Living Room Scene
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| Living Room Scene | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1994 | |||
| Studio | Ardent | |||
| Genre | Rock | |||
| Label | Mammoth/Atlantic[1] | |||
| Producer | Mark Freegard | |||
| Dillon Fence chronology | ||||
| ||||
Living Room Scene is an album by the American band Dillon Fence, released in 1994.[2][3] It was the band's final studio album; half the band left shortly after its release, forcing singer Greg Humphreys and drummer Scott Carle to support it with two new touring musicians.[4][5] The title track, about living in a college town, was the first single.[6][7]
The bulk of the album was recorded over six weeks at Ardent Studios, in Memphis, Tennessee.[6][8] It was produced by Mark Freegard.[9] "Fayetteville", the closing instrumental track, was written by Humphreys and performed by his grandmother on her Young Chang piano.[10][11] "High School Sap" is an instrumental.[12]
Critical reception
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [13] |
| The Charlotte Observer |  [8] |
| Music Week | [14] |
| The Tampa Tribune | [15] |
Trouser Press wrote that "Humphreys exercises a raspy Rod Stewart voice (which he intimated on Outside In) and a fat ’70s Gibson SG tone on the title track, then downplays both in the cushy electric soul folds of 'Laughs' and the squalling harmony pop of 'Queen of the In-Between'."[16] The Washington Post opined that "the band's most memorable songs tend to be its most derivative ones: 'Coffee Cup' begins with singer Greg Humphreys emulating Rod Stewart, while 'Unnoticed' bears more than a passing resemblance to the Church."[17]
The State called the album "superb," writing that Dillon Fence's music "is catchy, edgy and often Beatlesque."[18] The Record praised the "spontaneity and looseness" of the music, stating that on "Laughs" "Humphreys' vocals and layered background harmonies float amid turbulent rhythm guitars."[19] The Richmond Times-Dispatch stated: "Three-part harmonies, husky to screechy lead vocals, jangling or dense guitar tracks and propulsive drumming make for a fine pop and rock listen."[20]
AllMusic wrote that the album "combines some absolutely stellar '90s power-pop with tasty, '70s, stud-rock guitars and a big dollop of blue-eyed soul."[13]