art, Charlottesville, Virginia^[146]
• April 4 (Part III) (1968); Acrylic on canvas; 114 × 21 × 4 in (289.6 × 53.3 × 10.2 cm); Studio Museum in Harlem, New York^[147]
• Born Again (Homage) (1968); Magna and acrylic on canvas with aluminum powder; 119 × 176 in (302.26 × 447.04 cm); Virginia Museum of Fine Arts, Richmond, Virginia^[148]
• In Seconds (1968); Acrylic on canvas; 107 × 131 in (271.78 × 332.74 cm)^[149]
• Restore (1968); Magna and acrylic on canvas with aluminum powder; 108 3/4 × 152 3/4 in (276.2 × 388 cm); Speed Art Museum, Louisville, Kentucky^[150]
• Rose Rising (1968); Acrylic on canvas; 97 × 132 × 3 7/8 in (246.4 × 335.3 × 9.8 cm)^[151]
• Rouge (1968); Acrylic on canvas; 65 × 52 1/4 × 1 7/8 in (165.1 × 132.7 × 4.8 cm)^[152]
• Snakebite (1968); Acrylic on canvas; 114 × 43 × 2 1/4 in (289.6 × 109.2 × 5.7 cm)^[153]
• Through Expanses (1968); Acrylic on canvas; 111 × 87.4 in (282 × 222 cm); Kunstmuseum Basel, Switzerland^[154]
• Along (1969); Acrylic on canvas; 111 × 144 × 2 in (281.9 × 365.8 × 5.1 cm);^[155] National Gallery of Canada, Ottawa^[156]
• Alphabet II (1969); Acrylic on canvas; 78 × 51 × 2 in (198.1 × 129.5 × 5.1 cm); Howard University Gallery of Art, Washington, D.C.^[157]
• April 4 (1969); Acrylic on canvas; 110 × 179 3/4 in (279.4 × 456.6 cm); Smithsonian American Art Museum, Washington, D.C.^[158]
• Atmosphere I (1969); Acrylic on canvas; 105 3/4 × 195 3/4 × 3 7/8 in (268.6 × 497.2 × 9.8 cm)^[159]
• Cape (1969); Acrylic on canvas; 110 × 110 in (558.8 × 558.8 cm); Kreeger Museum, Washington, D.C.^[160]
• Dark Felled (1969); Acrylic on canvas; Sidwell Friends School, Washington, D.C.^[161]
• Green April (1969); Acrylic on canvas; 98 × 271 × 3 7/8 in (248.9 × 688.5 × 9.85 cm); Kunstmuseum Basel, Switzerland^[162]
• Minor Grids (1969); Acrylic on canvas; 70 × 30 in (177.80 × 76.20 cm); George Washington University Art Collection, Washington, D.C.^[163]
• Misty (1969); Acrylic and dye pigments on canvas with beveled edge; 53 1/4 × 66 1/2 in (135.3 × 168.9 cm)^[164]
• Out (1969); Acrylic on canvas; 113 1/2 × 152 1/2 × 2 in (288.3 × 387.4 × 5.1 cm)^[165]
• Parallel (1969); Oil stained shaped canvas; 54 1/4 × 30 1/4 × 2 in (137.8 × 76.8 × 5.1 cm); Allen Memorial Art Museum, Oberlin, Ohio^[166]
• Pink Flutter (1969); Acrylic on canvas; 107 × 86 in (271.8 × 218.44 cm); Chazen Museum of Art, Madison, Wisconsin^[167]
• Red Glide (1969); Acrylic on canvas; 125 × 245 in (317.5 × 622.3 cm)^[168]
• Red Stanza (1969); Acrylic on canvas; 54 3/4 × 118 3/8 × 1 7/8 in (139.1 × 300.7 × 4.8 cm)^[169]

