Liv Blåvarp

On returning to Oslo, Blåvarp joined the other metalwork graduates from the State College of Art in a group they called TRIKK. In 1986, she moved back to her native Lena in Østre Toten Municipality where she was able to find a suitable studio.^[4] While she had earlier focused on metalwork, she quickly turned to wood as she found that unlike metal it presented opportunities for sculpturing necklaces which could please the wearer. She has developed her interest in wood ever since.^[4][5] Explaining her choice of wood in connection with her prize-winning Red Drop, she explained: "The most significant aspect is that it allows me to work with larger volumes without them becoming too heavy. At the same time, wood is that material which best allows me to create the expression I want."^[6]

Although her basic material is wood of various types, Blåvarp has enhanced some of her pieces with bone such as ivory and whale teeth. She has also created works to be displayed in the public space, for example in Hedmark's hospital and Lillemark Railway Station.^[1][7]

Liv Blåvarp is represented in museums in Norway and beyond, including Norway's National Museum of Art, Architecture and Design, Denmark's Designmuseum, Sweden's Nationalmuseum, Germany's Museum Angewandte Kunst, the National Museum of Scotland, the Los Angeles County Museum of Art, the Museum of Fine Arts, Boston, and the Montreal Museum of Fine Arts.^[7]

Among Blåvarp's many awards are the Nordic Torsten and Wanja Söderberg Prize (1995), the Norwegian Jacob Prize for crafts (1997), Sweden's Prince Eugen Medal (2003), and the Bavarian State Prize, Munich (2012).^[8][7]