Lives Outgrown

Gibbons wrote Lives Outgrown over a decade, with topics specific to her walk of life nearing age 60, including "motherhood, anxiety, menopause, and mortality".^[1] Gibbons said it was influenced by the deaths of family and friends over the preceding several years and she "realised what life was like with no hope".^[6]

On 7 February 2024, Gibbons announced Lives Outgrown alongside its lead single, "Floating on a Moment".^[7][8] She released the second single, "Reaching Out", on 10 April.^[3][9] The third single, "Lost Changes", was released on 15 May.^[4][10]

More information Aggregate scores, Source ...

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	8.4/10[11]
Metacritic	88/100[12]
Review scores
Source	Rating
AllMusic	[13]
The Guardian	[14]
Mojo	[15]
NME	[16]
The Observer	[17]
Pitchfork	8.0/10[18]
Record Collector	[19]
The Skinny	[20]
Slant Magazine	[21]
Uncut	9/10[22]

Close

Lives Outgrown received a score of 88 out of 100 on review aggregator Metacritic based on 22 critics' reviews, which the website categorised as "universal acclaim".^[12] Uncut felt that "Lives Outgrown is a quite different prospect to Gibbons' previous work – more intimate, more personal, coloured by the grief and goodbyes she has weathered in recent years. But it is still possible to find a thread that runs from here to Out of Season, and back to Portishead."^[22] The Wire called it "timeless and considered" and "a complete, but still complicated, portrait of the intersection of grief and life",^[23] and Mojo wrote that while it can "all sound bleak[, ...] Lives Outgrown is also very beautiful".^[15]

The Skinny's Patrick Gamble described Lives Outgrown as "a haunting collection of torch songs" as well as "a record about departures and the transition to a new equilibrium".^[20] Charles Lyons-Burt of Slant Magazine said it "picks up where Portishead's 2008 album, Third, left off, with detail-rich orchestral chamber pop backing a stunning exploration of aging and grief" that is "as captivating as it is devastating".^[21] Record Collector's Johnnie Johnstone concluded that Lives Outgrown is "an album to fall deeply in love with. If you allow them to, these songs will envelop your soul."^[19]

Reviewing the album for AllMusic, Heather Phares described Lives Outgrown as "steeped in the emotional and physical realities of living long enough to bring life into the world and to see it leave ... Lives Outgrown reveals Gibbons' music is only getting richer as the years pass."^[13] Alexis Petridis from The Guardian also highlighted the growth: "A dispatch from the darker moments of middle age, Lives Outgrown is occasionally challenging, frequently beautiful and invariably gripping."^[14] Ben Cardew at Pitchfork noted the eclecticism, saying that: "Leftfield choices underscore the courageous and subtly unusual nature of Gibbons' album, which hides its eccentricity behind her deathless voice and sympathetic lyrical insight."^[18]

Musicians

• Beth Gibbons – vocals (all tracks), backing vocals (tracks 1–9), acoustic guitar (1, 3–5, 9), guitar (2), vocoder (10)
• Lee Harris – drums (tracks 1–9), percussion (1, 3–6, 9, 10); daf, Mellotron (1); whistle (4), field recordings (10)
• James Ford – vibraphone (tracks 1, 2, 4), double bass (1, 2), piano (1, 3, 4, 6, 9), harmonium (1, 3, 9, 10), backing vocals (1, 5); Mellotron, spoons (1); cello (2–4, 6, 9), percussion (2, 4–9), bass (2, 4, 5, 7, 9), acoustic guitar (2, 4, 5, 9, 10), baritone guitar (2, 4, 5), flute (2, 4, 6–8), recorders (2, 4, 6, 7, 9), Hammond organ (2, 4), hammered dulcimer (2, 5), drums (2, 7, 8), pedal steel (2), Farfisa (3, 5, 9), dulcimer (4, 9, 10), electric guitars (4, 9); Solina, additional drums (4), bass clarinet (5, 6, 9, 10), feedback (5), guitars (6, 7); Chinese lute, synth piano, marching snare, trumpet, trombone (6); bowed saw (7, 9), EBow dulcimer (7), violin drones, acoustic bass (8, 10); 12-string acoustic guitar, resonator guitars (8); fuzz flute, violin, singing tubes (9); toms (10)
• Orchestrate – strings, woodwinds (tracks 1, 3); brass (1)
• Senab Adekunle – backing vocals (tracks 2, 4–6)
• Gracie – backing vocals (track 2), "instrumental ooh/hum" (10)
• Herbie – backing vocals (track 2)
• Roe – backing vocals (track 2)
• Raven Bush – violin (tracks 3–8, 10), viola (3–6), baritone viola (7, 8, 10), violin solo (8)
• William Rees – noise guitar (track 4)
• Robbie McIntosh – acoustic guitar (track 4)
• Howard Jacobs – bass saxophone, tenor saxophone, clarinets, percussion, frame drum, mizmar (track 6)

Technical

• Beth Gibbons – production, mixing, additional engineering; string arrangement (tracks 3–8), woodwind arrangement (3)
• James Ford – production, mixing, engineering; string arrangement (tracks 1, 3–8), woodwind arrangement (1, 3), brass arrangement (1)
• Lee Harris – additional production, additional engineering; string arrangement, woodwind arrangement, brass arrangement (track 1)
• Matt Colton – mastering
• Matt Jaggar – orchestra engineering
• Jimmy Robertson – additional engineering
• Tom Leach – additional engineering
• Billy Foster – additional engineering
• George Chung – orchestra engineering assistance
• Bridget Samuels – string arrangement, woodwind arrangement (tracks 1, 3); brass arrangement (1)

Visuals

• Netsi Habel – photography, cover photo
• Matthew Cooper – design