• Back (1970); Acrylic on canvas; 103 × 144 × 3 7/8 in (261.6 × 365.8 × 9.8 cm)^[170]
• Cape III (1970); Acrylic on canvas; Columbia Museum of Art, Columbia, South Carolina^[171]
• Change (1970); Acrylic on canvas; 112 1/8 × 112 1/8 × 1 7/8 in (284.8 × 284.8 × 4.8 cm); Louisiana Museum of Modern Art, Humlebæk, Denmark^[172]
• Elephanta (1970); Acrylic on canvas; 54 5/16 × 113 × 1 7/8 in (138 × 287 × 4.7 cm); Princeton University Art Museum, Princeton, New Jersey^[173]
• Exist (1970); Acrylic on canvas; 51 × 79 × 2 in (129.5 × 200.7 × 5.1 cm)^[174]
• Light Red Clay (1970); Acrylic on canvas; 45.1 × 50 × 2.2 in (114.6 × 127.0 × 5.7 cm)^[175]
• Ray II (1970); Acrylic on canvas; 49 × 107 3/8 × 2 in (124.5 × 272.7 × 5.1 cm)^[176]
• Ray VII (1970); Acrylic on canvas; 51 1/4 × 108 × 3 in (130.2 × 274.3 × 7.6 cm)^[177]
• Red April (1970); Acrylic on canvas; 116 1/2 × 161 × 3 in (295.91 × 408.94 × 7.62 cm); University of Iowa Stanley Museum of Art, Iowa City, Iowa^[178]
• Temple Fire (1970); Acrylic on canvas with beveled edge; 50 × 110 in (127 × 279.4 cm)^[179]
• Untitled (1970); Acrylic on canvas with beveled edge; 55 × 110 in (139.7 × 279.4 cm)^[180]
• Whirlirama (1970); Acrylic on canvas; 111 1/4 × 115 in (282.6 × 293.4 cm); Metropolitan Museum of Art, New York^[181]
• Inlana (1969–1971); Oil and acrylic on canvas; 45 × 70 × 2 in (114.3 × 177.8 × 5.1 cm); Telfair Museums, Savannah, Georgia^[182]
• April (1971); Acrylic on canvas; 60 × 60 × 2 1/2 in (152.4 × 152.4 × 6.3 cm); Phillips Collection, Washington, D.C.^[183]
• Atmosphere IV (1971); Acrylic on canvas; 120 × 245 in (304.8 × 622.3 cm)^[168]
• Bay (1971); Acrylic on canvas; 74 × 71 in (187.96 × 180.34 cm)^[26]
• Blue Edge (1971); Acrylic on canvas; 71 7/8 × 71 3/4 in (182.6 × 182.2 cm); Baltimore Museum of Art^[184]
• Blue Twirl (1971); Acrylic on canvas; 72 × 72 × 2 1/2 in (182.9 × 182.9 × 6.4 cm); National Museum of African American History and Culture, Smithsonian Institution, Washington, D.C.^[185]
• Day Tripper (1971); Acrylic on canvas; 110 × 110 1/4 × 2 1/4 in (279.40 × 280.04 × 5.71 cm); Carnegie Museum of Art, Pittsburgh^[186]
• Lady Day (1971); Acrylic on canvas; 120 × 245 in (304.8 × 622.3 cm)^[187]
• Lady Day II (1971); Acrylic on canvas; 110 × 245 in (279.4 × 622.3 cm)^[187]
• Repeat (1971); Acrylic on canvas; 72.0 × 71.9 × 3.0 in (182.9 × 182.6 × 7.6 cm)^[188]
• After Glow (1972); Acrylic and dye pigments on canvas; 62 1/4 × 100 1/4 × 2 in. (188.6 × 254.6 × S.1 cm)^[189]
• April 4 (1972); Acrylic on canvas; 72 1/2 × 48 in (184.2 × 121.9 cm); National Museum of African American History and Culture, Smithsonian Institution, Washington, D.C.^[190]
• Asking (1972); Acrylic on canvas; 81 × 75 in (205.7 × 190.5 cm); Hyde Collection, Glens Falls, New York^[191]
• Bursting (1972); Acrylic on canvas; 77 × 73 × 2 in (195.6 × 185.4 × 5.1 cm)^[192]
• Butterfly, Feeling (1972); 60 × 60 × 2 1/8 in (152.4 × 152.4 × 5.4 cm)^[193]
• Certain (1972); Acrylic on canvas; 74 × 84 in (187.96 × 213.36 cm); National Gallery of Art, Washington, D.C.^[194]
• Cordial I (1972); Oil on canvas; 76 × 73 in (193 × 185.4 cm); Nova Southeastern University Art Museum, Fort Lauderdale, Florida^[195]
• Crosstown (1972); Acrylic on canvas; 69 3/4 × 85 × 2 1/2 in (177.2 × 215.9 × 6.4 cm)^[196]
• Haystack (1972); Acrylic on canvas; 73 7/8 × 75 3/4 × 1 7/8 in (187.64 × 192.41 × 4.76 cm); Yale University Art Gallery, New Haven, Connecticut^[197]
• May III (1972); Acrylic on canvas; 54 × 109.9 × 2.2 in (137.2 × 279.1 × 5.7 cm)^[198]
• On Seven (1972); Oil on canvas; 14 × 115 in (35.56 × 292.10 cm); George Washington University Art Collection; Washington, D.C.^[199]
• Scatter (1972); Acrylic on canvas; 60 × 60 in (152.4 × 152.4 cm); Indianapolis Museum of Art^[200]
• Sierra (1972); Acrylic on shaped canvas; 54 1/4 × 50 1/4 in (137.8 cm × 127.64 cm); Phillips Collection, Washington, D.C.^[201]
• Spring Thaw (1972); Acrylic on canvas with beveled edge; 72 × 72 inches (182.9 × 182.9 cm)^[202]
• Starting I (1972); 40 1/2 × 71 1/2 × 2 in (102.9 × 181.6 × 5.1 cm)^[203]
• Untitled (1972); 100 × 120 × 2 1/4 in (254 × 304.8 × 5.7 cm)^[204]
• Wide Narrow (1972); Acrylic on canvas; 110 1/4 × 112 × 2 1/8 in (280.04 × 284.48 × 5.4 cm); Rose Art Museum, Waltham, Massachusetts^[205]
• Yellow Edge (1972); Acrylic on canvas; 55 × 45 in (139.7 × 114.3 cm); National Gallery of Art, Washington, D.C.^[206]
• Adolph Queequeg Slumber (1973); Oil and oil pastel on canvas; 29 1/4 × 58 1/4 in (74.29 × 147.95 cm)^[207]
• Clear Arounds (1973); 52 × 48 × 3 in (132.1 × 121.9 × 7.6 cm)^[208]
• Frost I (1973); Acrylic on canvas with beveled edge; 48 3/4 × 51 in (123.8 × 129.5 cm)^[209]
• Frost II (1973); Acrylic on canvas; 49 × 51 × 2 in (124.5 × 104.1 × 5.1 cm); Dayton Art Institute, Dayton, Ohio^[210]
• Green Lizzie (1973); Acrylic on canvas; 58 × 54 in (147.3 × 137.2 cm); McNay Art Museum, San Antonio^[211]
• Last September IV (1973); Acrylic on canvas; 57 × 71 1/2 × 2 1/4 in (144.8 × 181.6 × 5.7 cm); North Carolina Museum of Art, Raleigh, North Carolina^[212]
• Leah Lathers (1973); 51 × 49 × 1 1/2 in (129.5 × 124.5 × 3.8 cm)^[213]
• A Little I (1973); Acrylic on canvas; 55 × 51 × 2 in (139.7 × 129.5 × 5.1 cm)^[214]
• Skate Zing Orange (1973); Acrylic on canvas; 61 × 73 in (155 × 185.5 cm); Baltimore Museum of Art^[215]
• Spread (1973); Acrylic on canvas; 69 × 113 1/2 × 1 3/4 in (175.3 × 288.3 × 4.4 cm)^[216]
• Tinsel (1973); Acrylic on canvas; 51 × 48 in (129.5 × 121.9 cm)^[217]
• Bacchus (1974–1975); Acrylic, oil and dye pigments on collaged, flat, mounted canvas; 51 × 96 in (129.54 × 243.84 cm)^[26]
• Darted Again (1974–1975); Acrylic, oil and dye pigments on collaged, flat, mounted canvas; 51 × 96 in (129.54 × 243.84 cm);^[26] Miami-Dade County Department of Cultural Affairs, Miami^[218]
• For Day One (1974–1975); Acrylic on canvas with collage; 49 × 49 in (124.46 × 124.46 cm); Speed Art Museum, Louisville, Kentucky^[219]
• Over (1975-1975); Acrylic, oil, and dye pigments on collaged, flat, mounted canvas; Diameter: 45 1/2 in (115.57 cm)^[26]
• [Untitled] (c. 1975); Acrylic on canvas; 30 × 30 in (76.2 × 76.2 cm); Brooklyn Museum, New York^[220]
• Baptistry Senior II (1975); Acrylic and wood on canvas with collage; 57 × 45 in (144.78 × 114.3 cm)^[221]
• Element (1975); Acrylic on canvas; 38 × 60 in (96.5 × 152.4 cm); University of Louisville Art Collection, Louisville, Kentucky^[222]
• Spin/Arrest (1975); Oil on canvas; 75 × 60 in (190.5 × 152.4 cm); University of Maryland Global Campus Arts Program, Adelphi, Maryland^[223]
• Toward a Red (1975); Acrylic and collage on three strips of canvas; Framed: 32 1/2 × 48 in (82.6 × 121.9 cm), unframed: 32 1/2 × 48 in (82.6 × 121.9 cm); Newark Museum of Art, Newark, New Jersey^[224]
• Untitled (1975); Acrylic on canvas with collage; 32 3/4 × 32 3/4 × 2 in (83.2 × 83.2 × 5.1 cm)^[225]
• Cathedral Rock (c. 1976); Acrylic on canvas; 42 1/2 × 20 in (108 × 50.8 cm); Newark Museum of Art, Newark, New Jersey^[226]
• Double River (1976); Acrylic on canvas with collage; 90 1/2 × 181 × 3 in (229.9 × 459.7 × 7.6 cm)^[225]
• For Brass (1976); Acrylic on canvas; 62 3/8 × 84 3/8 in (158.4 × 214.3 cm); Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.^[227]
• Scrub (1976); Acrylic on canvas with collage; 72 × 132 in (182.88 × 335.28 cm); National Gallery of Art, Washington, D.C.^[228]
• Weighed Anchor (1976); Acrylic on canvas with collage; 84 1/2 × 62 1/4 × 2 1/2 in (214.6 × 158.1 × 6.3 cm)^[225]
• Abacus Sliding (1977); Polymer pigment on canvas; 90 1/4 × 120 1/2 × 1 3/4 in (229.2 × 306 × 4.4 cm); Denver Art Museum^[229]
• Azure (1977); Acrylic with collage on canvas; 90 × 120 in (228.6 × 304.8 cm); Memphis Brooks Museum of Art, Memphis, Tennessee^[230]
• Coffee Thyme (1977); Acrylic and cut canvas on canvas; 90 1/2 × 110 in (229.7 × 279.3 cm); Museum of Modern Art, New York^[231]
• Earth Element (1977); Acrylic on canvas with collage; 60 × 84 1/2 × 2 3/8 in (152.4 × 214.6 × 6 cm)^[225]
• Firefly Blacktop (1977); Oil and acrylic on canvas; 90 × 120 1/2 in (228.6 × 306 cm); High Museum of Art, Atlanta^[232]
• Rail (1977); Acrylic and canvas on canvas; 90 3/4 × 180 3/4 in (230.5 × 459.1 cm); Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.^[233]
• Station (1977); Acrylic collage on canvas on beveled stretcher; 30 × 30 in (76.2 × 76.2 cm)^[45]
• Union (1977); Acrylic on canvas; 55 × 65 1/2 in (139.7 × 166.4 cm); Seattle Art Museum^[234]
• Untitled (Black) (1978); Acrylic, yarn, and cut canvas on stained canvas; 89 3/4 × 120 1/2 in (228 × 306.1 cm); Whitney Museum, New York^[235]
• Loving Lightly (1978–1979); Acrylic, mixed media, and collage on canvas; 40 × 70 in (101.6 × 177.8 cm); North Carolina Museum of Art, Raleigh, North Carolina^[236]
• Cozy (diptych) (1979); Acrylic on canvas; Spelman College Museum of Fine Art, Atlanta^[237]
• Leah's Renoir (1979); Acrylic on canvas with collage sections; 80 × 195 in. (203.2 × 495.3 cm); Metropolitan Museum of Art, New York^[238]
• Luck (1979); Acrylic on canvas, diptych; Each panel: 80 × 45 in (203.2 × 114.3 cm); Oklahoma City Museum of Art^[239]
• Mirror II (1979); Acrylic on shaped canvas; 80 × 80 in (203.2 × 203.2 cm); Phillips Collection, Washington, D.C.^[240]
• Of Cities American (1979); Acrylic on canvas; 80 × 140 in (203.2 × 355.6 cm); Virginia Museum of Fine Arts, Richmond, Virginia^[241]
• Open Cylinder (1979); Oil on canvas; Part A: 81 × 35 1/2 in (205.7 × 90.2 cm), part B: 80 3/4 × 46 in (205.1 × 116.7 cm); Smithsonian American Art Museum, Washington, D.C.^[242]
• Tequila (1979); Acrylic and mixed media on canvas; 40 × 70 × 3 1/8 in (101.6 × 177.8 × 7.9 cm); Cincinnati Art Museum^[243]
• Treasures Measures (1979); Acrylic on canvas collage; 40 1/3 × 70 1/2 in (102.5 × 179 cm); Art Gallery of Nova Scotia, Halifax, Nova Scotia^[244]

