Livre pour cordes
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| Livre pour cordes | |
|---|---|
| by Pierre Boulez | |
| Composed | 1968; revised 1989 |
| Performed | 1 December 1968 |
| Movements | 2 |
| Scoring | string orchestra |
Livre pour cordes (Book for strings) is a 1968 composition for string orchestra by Pierre Boulez. It is a revised and expanded version of the first two movements of the composer's Livre pour quatuor.
Livre pour quatuor (1948–1949), Boulez's only work for string quartet, presented numerous performative challenges resulting from the composer's inexperience at the time it was written.[1] Boulez recalled that the quartet "posed great interpretative problems for a quartet," and suggested that "you would need a conductor to solve them."[2] In the late 1960s, he withdrew the work from publication, requesting that it no longer be performed except by quartets that had already rehearsed and played it, and began rewriting it for string orchestra (16 first violins, 14 second violins, 12 violas, 10 cellos, 8 double basses), starting with the two-part first movement (1a, "Variation" and 1b, "Mouvement").[1][3] He recalled:
I felt that the best way of bringing out everything in the original composition would be to orchestrate it. But in an orchestral work one can no longer have the same point of view; so I rethought the music completely, and in the two movements of the Livre for string quartet that became a Livre for string orchestra... there is such a degree of proliferation, and such an additional weight of ideas, that it is almost a new piece.[2]
According to Boulez biographer Dominique Jameux, Livre pour cordes sounds "infinitely better" than the version for string quartet, although he acknowledged that it lacks some of the earlier work's "extraordinary vigour, vehemence and alacrity."[1] Writer Paul Griffiths called the work "an elaborate amplification which spreads in varying densities around the original, giving it veils of fine counterpoint and harmonic breadth."[4] Although Boulez revised the score in 1989, he abandoned the project, and chose not to rescore the remaining movements of the quartet.[1]
