Lizelle Bisschoff
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Lizelle Bisschoff | |
|---|---|
| Alma mater | University of Johannesburg, University of Edinburgh, University of Stirling |
| Employer | University of Glasgow |
| Organization | Africa in Motion (AiM) film festival |
Lizelle Bisschoff is a South African film theorist, academic, curator and the founder of the Africa in Motion (AiM) film festival in Scotland which showcases African cinema.
Bisschoff was born in South Africa.[1][2]
She studied at the University of Johannesburg then moved to the United Kingdom to study a masters degree at the University of Edinburgh.[3] She holds a PhD from the University of Stirling.[1] She works as a Professor in Film Studies at the University of Glasgow.[1]
In 2006, Bisschoff founded and directed the annual Africa in Motion (AiM) film festival in Scotland.[4] It is the United Kingdom's largest African film festival,[4] has screened over 500 African films[5] and takes place in both Glasgow and Edinburgh towards the end of October each year.[5] AiM gained charitable status in 2012 and is now run as a not-for-profit organisation[6] and governed by a formally appointed Board of Trustees.[7]
Publications
Bisschoff has researched filmmaking in sub-Saharan Africa, Southern Africa, West Africa, and East Africa.[3] She has referred to Hyenas (1992) by Senegalese director Djibril Diop Mambety as her favourite African film.[6]
In 2012, she contributed to Storytelling in World Cinemas, Volume 1.[8]
A series called "Recovering Lost African Film Classics" curated by Bisschoff and David Murphy at the AiM festival lead to the publication of Africa's Lost Classics: New Histories of African Cinema in 2017, which highlights indigenous African filmmaking.[9]
In 2016, Bisschoff co-wrote Art and Trauma in Africa: Representations of Reconciliation in Music, Visual Arts, Literature, and Film with Stefanie Van de Peer.[10] It is the first book to look exclusively at art and trauma in African contexts.[11] In 2019, she published Women in African Cinema: Beyond the Body Politic.[3]
Bisschoff was a guest editor of the "decolonising film education" special issue of the Film Education Journal (2022), alongside Jyoti Mistry.[12]
In 2024, she co-edited Stretching the Archives: Decolonising Global Women’s Film Heritage.
References
- 1 2 3 "Lizelle Bisschoff". The Conversation. 22 September 2015. Archived from the original on 24 March 2025. Retrieved 15 February 2025.
- ↑ Martin, Michael T.; Kaboré, Gaston Jean-Marie (8 August 2023). African Cinema: Manifesto and Practice for Cultural Decolonization: Volume 2: FESPACO—Formation, Evolution, Challenges. Indiana University Press. p. 71. ISBN 978-0-253-06626-8.
- 1 2 3 Anagli, Mimi (6 May 2020). "Interview with Lizelle Bisschoff, Founder of the Africa in Motion Film Festival". agnès films. Retrieved 15 February 2025.
- 1 2 Petty, Sheila (1 January 2014). Directory of World Cinema: Africa. Intellect Books. p. 52. ISBN 978-1-78320-392-5.
- 1 2 Peer, Stefanie Van de (31 October 2018). "Africa in Motion: Busting the Canon since 2006". MAI: Feminism & Visual Culture. Archived from the original on 24 March 2025. Retrieved 16 February 2025.
- 1 2 "Africa in Motion Case Study". Regional Screen Scotland. Archived from the original on 19 October 2020. Retrieved 16 February 2025.
- ↑ "Rediscovering Frantz Fanon at Scotland's Africa in Motion film festival". European Network for Cinema and Media Studies (NECSUS). 11 July 2016. Archived from the original on 30 January 2025. Retrieved 16 February 2025.
- ↑ Khatib, Lina H. (2012). Storytelling in World Cinemas. Columbia University Press. pp. xi. ISBN 978-0-231-16204-3.
- ↑ "Africa's Lost Classics: New Histories of African Cinema. Eds. Lizelle Bisschoff and David Murphy. Oxford: Legenda (Moving Image, 5), 2014. 234 pp. £55.00/$99.00. ISBN 978-1-907975-51-6". Forum for Modern Language Studies. 51 (3): 351.1–351. 1 July 2015. doi:10.1093/fmls/cqv031. ISSN 0015-8518.
- ↑ Grønstad, Asbjørn; Gustafsson, Henrik (27 April 2012). Ethics and Images of Pain. Taylor & Francis. p. 30. ISBN 978-1-136-45305-2.
- ↑ "Art and Trauma in Africa: Representations of Reconciliation in Music, Visual Arts, Literature, and Film". African Arts. 49 (3): 92–93. 1 September 2016. doi:10.1162/AFAR_r_00306. ISSN 0001-9933. Archived from the original on 29 April 2025. Retrieved 16 February 2025.
- ↑ Mistry, Jyoti; Bisschoff, Lizelle (14 June 2022). "Editorial: decolonising film education". Film Education Journal. 5 (1). doi:10.14324/FEJ.05.1.01. ISSN 2515-7086. Archived from the original on 22 February 2025. Retrieved 16 February 2025.
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