• Brown Reed (c. 1980); Oil on canvas; 78 × 30 in (198.12 × 76.2 cm); Virginia Museum of Fine Arts, Richmond, Virginia^[245]
• Architectural Notions for a New Nursery (1980); Acrylic on canvas; 79 × 121 in (200.7 × 207.3 cm)^[246]
• Box Cars Grand (1980); Acrylic on cut and layered canvas; Dimensions vary with installation; Patrick V. McNamara Federal Building, Detroit (collection of General Services Administration)^[247]
• Irish Spring Here (1980); Acrylic and rhoplex on canvas; 80 × 195 1/2 in (203.2 × 496.57 cm); Madison Museum of Contemporary Art, Madison, Wisconsin^[248]
• Patchwork/Terry (1980); Acrylic on canvas; 40 × 34 1/2 × 3 in (101.6 × 87.6 × 7.6 cm); Georgia Museum of Art, Athens, Georgia^[249]
• Purpled (1980), from the Chasers series; Acrylic on canvas; 80 × 90 × 4 3/4 in (203.2 × 228.6 × 12.07 cm); Virginia Museum of Fine Arts, Richmond, Virginia^[250]
• To Repin, To Repin (1980), from the Chasers series; 79 × 90 7/8 × 3 1/2 in (200.7 × 230.8 × 8.9 cm); Telfair Museums, Savannah, Georgia^[251]
• Robbin' Peter (1980); Acrylic on canvas; 80 × 90 in (203.2 × 228.6 cm); San Francisco Museum of Modern Art^[252]
• White Sand Isolate (1980); Oil, acrylic, sand on shaped canvas; 80 × 118 in (203.20 × 299.72 cm); George Washington University Art Collection, Washington, D.C.^[253]
• The Arc Maker I & II (1981); Acrylic on canvas with collage; Overall: 75 × 213 × 1 1/2 in (190.5 × 541 × 3.8 cm), large panels: 75 × 80 1/4 × 1 1/2 in (190.5 × 203.8 × 3.8 cm) each, narrow panels: 72 1/4 × 26 1/4 × 1 1/2 in (183.5 × 66.7 × 3.8 cm) each; Detroit Institute of Arts^[254]
• Cartouche (1981); Acrylic on canvas with collage; 118 1/2 × 83 4/5 × 2 3/10 in (301 × 213 × 6 cm)^[255]
• Double Rouge (1981); Acrylic on canvas; 56 × 73 in (142.24 × 185.42 cm); George Washington University Art Collection, Washington, D.C.^[256]
• Elm (1981); Acrylic on canvas with collage; 70 × 171 1/4 × 1 1/2 in (178 × 435 × 4 cm)^[257]
• Lion's Rock Arc (1981); Acrylic on canvas; 72 1/2 × 190 1/2 in (184.2 × 483.9 cm); Studio Museum in Harlem, New York^[258]
• Master Builder Pieces and Eagles (1981); Acrylic on canvas, in four pieces; Overall: 160 × 75 in (406.4 × 190.5 cm), panel A: 75 × 81 in (190.5 × 205.7 cm), panel B: 75 × 25 in (190.5 × 63.5 cm), panel C: 72 × 40 in (182.9 × 101.6 cm), panel D: 73 × 14 in (185.4 × 35.6 cm); Studio Museum in Harlem, New York^[259]
• Red & Black (formerly Raven #3 / B #4, Raven #I / Solo #I, Eagle 4/2 / Solo #II, Raven #2 / Eagle 4/1)^[255] (1981); Acrylic on canvas with collage; Panel A: 75 1/8 × 40 1/2 in, panel B: 72 × 13 1/4 in, panel C: 75 1/8 × 40 1/2 in, panel D: 72 × 13 1/4 in, panel E: 75 1/8 × 40 1/2 in, panel F: 72 × 13 1/4 in, panel G: 75 1/8 × 40 1/2 in, panel H: 72 × 13 1/4 in, panel I: 72 × 13 1/4 in, panel J: 75 1/8 × 40 1/2 in; Indianapolis Museum of Art^[260]
• Rites of Passage (1981); Acrylic on canvas; 39 1/2 × 49 3/4 in (100.33 × 126.36 cm); Castellani Art Museum, Lewiston, New York^[261]
• Composition Around Violet (1982); Acrylic and collage on canvas; 52.5 × 44.5 in (133.35 × 113.03 cm); Mint Museum, Charlotte, North Carolina^[262]
• Composition for I-75 (1982); Acrylic on shaped canvas; 80 × 80 in (203.2 × 203.2 cm); Spencer Museum of Art, Lawrence, Kansas^[263]
• Composition for Louisville (1982); Acrylic on canvas; 80 × 80 in (203.2 × 203.2 cm); University of Louisville Art Collection, Louisville, Kentucky^[264]
• The Muse #5 (1982); Acrylic on canvas with collage; 29 9/10 × 72 4/5 × 2 in (76 × 185 × 5 cm)^[255]
• The Muse #6 (1982); Acrylic on canvas with collage; 29 9/10 × 72 4/5 × 2 in (76 × 185 × 5 cm)^[255]
• Red Vase, Blue Element (1982); Acrylic on canvas; 80 × 80 in (203.2 × 203.2 cm); University of Louisville Art Collection, Louisville, Kentucky^[265]
• Rendezvous of the Chauffeurs (1982); Acrylic on canvas; 54 × 83 in (137.2 × 210.8 cm); Dayton Art Institute, Dayton, Ohio^[266]
• Screen (1982); Acrylic on canvas; 58 × 66 in (147.3 × 167.6 cm)^[59]
• Tholos Revisited VI (1982); Acrylic and canvas on canvas with metal; 39 3/4 × 33 × 2 3/4 in (101 × 84 × 7 cm);^[255] David C. Driskell Center, College Park, Maryland^[267]
• Tholos Revisited VII (1982); Acrylic and canvas on canvas with metal; 39 3/4 × 33 × 2 3/4 in (101 × 84 × 7 cm)^[255]
• Tholos Revisited VIII (1982); Acrylic and canvas on canvas with metal; 39 3/4 × 33 × 2 3/4 in (101 × 84 × 7 cm)^[255]
• Tholos Revisited IX (1982); Acrylic and canvas on canvas with metal; 39 3/4 × 33 × 2 3/4 in (101 × 84 × 7 cm)^[255]
• Tholos Revisited X (1982); Acrylic and canvas on canvas with metal; 39 3/4 × 33 × 2 3/4 in (101 × 84 × 7 cm)^[255]
• Tholos Revisited XI (1982); Acrylic and canvas on canvas with metal; 39 3/4 × 33 × 2 3/4 in (101 × 84 × 7 cm)^[255]
• To Braque for Mantelpieces (1982); Acrylic on canvas with collage, enamel on aluminum; 73 × 29 1/2 × 2 in (185.4 × 75 × 5.1 cm); Cleveland Museum of Art^[268]
• To Braque and Flowing Birds (1982); Acrylic on canvas with collage, enamel on aluminum; 73 × 29 1/4 × 2 in (185.42 × 74.29 × 5.08 cm)^[269]
• To Braque with Cartouché (1982); Acrylic on canvas with collage, enamel on aluminum; 73 × 29 1/4 × 2 in (185.42 × 74.29 × 5.08 cm)^[269]
• To Miro - To Birds (1982); Acrylic on canvas with collage; 29 9/10 × 72 4/5 × 2 in (76 × 185 × 5 cm)^[255]
• Black (1984); Acrylic polypropylene racked with paint and acrylic hardener on shaped canvas; 55 1/2 × 49 × 10 in (141 × 124.5 × 25.4 cm); Birmingham Museum of Art, Birmingham, Alabama^[270]
• Leah's Other Rabbit (1986); Acrylic and enamel on canvas and metal forms; 70 1/2 × 52 × 10 in (179 × 132 x 25.4 cm); Jule Collins Smith Museum of Fine Art, Auburn, Alabama^[271]

• Little Rock (1993); Acrylic on canvas; Tubman Museum, Macon, Georgia^[272]

• For John Lewis (2020); Acrylic on canvas; 72 × 96 × 3 3/4 in (182.9 × 243.8 × 9.52 cm)^[273]
• Any Minute Now (2020); Acrylic on canvas; 96 × 96 × 3 3/4 (243.8 × 243.8 × 9.52 cm)^[274]
• Heroines, Beyoncé, Serena and Althea (2020); Acrylic on canvas; 72 × 96 × 3 3/4 in (182.9 × 243.8 × 9.52 cm)^[275]
• The Mississippi "Shake Rag" (2020); Acrylic on canvas; 96 × 96 × 3 3/4 (243.8 × 243.8 × 9.52 cm)^[276]
• A New Generation (2020); Acrylic on canvas; 72 × 96 × 3 3/4 in (182.9 × 243.8 × 9.52 cm)^[277]
• Nikki Giovanni (2020); Acrylic on canvas; 96 × 96 × 3 3/4 (243.8 × 243.8 × 9.52 cm)^[278]
• October 18 (2020); Acrylic on canvas; 96 × 240 × 3 3/4 in (243.8 × 609.6 × 9.52 cm)^[279]
• Purple Orpheus (2020); Acrylic on canvas; 72 × 96 × 3 3/4 in (182.9 × 243.8 × 9.52 cm)^[280]
• They Dance and Sail Away (2020); Acrylic on canvas; 96 × 240 × 3 3/4 in (243.8 × 609.6 × 9.52 cm)^[281]
• Waiting for "Dutchman" (2020); Acrylic on canvas; 96 × 96 × 3 3/4 (243.8 × 243.8 × 9.52 cm)^[282]
• Aaron's Duchamp (2021); Acrylic, copper chop, aluminum granules, encaustic, paper collage element, sawdust and flocking; 96 × 96 × 4 in (243.8 × 243.8 × 10.8 cm)^[283]
• April 5 (2021); Acrylic, aluminum shavings, aluminum, wood, flocking, and sawdust on canvas; 96 × 240 × 4 1/2 in (243.8 × 609.6 × 11.4 cm)^[284]
• Brew (2021); Acrylic on canvas; 48 × 48 × 3 1/4 in (121.9 × 121.9 × 8.3 cm)^[285]
• Butterflies-Butterflies (2021); Acrylic, copper chop, aluminum granules, tin shot, encaustic medium, sawdust and clocking paper collage on canvas; 72 × 96 × 4 in (182.9 × 243.8 × 10.2 cm)^[283]
• Composition for Now (2021); Acrylic on canvas, bevel-edge; 96 × 96 × 4 in (143.9 × 243.8 × 10.2 cm)^[285]
• Foggy (2021); Acrylic, aluminum granules, copper chop, sawdust and flocking, encaustic medium, paper collage element on canvas; 96 × 96 × 4 in (243.8 × 243.8 × 10.2 cm)^[283]
• For "The Friend" (2021); Acrylic on beveled-edge canvas; 96 × 240 × 4 in (243.8 × 609.6 × 10.2 cm)^[286]
• Gold Mine (2021); Acrylic on beveled-edge canvas; 96 × 96 × 4 in (243.8 × 243.8 × 10.2 cm)^[286]
• Green Goes (2021); Acrylic on canvas, bevel-edge; 96 × 96 × 3 3/4 in (243.8 × 243.8 × 9.5 cm)^[285]
• In Now (2021); Acrylic on canvas, bevel-edge; 48 × 72 × 4 in (121.9 × 182.9 × 10.2 cm)^[285]
• Into the Night (2021); Acrylic, tin shot, aluminum granules, copper chop, wood, socks, paper, fabric, flocking, sawdust, and wax on canvas; 96 × 240 × 4 1/2 in (243.8 × 609.6 × 11.4 cm)^[284]
• Like Snow (2021); Tin shot, paper collage element, acylic and latex on canvas, marine-ply bevel-edge stretcher; 72 × 72 × 3 3/4 in (182.9 × 182.9 × 9.5 cm)^[285]
• Long White Moment (2021); Acrylic with sawdust, wax, mica flake, and aluminum on beveled-edge canvas; 96 × 240 × 4 in (243.8 × 609.6 × 10.2 cm)^[287]
• A Lovely Blue And ! (2021); Acrylic and mixed media on canvas; 96 × 240 × 3.75 in (243.8 × 609.6 × 9.5 cm); Johns Hopkins University Bloomberg Center, Washington, D.C.^[288]
• Oak, Net and This! (2021); Acrylic with sawdust, flocking, and sand on beveled-edge canvas; 96 × 96 × 4 in (243.8 × 243.8 × 10.2 cm)^[289]
• River Walk (2021); Acrylic, tin shot, and wood on canvas; 96 × 96 × 3 1/2 in (243.8 × 243.8 × 8.9 cm)^[284]
• Spin and Splash (2021); Acrylic on canvas, bevel-edge; 72 × 72 × 3 3/4 in (182.9 × 182.9 × 9.5 cm)^[285]
• Spring Is (2021); Acrylic on canvas, bevel-edge; 72 × 72 × 4 in (182.9 × 182.9 × 10.2 cm)^[285]
• Spring This Time (2021); Acrylic on beveled-edge canvas; 96 × 180 × 4 in (243.8 × 4572 × 10.2 cm)^[290]
• Sweetheart (2021); Acrylic, aluminum granules, wood, flocking, and sawdust on canvas; 96 × 96 × 3 1/2 in (243.8 × 243.8 × 8.9 cm)^[284]
• Team (2021); Acrylic on canvas, bevel-edge; 48 × 72 × 3 3/4 in (121.9 × 182.9 × 9.5 cm)^[285]
• Turtle (2021); Acrylic, aluminum granules, wood, flocking, and sawdust on canvas; 96 × 96 × 3 1/2 in (243.8 × 243.8 × 8.9 cm)^[284]
• What! (2021); Acrylic with polypropylene on beveled-edge canvas; 96 × 180 × 4 in (243.8 × 4572 × 10.2 cm)^[291]
• Arne (2022); Acrylic on beveled-edge canvas; 96 × 96 × 4 in (243.8 × 243.8 × 10.2 cm)^[292]
• Beyoncé (2022); Acrylic on beveled-edge canvas; 96 × 96 × 4 in (243.8 × 243.8 × 10.2 cm)^[293]
• The Business (2022); Acrylic on beveled-edge canvas; 96 × 96 × 4 in (2438 × 243.8 × 10.2 cm)^[294]
• Downpatrick Head (2022);^[295]
• Irish, County Mayo (2022); Acrylic with copper chop on beveled-edge canvas; 72 × 60 × 4 in (182.9 × 152.4 × 10.2 cm)^[296]
• Lilly (2022); Acrylic with sawdust, encaustic, and polypropylene beveled-edge canvas; 72 × 72 × 6 in (182.9 × 182.9 × 15.2 cm),^[297] Art Bridges Foundation, Bentonville, Arkansas^[298]
• Nina's Buffalo (2022); Acrylic on beveled-edge canvas; 96 × 180 × 4 in (243.8 × 457.2 × 10.2 cm)^[299]
• Up Sally (2022); Acrylic with sawdust, flocking, and sand on beveled-edge canvas; 96 × 96 × 4 in (243.8 × 243.8 × 10.2 cm)^[300]

Includes works with painted canvas collaged or mounted to metal, plastic, or wood, as well as freestanding or wall-based 3-dimensional painted constructions of all sizes, stained wood sculptures, and mosaic tile work. One work on this list - Library Stars/Library Obelisk - comprises an unpainted, patinated metal sculpture.

• Jail Jungle I (1968); Mixed media; 78 × 38 × 9 in (198.1 × 96.5 × 22.9 cm)^[301]
• Jail Jungle II (1968); Mixed media; 78 × 38 × 9 in (198.1 × 96.5 × 22.9 cm)^[302]
• Jail Jungle III (1968); Mixed media; 78 × 38 × 9 in (198.1 × 96.5 × 22.9 cm)^[303]

• Composed (formerly Dark as I Am) (1968–1974); Acrylic, clothing, backpack, painter's tools, wooden closet pole on wood door; 87 × 47 × 3 1/2 in (221 × 119.4 × 8.9 cm);^[100][304] Menil Collection, Houston^[305]

• Round Work (1980); Painted metal, canvas; 50 × 35 × 10 in (127 × 88.9 × 25.4 cm); High Museum of Art, Atlanta^[306]
• Sculpture with a D (1980–1983); Painted aluminum; 187 × 538 in (474.98 × 1366.52 cm); Davis station, Massachusetts Bay Transportation Authority, Boston^[307]
• Pantheon II (1983); Acrylic on canvas and polyurethane enamel on aluminum; 81 × 58 1/4 in (205.8 × 148 cm); Blanton Museum of Art, Austin, Texas^[308]
• Plantagenets Golden (1984); Acrylic on canvas and enamel on aluminum; 56 1/2 × 68 × 4 1/8 in (143.51 × 172.72 × 10.48 cm)^[309]
• The Saint of Moritz Outside Mondrian (1984); Acrylic on canvas and metal; 59 × 63 1/2 × 5 in (149.9 × 161.3 × 12.7 cm), Menil Collection, Houston^[310]
• On the Back of the Wind (1985); Acrylic on canvas on aluminum; 57 × 57 in (145 × 145 cm); Museum of Fine Arts, Budapest^[311]
• Procession for a Princess (1986); Acrylic on canvas and acrylic and enamel on aluminum; 91 × 109 × 16 in (231.14 × 276.86 × 40.64 cm)^[312]
• Solar Canopy (1986); Painted aluminum; York College, City University of New York^[313]
• Streak of Lightning (1986); Acrylic, enamel, and metal on canvas; 68 × 89 in (172.7 × 226.1 cm)^[314]
• Uguisu (1986); Acrylic on canvas on board plus aluminum sculptural pieces; 101 1/2 × 134 × 9 in (257.81 × 340.36 × 22.86 cm); George Washington University Art Collection, Washington, D.C.^[315]
• New River Rises (1987); Acrylic on canvas and acrylic enamel on aluminum; Broward County Cultural Division, Broward County, Florida^[316]
• Red Hot New Haven (1987); Acrylic on canvas and acrylic and enamel on aluminum; 72 7/8 × 52 3/4 × 9 3/4 in (185.1 × 134.0 × 24.8 cm); Smithsonian American Art Museum, Washington, D.C.^[317]
• Ain't More Than Music (1988); Acrylic on canvas and acrylic and enamel on aluminum; 60 × 62 × 15 1/4 in (152.4 × 157.48 × 38.73 cm)^[318]
• Buena Vista (1988); Acrylic on canvas mounted on panel with anodized aluminum frame; 26 5/16 × 26 3/8 in (66.8 × 67.1 cm); Museum of Fine Arts, Houston^[319]
• Sparta (1988); Acrylic on canvas with epoxy enamel on aluminum; Diameter: 42 1/2 in (108 cm); Museum of Fine Arts, Boston^[320]
• Untitled (1988); Acrylic on canvas and metal, mounted to plywood; 28 1/4 × 30 1/4 × 10 1/4 in (71.76 × 76.84 × 26.04 cm); Virginia Museum of Fine Arts, Richmond, Virginia^[321]
• Fine as a Cobweb (1989); Acrylic on canvas and primed aluminum, with plywood support structure; 60 × 61 × 17 in (152.4 × 154.94 × 43.18 cm); Pennsylvania Academy of the Fine Arts, Philadelphia^[322]
• The Generation Below Them (1989); Acrylic on canvas and primed aluminum and plywood; 80 × 96 × 13 in (203.2 × 243.84 × 33.02 cm); Chazen Museum of Art, Madison, Wisconsin^[323]
• Waking Up (1989); Acrylic on canvas and enamel on aluminum with plywood support structure; 72 × 95 × 12 in (182.88 × 241.3 × 30.48 cm)^[324]

• The Petition (1990); Mixed media, assembled; 96 × 60 × 32 in (243.8 × 152.4 × 81.3 cm); Smithsonian American Art Museum, Washington, D.C.^[325]
• With Violet (1990); Acrylic on canvas and acrylic and enamel on aluminum; 54 × 66 × 14 in (137.2 × 167.6 × 35.6 cm)^[326]
• Yellow Light Ellison (1990); Mixed media; Sidwell Friends School, Washington, D.C.^[161]
• Jamaica Center Station Riders, Blue (1991); Painted aluminum; Jamaica Center–Parsons/Archer station, Metropolitan Transportation Authority, New York^[327]
• Northwest Wind (1992); Acrylic on synthetic fabric mounted on wood; 30 × 63 in (76.2 × 160 cm); Studio Museum in Harlem, New York^[328]
• The Awning Set (1992–1993); Mixed media; Studio Museum in Harlem, New York^[329]
• Higher Windows (1992–1993); Acrylic on polypropylene on birch plywood construction; 88 × 47 in (223.52 × 119.38 cm); Smith College Museum of Art, Northampton, Massachusetts^[330]
• Uli Montage (1992–1993); Acrylic on polypropylene on birch plywood construction; 88 × 44 in (223.52 × 111.76 cm); Smith College Museum of Art, Northampton, Massachusetts^[331]
• You Come Flying (1992–1993); Acrylic on polypropylene on birch plywood construction; 88 × 45 in (223.52 × 114.3 cm); Smith College Museum of Art, Northampton, Massachusetts^[332]
• Folded Cottage I (1993); Acrylic & collage on synthetic fabric on polypropylene; 38 × 9 1/4 in (96.5 × 23.5 cm); Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland^[333]
• Folded Cottage III (1993); Acrylic & collage on synthetic fabric on polypropylene; 37 × 14 1/2 in (94 × 37 cm); Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland^[334]
• Folded Cottage IV (1993); Acrylic & collage on synthetic fabric on polypropylene; 39 × 13 in (99.1 × 33 cm); Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland^[335]
• Back-Lit Awning (Bikers Move Like Swallows) (1994); Acrylic on polypropylene and birch plywood construction with aluminum frames; 69 1/4 × 94 1/2 in (175.89 × 240.03 cm)^[336]
• Level One (1994); Acrylic on board; 24 × 48 × 2 in (61 × 121.9 × 5.1 cm); Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.^[337]
• Reading Across (1994); Mixed media on board; 48 × 48 in (121.9 × 121.9 cm)^[338]
• Blankets of Fir (1995); Mixed media; 26 3/4 × 35 1/2 in (67.94 × 90.17 cm); James E. Lewis Museum of Art, Morgan State University, Baltimore^[339]
• Scarcely Blue (1995); Acrylic on moveable wood panels; 31 × 47 × 3 in (78.74 × 119.38 × 7.62 cm); David C. Driskell Center, College Park, Maryland^[340]
• Black and Golden Door (1996); Acrylic on birch plywood with aluminum construction and piano-hinged door; 35 3/4 × 35 7/8 × 1 1/2 in (90.8 × 91.1 × 3.8 cm); Crystal Bridges Museum of American Art, Bentonville, Arkansas^[341]
• Easy Siders Series (1996); Mixed media on handmade paper and polypropylene mounted to birch plywood; 47 × 48 in (119.38 × 121.92 cm); Phillips Collection, Washington, D.C.^[342]
• Gondola (1996); Acrylic on polypropylene and birch plywood construction with piano hinges; 68 × 105 × 21 7/8 in (172.72 × 266.7 × 55.56 cm)^[343]
• Reds, Towering Stack (1996); 60 × 30 × 4 in (152.4 × 76.2 × 10.1 cm); Lauren Rogers Museum of Art, Laurel, Mississippi^[344]
• Electric (1997); Acrylic on wood; 47 1/2 × 47 1/2 × 8 1/2 in (120.7 × 120.7 × 21.6 cm); Telfair Museums, Savannah, Georgia^[345]
• Fishing Well (1997); Acrylic on birch; 94 × 48 1/2 in (238.8 × 123.2 cm); Memorial Art Gallery, Rochester, New York^[346]
• Steps and Folds (1997); Acrylic on wood panel; 57 × 48 × 4 in (144.8 × 121.9 × 10.2 cm); DC Commission on the Arts and Humanities, Washington, D.C.^[347]
• A and the Kitty (1998); Acrylic on birch plywood construction; 72 × 90 × 47 1/2 in (182.88 × 228.6 × 120.65 cm)^[348]
• Beam (1998); Acrylic and paper on birch plywood with hinges; 96 × 24 × 10 in (243.8 × 60.9 × 25.4 cm); Kreeger Museum, Washington, D.C.^[349]
• Color of Medals (1998); Acrylic, polypropylene, aluminum, and computer scanned images on plywood; 214 × 118 × 24 in (543.6 × 299.7 × 61 cm); United States Department of Veterans Affairs Regional Office, Philadelphia (collection of General Services Administration)^[350]
• Daily Red (1998); Acrylic on wood and metal; 86 1/4 × 52 3/8 × 12 3/16 in (219 × 133 × 31 cm); Anacostia Community Museum, Smithsonian Institution, Washington, D.C.^[351]
• Graining (1998); Acrylic and paper on birch plywood with hinges; 89 × 46 1/2 × 12 in (226 × 118.11 × 30.48 cm); Kreeger Museum, Washington, D.C.^[352]
• Rainbows Near (1998); Acrylic on sculptured wood panels; 29 3/4 × 72 in (75.57 × 182.88 cm); National Gallery of Art, Washington, D.C.^[353]
• The Real Blue (1998); Acrylic on birch plywood; 4 parts; University of Michigan School of Social Work Art Collection, Ann Arbor, Michigan^[354]
• Red (1999); Acrylic on birch plywood construction with aluminum frame; 50 1/4 × 75 × 3 in (127.63 × 190.5 × 7.62 cm)^[269]
• The Three Muses (1999); Acrylic paint, digital and laser prints, birch plywood, and piano hinges; 144 × 192 in (365.76 × 487.68 cm) overall, 3 parts; University of Cincinnati Art Collection^[355]
• Water Tower II (1999); Acrylic on birch with piano hinge; 24 × 39 1/2 × 3 in (61 × 100.3 × 7.6 cm)^[356]
• Wave and Canal (1999); Acrylic on birch; 43 × 36 1/2 in (109.22 × 92.71 cm)^[357]

• Library Stars/Library Obelisk (2000); Patinated copper; 19 5/8 × 5 5/8 ft, 2 in (597.4 × 170.7 × 5.1 cm); Juanita E. Thornton/Shepherd Park Neighborhood Library, Washington, D.C. (collection of DC Commission on the Arts and Humanities)^[358]
• Ruby and Ossie (2000); Acrylic on plywood with metal hardware; 58 1/2 × 23 1/2 × 10 in (148.6 × 59.7 × 25.4 cm); Saint Louis Art Museum^[359]
• Fire on Water V (2003); Acrylic on birch, with piano hinges, triptych; 14 × 27 1/4 in (35.56 × 69.21 cm)^[360]
• On the Canal (2003); Acrylic on birch plywood construction; 72 × 16 1/2 × 4 in (182.88 × 41.91 × 10.16 cm)^[361]
• On the Canal With Blue (2003); Acrylic on birch plywood construction; 72 × 16 1/2 × 4 in (182.88 × 41.91 × 10.16 cm)^[361]
• On Yellow Wood (2003); Acrylic on birch plywood construction; 47 1/2 × 23 1/4 × 2 5/8 in (120.65 × 59.05 × 6.67 cm)^[362]
• Red Slatt (2003); Acrylic on birch plywood construction; 47 1/2 × 23 1/4 × 2 5/8 in (120.65 × 59.05 × 6.67 cm)^[363]
• Second Blue Slatt (2003); Acrylic on birch plywood construction; 34 3/4 × 22 1/4 × 2 5/8 in (88.26 × 56.51 × 6.67 cm)^[364]
• Second Red Slatt (2003); Acrylic on birch plywood construction; 35 3/4 × 23 1/4 × 2 5/8 in (90.8 × 59.05 × 6.67 cm)^[365]
• Birds Not Flying (2005); Acrylic on birch with piano hinges; 53.25 × 48.5 × 2.75 (135.26 × 123.19 × 6.99 cm); Mississippi Museum of Art, Jackson, Mississippi^[366]
• Census (2007); Acrylic on birch plywood; 183 × 139 1/4 × 24 in (464.8 × 353.7 × 61 cm); United States Census Bureau Headquarters, Suitland, Maryland (collection of General Services Administration)^[367]
• Seeds (2007); Acrylic on birch; 49 × 33 × 2 3/4 in^[368]
• Element (2008); Acrylic on birch; 49 1/2 × 36 in (125.73 × 91.44 cm); Allentown Art Museum, Allentown, Pennsylvania^[369]
• Repeating Green Slice (2008); Acrylic on birch; 49 3/4 × 36 × 3 1/4 in (126.36 × 91.44 × 8.25 cm)^[127]
• River Falls (2008); Acrylic on birch; 44 × 50 × 3 1/2 in (111.76 × 127 × 8.89 cm)^[360]
• Wide (2008); Acrylic on birch; 47 × 46 × 5 in (119.38 × 116.84 × 12.7 cm)^[360]
• Blue (2009); Acrylic on birch plywood; 16 × 12 1/4 in (40.64 × 31.115 cm); Pennsylvania Academy of the Fine Arts, Philadelphia^[370]

• Melody (2010); Acrylic on birch; 83 × 32 in (210.8 × 81.3 cm)^[371]
• Nite II (2010); Acrylic on birch; 30 × 17 1/2 in (76.2 × 44.45 cm)^[372]
• Nite III (2010); Acrylic on birch; 30 × 17 1/2 in (76.2 × 44.45 cm)^[372]
• From Model to Rainbow (2011); Glass mosaic mounted on Aerolam panels; 168 × 468 in (427 × 1188 cm); Takoma station, Washington Metropolitan Area Transit Authority^[373]
• Screen for Models I, II, III (2012); Acrylic on birch; Panel I: 80 × 45 in (203.2 cm × 114.3 cm), panel II: 80 × 36 1/2 in (203.2 cm × 92.7 cm), panel III: 80 × 45 in (203.2 cm × 114.3 cm)^[374]
• Yet Do I Marvel (Countee Cullen) (2016); Acrylic on birch; Overall: 96 × 258 × 4 1/2 in (243.8 × 655.3 × 11.4 cm), each panel: 96 × 48 × 4 1/2 in (243.8 × 121.9 × 11.4 cm); National Museum of African American History and Culture, Smithsonian Institution, Washington, D.C.^[375]
• Homage to the Square (2016–2017); Acrylic on wood, four parts; Overall: 122 × 122 × 3 3/8 in (310 × 310 × 9 cm)^[376]
• Aaron (2017); Acrylic on wood, four parts; Overall: 98 1/4 × 98 1/4 × 3 1/2 in (250 × 250 × 9 cm)^[376]
• First Half (2017); Acrylic on wood; 60 1/4 × 60 1/4 × 3 3/8 in (153 × 153 × 8.6 cm)^[377]
• Into the Woods (2017); Acrylic on wood; 59 3/4 × 44 3/4 in (151.8 × 113.7 cm); Memorial Art Gallery, Rochester, New York^[378]

• Black Mozart/ ORNETTE (2020); Wood, aluminum, die-stain, lacquer; 96 × 96 × 2 1/4 in (243.8 × 243.8 × 5.7 cm)^[379]
• Black 48" Square (2020); Wood, aluminum, die-stain, lacquer; Ed. of 8 (variable); 48 × 48 in (121.9 × 121.9 × 5.7 cm)^[380]
• Black 60" Disc (2020); Wood, aluminum, die-stain, lacquer; Ed. of 3 (variable); 60 × 60 × 2 1/4 in (152.4 × 152.4 × 5.7 cm)^[381]
• Blue 96" Disc (2020); Wood, aluminum, die-stain, lacquer; 96 × 96 × 2 1/4 in (243.8 × 243.8 × 5.7 cm)^[382]
• Color Abacus (2020); Wood, aluminum, die-stain, lacquer; Ed. of 4 (variable); 12 × 22 × 5 in (30.4 × 55.8 × 12.7 cm)^[383]
• Five Pyramids (2020); Wood, aluminum, die-stain, lacquer; Five parts, each: 36 1/4 × 48 × 48 in (92 × 121.9 × 121.9 cm), overall dimensions vary with installation^[384]
• Mastaba (In Two Parts) (2020); Wood, aluminum, die-stain, lacquer; 54 × 114 × 61 in (137.1 × 289.5 × 154.9 cm)^[385]
• Pyramid (2020); Wood, aluminum, die-stain, lacquer; 110 × 122 × 122 in (279.4 × 309.8 × 309.8 cm)^[386]
• Three White Pyramids (2020); Wood, aluminum, die-stain, lacquer; Ed. of 5 sculptures (variable); Three parts, each 36 1/4 × 48 × 48 in (92 × 121.9 × 121.9 cm), overall dimensions vary with installation^[387]
• White Abacus (2020); Wood, aluminum, die-stain, lacquer; Ed. of 4 (variable); 12 × 22 × 5 in (30.4 × 55.8 × 12.7 cm)^[388]
• White 48" Disc (2020); Wood, aluminum, die-stain, lacquer; Ed. of 4 (variable); 48 × 48 in (121.9 × 121.9 × 5.7 cm)^[389]
• White 96" Disc (2020); Wood, aluminum, die-stain, lacquer; 96 × 96 × 2 1/4 in (243.8 × 243.8 × 5.7 cm)^[390]
• The Amazing Kite (2021); Acrylic and mixed media on panel in beveled frame; 36 × 36 × 4 in (91.4 × 91.4 × 10.2 cm)^[391]
• A Kind of Love (2021); Acrylic, sawdust, encaustic on wood panel, mounted in wood frame; 60 × 60 × 40 in (152.4 × 152.4 × 10.2 cm)^[283]
• Exciting (2021); Acrylic and mixed media on panel in beveled frame; 48 × 48 × 4 in (121.9 × 121.9 × 10.2 cm)^[100]
• Lucky (2021); Acrylic with tin, copper, encaustic, sawdust, and aluminum on wood ply panel in beveled-edge frame; 60 × 60 × 4 in (152.4 × 152.4 × 10.2 cm)^[392]
• Moon Tide (2021); Acrylic, sawdust, encaustic, on wood panel, mounted in wood frame; 60 × 60 × 40 in (152.4 × 152.4 × 10.2 cm)^[283]
• Pretty Baby (2021); Acrylic and mixed media on panel in beveled frame; 36 × 36 × 4 in (91.4 × 91.4 × 10.2 cm)^[391]
• Red Clouds (2021); Acrylic and mixed media on panel in beveled frame; 60 × 60 × in (152.4 × 152.4 × 10.2 cm)^[391]
• Something is Going On! (2021); Acrylic and mixed media on panel in beveled frame; 60 × 60 × 4 in (152.4 × 152.4 × 10.2 cm)^[391]
• A Sunday Kind of Love (2021); Acrylic, sawdust, encaustic on wood panel, mounted in wood frame; 60 × 60 × 40 in (152.4 × 152.4 × 10.2 cm)^[283]
• X for X (2021); Acrylic and mixed media on panel in beveled frame; 48 × 48 × 4 in (121.9 × 121.9 × 10.2 cm)^[391]
• X Red Cloud (2021); Acrylic and mixed media on panel in beveled frame; 48 × 48 × 4 in (121.9 × 121.9 × 10.2 cm)^[391]
• You Blue Moon (2021); Acrylic and mixed media on panel in beveled frame; 60 × 60 × 4 in (152.4 × 152.4 × 10.2 cm)^[391]
• Untitled (2022); Acrylic and mixed media on wood panel in aluminum frame; 72 × 72 in (182.9 × 182.9 cm)^[393]
• Untitled (2022); Acrylic and mixed media on wood panel in aluminum frame; 72 × 72 in (182.9 × 182.9 cm)^[393]
• Untitled (2022); Acrylic and mixed media on wood panel in aluminum frame; 72 × 72 in (182.9 × 182.9 cm)^[394]
• Untitled (2022); Acrylic and mixed media on wood panel in aluminum frame; 68 × 68 in (172.7 × 172.7 cm)^[394]
• Untitled (2022); Acrylic and mixed media on wood panel in aluminum frame; 68 × 68 in (172.7 × 172.7 cm)^[395]

Includes framed or unframed, and mounted or unmounted paintings on paper

• Slowly Emerging (1960); Ink wash drawing; 16 1/4 × 13 3/4 in (41.27 × 34.92 cm)^[26]
• Still Life (1960); Watercolor on paper; 5 5/8 × 9 3/8 in (14.29 × 23.81 cm)^[26]
• Woman in Hat (1960); Watercolor on paper; 10 1/2 × 4 1/2 in (26.67 × 11.43 cm)^[26]
• Bridge (1962); Watercolor on paper; 12 × 18 in (30.48 × 45.72 cm)^[26]
• Chair Group (1962); Ink wash drawing; 16 5/8 × 13 7/8 in (42.23 × 35.24 cm)^[26]
• Seated Woman (1962); Watercolor on paper; 14 7/8 × 10 7/8 in (37.78 × 27.62 cm)^[26]
• Morning Study (1963); Ink wash drawing; 15 3/4 × 11 7/8 in (40 × 30.16 cm)^[26]
• Park Invention I (1963); Watercolor on paper; 5 3/4 × 8 3/4 in (14.6 × 22.22 cm)^[26]
• Park Invention II (1963); Watercolor on paper; 5 3/4 × 8 3/4 in (14.6 × 22.22 cm)^[26]
• Park Invention III (1963); Watercolor on paper; 8 3/4 × 5 3/4 in (22.22 × 14.6 cm)^[26]
• Stephanie (1963); Crayon drawing; 18 × 24 in (45.72 × 60.96 cm)^[26]
• Untitled (1963); Watercolor on paper; 5 3/4 × 8 3/4 in (14.6 × 22.2 cm); Baltimore Museum of Art^[396]
• Untitled (1964–1965); Watercolor on paper; 11 × 15 in (27.94 × 38.1 cm)^[26]
• Untitled (1966); Watercolor on paper; 7 × 10 1/2 in (17.78 × 26.67 cm)^[26]
• Untitled (1966); Watercolor on paper; 24 × 19 in (60.96 × 48.26 cm)^[26]
• Untitled (c 1967); Watercolor on handmade paper; 21 1/16 × 25 in (53.5 × 63.5 cm); Allen Memorial Art Museum, Oberlin, Ohio^[397]
• Green Slice (1967); Watercolor on Japanese paper; 38 × 23 in (96.52 × 58.42 cm); San Francisco Museum of Modern Art^[398]
• Least Rivers (1967); Watercolor on Japanese paper; 38 × 23 in (96.52 × 58.42 cm); San Francisco Museum of Modern Art^[399]
• Shift (1967); Stained and folded rice paper; 38 1/2 × 24 in (97.8 × 61 cm); Allen Memorial Art Museum, Oberlin, Ohio^[400]
• Untitled (1967); Watercolor on paper; 18 1/4 × 23 3/4 in (46.4 × 60.3 cm)^[401]
• Untitled (1967); Watercolor on rice paper; 9 3/4 × 9 3/4 in (24.76 × 24.76 cm)^[26]
• Untitled (from Rock Creek series) (1967); Watercolor on paper; 5 3/8 × 8 1/2 in (13.7 × 21.6 cm)^[401]
• Untitled (from Rock Creek series) (1967); Watercolor on paper; 8 1/2 × 5 1/2 in (21.6 × 14 cm)^[401]
• Untitled (from Rock Creek series) (1967); Watercolor on paper; 8 1/2 × 5 3/8 in (21.6 × 13.7 cm)^[401]
• Untitled (from Rock Creek series) (1967); Watercolor on paper; 8 1/2 × 5 in (21.6 × 12.7 cm)^[401]
• Untitled (from Rock Creek series) (1967); Watercolor on paper; 8 1/2 × 5 in (21.6 × 12.7 cm)^[401]
• Untitled (from Rock Creek series) (1967); Watercolor on paper; 8 1/2 × 5 1/2 in (21.6 × 14 cm)^[401]
• Untitled (from Rock Creek series) (1967); Watercolor on paper; 5 1/2 × 8 1/2 in (14 × 21.6 cm)^[401]
• Untitled (1968); Watercolor and acrylic on paper; 8 1/8 × 23 5/8 in (46.1 × 60.0 cm); Smithsonian American Art Museum, Washington, D.C.^[402]
• Untitled (1968); Watercolor on paper; 23 3/4 × 18 1/8 in (60.3 × 46 cm); Hammer Museum, Los Angeles^[403][401]
• Untitled (1968); Watercolor on paper; 23 3/4 × 18 1/8 in (60.3 × 46 cm)^[401]
• Untitled (1968); Watercolor on paper; 23 11/16 × 18 in (60.2 × 45.7 cm); Palmer Museum of Art, State College, Pennsylvania^[404]
• Untitled (1968); Watercolor on paper; 17 1/2 × 13 7/8 in (44.5 × 35.2 cm); Newark Museum of Art, Newark, New Jersey^[405]
• Untitled (1968); Watercolor on fiberglass paper; 18 × 23 5/8 in (45.72 × 60 cm)^[26]
• Untitled (1968); Watercolor on fiberglass paper; 23 5/8 × 18 in (60 × 45.72 cm)^[26]
• Untitled (1968); Watercolor on fiberglass paper; 23 5/8 × 18 in (60 × 45.72 cm)^[26]
• Untitled (1965–1969); Mixed media with watercolor on paper; 24 × 19 in (61 × 48.3 cm); Studio Museum in Harlem, New York^[406]
• Combustion (1969); Ink drawing; 23 × 29 in (58.42 × 73.66 cm)^[26]
• Watercolor, 4 (1969); Watercolor and aluminum powder on fiberglass paper; 23 3/4 × 18 1/8 in (60.3 × 45.9 cm); Museum of Modern Art, New York^[407]
• Untitled (1969); Watercolor stain and metallic pigment on paper; 18 × 23 1/2 in (45.7 × 59.7 cm); Birmingham Museum of Art, Birmingham, Alabama^[408]
• Untitled (1969); Brush and black ink, acrylic, and metallic paint with string on Strathmore wove paper; 22 15/16 × 29 1/16 in (58.26 × 73.82 cm); National Gallery of Art, Washington, D.C.^[409]
• Untitled (1969); Brush with black and red ink on wove paper; 22 15/16 × 29 1/16 in (58.26 × 73.82 cm), National Gallery of Art, Washington, D.C.^[410]
• Untitled (1969); Watercolor on paper; 17 3/4 × 14 in (45.1 × 35.6 cm); Studio Museum in Harlem, New York^[411]
• Untitled (1969); Dyes, opaque water-based paint and metallic powder on thick white wove paper; 22 × 28 1/2 in (55.9 × 72.4 cm); Harvard Art Museums, Cambridge, Massachusetts^[412]
• Untitled (1969); Ink and wash on paper; 29 × 23 in (73.7 × 58.4 cm)^[401]
• Untitled (1969); Ink and wash on paper; 23 × 29 in (58.4 × 73.7 cm)^[401]
• Untitled (1969); Ink and wash on paper; 23 × 29 in (58.4 × 73.7 cm)^[401]
• Untitled (1969); Ink and wash on paper; 23 × 29 in (58.4 × 73.7 cm)^[401]
• Untitled [Orange Abstraction] (1969); Watercolor on folded paper; 16 × 13 1/2 in (40.64 × 34.29 cm); Pennsylvania Academy of the Fine Arts, Philadelphia^[413]
• Untitled (c. late 1960s–c. late 1970s); Mixed media on paper; 23 1/2 × 18 in. (59.7 × 45.7 cm)^[414]

• Abstraction (1970); Colored inks, with touches of silver metallic paint, on fabric; 17 15/16 × 23 7/16 in (45.5 × 59.5 cm); Art Institute of Chicago^[415]
• Frederick (1970); Watercolor on fiberglass paper; 13.5 × 10.5 in (34.29 × 26.67 cm); Lauren Rogers Museum of Art, Laurel, Mississippi^[416]
• Untitled (1970); Watercolor on paper; 35 1/2 × 23 3/4 in (90.2 × 60.3 cm); North Carolina Museum of Art, Raleigh, North Carolina^[417]
• Untitled (1970); Watercolor on fiberglass paper; 17 1/2 × 13 3/4 in (44.45 × 34.92 cm)^[26]
• Untitled (1970); Acrylic on paper; 13 15/16 × 17 7/16 in (35.4 × 44.3 cm); Allen Memorial Art Museum, Oberlin, Ohio^[418]
• Untitled (1970); Stained paper; 24.8 × 32.87 in (63 × 83.5 cm); Irish Museum of Modern Art, Dublin^[419]
• Untitled (1970); Watercolor on paper; 13 3/4 × 17 1/2 in (34.9 × 44.5 cm)^[401]
• Untitled (1970); Watercolor on paper; 28 7/8 × 22 3/4 in (73.3 × 57.8 cm)^[401]
• Untitled (1971); Paint on paper; 13 1/2 × 13 1/2 in (34.29 × 34.29 cm) [irreg.]; George Washington University Art Collection, Washington, D.C.^[420]
• Untitled (1971); Mixed media, watercolor, pastel, and crayon on paper; 24 1/2 × 32 1/4 in (62.23 × 81.92 cm); University of Michigan Museum of Art, Ann Arbor, Michigan^[421]
• Untitled (1971); Watercolor on handmade paper with varnish; 20 3/8 × 26 1/2 in (51.8 × 67.3 cm); National Gallery of Art, Washington, D.C.^[422]
• Untitled (1971); Watercolor, acrylic, and metallic paint on altered paper; 35 1/2 × 25 in (90.17 × 63.5 cm) [irreg.]; Minneapolis Institute of Art^[423]
• Untitled (1971); Dye stain on mulberry paper; 20 5/8 × 26 3/8 in (52.4 × 67.1 cm); Museum of Modern Art, New York^[424]
• (Untitled) (1971); Watercolor on paper; 13 7/8 × 18 in (35.2 × 45.6 cm); Smithsonian American Art Museum, Washington, D.C.^[425]
• Untitled (1971); Watercolor on handmade paper; 25 1/2 × 20 in (64.8 × 50.8 cm); Williams College Museum of Art, Williamstown, Massachusetts^[426]
• Untitled (1971); Watercolor on fiberglass paper; 17 1/4 × 13 3/4 in (43.8 × 35 cm); Hood Museum of Art, Hanover, New Hampshire^[427]
• Untitled #9 (1971); Watercolor on crumpled rice paper; 21 3/4 × 13 5/8 in (55.24 × 34.61 cm)^[26]
• Untitled (1972); Watercolor on crumpled rice paper; 22 1/4 × 19 1/2 in (56.51 × 49.53 cm)^[26]
• Untitled (1972); Watercolor on crumpled fiberglass paper; 13 1/2 × 17 1/4 in (34.29 × 43.81 cm)^[26]
• Untitled (1971–1973); Watercolor and aluminum powder on crumpled nonwoven viscose rayon; 33 1/4 × 23 1/2 in (84.46 × 59.69 cm) [irreg.]; National Gallery of Art, Washington, D.C.^[428]
• Untitled (1973); Acrylic on polypropylene; 60 × 93 in (152.4 × 236.2 cm); Seattle Art Museum^[429]
• Untitled (1973); Acrylic on polypropylene; 60 × 93 in (152.4 × 236.2 cm); Seattle Art Museum^[430]
• Untitled (1973); Acrylic on polypropylene; 60 × 93 in (152.4 × 236.2 cm); Seattle Art Museum^[431]
• Untitled (1973); Acrylic on polypropylene; 60 × 93 in (152.4 × 236.2 cm); Seattle Art Museum^[432]
• April 2 (1974); Watercolor, acrylic, fabric dye on fiberglass paper; 29 1/16 × 38 1/4 in (73.82 × 97.15 cm)^[26]
• Furnace '74 (1974); Watercolor and acrylic with dyes on polypropylene paper; 30 × 42 1/2 in (76.2 × 108 cm); Georgia Museum of Art, Athens, Georgia^[433]
• Mars I (1974); Acrylic on rice paper; 21 × 25 1/2 × 5/8 in (53.3 × 64.8 × 1.6 cm); Studio Museum in Harlem, New York^[434]
• Mellow 3 (1974); Acrylic on paper; 21 1/16 × 25 7/8 in (53.5 × 65.7 cm) [irreg.]; Cincinnati Art Museum^[435]
• Only (1974); Acrylic, watercolor, fabric dye on crumpled rice paper; 19 3/4 × 23 3/4 in (50.16 × 60.32 cm)^[26]
• Untitled (1974); Acrylic on paper; 29 1/4 × 41 1/4 in (74.3 × 104.8 cm); Georgia Museum of Art, Athens, Georgia^[436]
• Untitled (1972–1975); Watercolor on paper; 14 1/4 × 12 5/8 × 1 in (36.2 × 32.1 × 2.5 cm); Eskenazi Museum of Art, Bloomington, Indiana^[437]
• American Quilt No. 20 (1975); Handmade paper with fabrics and buttons; 16 3/4 × 21 3/8 in (42.54 × 54.29 cm)^[26]
• American Quilt No. 28 (1975); Quilt collage and acrylic washes on handmade paper; 16 1/2 × 18 3/4 in (41.91 × 47.625 cm); Phillips Collection, Washington, D.C.^[438]
• Hold (1975); Acrylic, watercolor, fabric dye on crumpled rice paper; 19 3/4 × 25 1/2 in (50.16 × 64.77 cm)^[26]
• Strip II (c. 1976); Aniline dye on rice paper; 21 × 27 in (53.3 × 68.6 cm); Chrysler Museum of Art, Norfolk, Virginia^[439]
• N°1 D (1977); Gouache on crumpled paper; 20.87 × 25.59 in (53 × 65 cm); Musée d'Art Moderne de Paris^[440]
• Sparta (1977); Watercolor with acrylic on shaped Japanese paper; 10 1/4 × 18 3/4 × 3 in (26 × 47.6 × 7.6 cm); University Museum of Contemporary Art, University of Massachusetts Amherst^[441]

• Arrowhead (1980); Acrylic on handformed paper, artist's frame; 38 3/16 × 32 1/16 × 1 15/16 in (97 × 81.5 × 5 cm); Princeton University Art Museum, Princeton, New Jersey^[442]

• Untitled (1991); Oil on Japanese paper; 22 5/16 × 32 3/8 in (56.6 × 82.2 cm); Cleveland Museum of Art^[443]

• Rock and Shore (2010); Acrylic on paper; 3 15/16 × 3 7/8 in (10 × 9.8 cm); Palmer Museum of Art, State College, Pennsylvania^[444]
• Fold XII (2014); Pigment-based ink on handmade paper; 27.75 × 45.75 in (70.48 × 116.2 cm); Tufts University Art Collection, Grafton, Massachusetts^[445]
• B Series 10 (2015); Pigment-based ink on handmade paper; 57.0 × 30.0 in (144.8 × 76.2 cm)^[446]
• Panel III (2015); Pigment-based ink on handmade paper; 45.5 × 27.5 in (115.6 × 69.8 cm)^[447]
• Solstice VII (2016); Watercolor on rice paper; 76.3 × 41.6 × 1.5 in (193.7 × 105.7 × 3.8 cm)^[448]
• Untitled (2016); Watercolor on paper; 72 × 38 in (182.9 × 96.5 cm)^[449]
• Untitled (2016); Watercolor on rice paper; 60.0 × 31.3 × 1.3 in (152.4 × 79.4 × 3.2 cm)^[450]
• Untitled (2017); Watercolor on rice paper; 33.3 × 60.0 × 1.5 in (84.5 × 152.4 × 3.8 cm)^[451]
• Untitled (2017); Watercolor on rice paper; 60.0 × 33.0 × 1.5 in (152.4 × 83.8 × 3.8 cm)^[452]
• Construct (2018); Watercolor on handmade Japanese paper; 70 in × 34 in (177.8 cm × 86.36 cm); Phillips Collection, Washington, D.C.^[453]
• Untitled (2019); Watercolor and acrylic on Washi; 76.4 × 42.1 × 1.5 (194.0 × 107.0 × 3.8 cm)^[454]
• Untitled (2019); Watercolor and acrylic on Washi; 73 × 38 1/2 in (185.4 × 97.8 cm); Menil Collection, Houston^[455]
• Untitled (2019); Watercolor on paper; 73 × 38 in (185.4 × 96.5 cm); Museum of Modern Art, New York^[456]
• Untitled (2019); Watercolor on paper; 73 × 38 in (185.4 × 96.5 cm); Museum of Modern Art, New York^[457]

• Untitled (2020); Watercolor on washi; 39 1/2 × 71 1/2 in (100.3 × 181.6 cm)^[458]
• Untitled (2020); Watercolor on washi; 71 1/2 × 39 1/2 in (181.6 × 100.3 cm)^[458]
• Untitled (2020); Watercolor on washi; 71 1/2 × 39 1/2 in (181.6 × 100.3 cm)^[458]
• Washi Paper - Blue (2020); Acrylic on washi; 79 × 79 in (200.6 × 200.6 cm)^[459]
• Washi Paper - Blue V (2020); Acrylic on washi; 38 5/8 × 38 5/8 in (98.1 × 98.1 cm)^[460]
• Washi Paper - Orange (2020); Acrylic on washi; 79 × 79 in (200.6 × 200.6 cm)^[461]
• Washi Paper - Purple (2020); Acrylic on washi; 79 × 79 in (200.6 × 200.6 cm)^[462]
• Washi Paper - Purple/Black (2020); Acrylic on washi; 79 × 79 in (200.6 × 200.6 cm)^[463]
• Washi Paper - Red (2020); Acrylic on washi; 79 × 79 in (200.6 × 200.6 cm)^[464]
• Washi Paper - Turquoise (2020); Acrylic on washi; 38 5/8 × 38 5/8 in (98.1 × 98.1 cm)^[465]
• Washi Paper - Yellow (2020); Acrylic on washi; 79 × 79 in (200.6 × 200.6 cm)^[466]
• Annie (2022); Watercolor on washi; 77 3/4 × 42 3/4 in (197.5 × 108.6 cm)^[295]