Lois Weaver
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Lois Weaver | |
|---|---|
.JPG) Weaver in 2014 | |
| Born | October 26, 1949 Roanoke, Virginia, U.S. |
| Education | Radford University, 1972 |
| Known for | performance, live art, public engagement, education |
| Awards | Guggenheim Fellowship for Creative Arts, Wellcome Trust Engaging Science Fellowship, Edwin Booth Award, Innovative Theatre Achievement Award |
| Website | http://www.split-britches.com/lois/ |
Lois Weaver (born October 26, 1949, Roanoke, Virginia)[1] is a Guggenheim-winning American artist, activist, writer, director, and Professor of Contemporary Performance at Queen Mary University of London. She is currently a Wellcome Trust Fellow in Engaging Science.[2]
Her work centers on feminism, human rights and possibilities for public participation. Active for over four decades, she is the founding member of significant New York theatre companies Spiderwoman Theater (1975), Split Britches (1980) and WOW (Women's One World Cafe) (1980).[3] Weaver came to London to take on the role of artistic director for Gay Sweatshop Theatre Company in 1992.[4] She lives in New York and London.
Weaver was born in Roanoke, Virginia. As a child she began performing with the Mount Pleasant Southern Baptist Church. She graduated with degrees in theatre and education from the all women's college Radford College (later Radford University) in 1972. After graduating Weaver began involved in activism against the Vietnam War, moving to Baltimore to work for a peace and justice center. While in Baltimore, Weaver began working with the Baltimore Free Theatre and was exposed to a range of experimental theatre practices. In the mid 1970s, Weaver moved to New York where she worked in a fish market and in Special Education in public schools while pursuing a performance career.[5]
Performance
Weaver's theatre and performance practice spans collaborative and solo work. In 1974 Weaver met Muriel Miguel, who had worked with the Open Theatre, at the Theater for the New City. In 1975, Weaver, with Miguel and Miguel's sisters Lisa Mayo and Gloria Miguel, was a co-founder of feminist theatre company Spiderwoman Theatre, whose members focused on using their own stories to address gender roles, economic realities and violence in women's lives. Weaver helped develop the signature Spiderwoman approach to performance creation which they called 'storyweaving', combining improvisational techniques from the Open Theatre, the Hopi goddess of creation's lessons on weaving, movement, and personal stories.[6][7] While on tour with Spiderwoman in Europe, Weaver and Peggy Shaw met in Amsterdam. Shaw was touring with Hot Peaches throughout Europe.[citation needed]
In 1980, along with Peggy Shaw and Deb Margolin, Weaver founded Split Britches, an award-winning company who use theatricality to create work that centers on lesbian and queer identities.[8][9] Weaver has had productive collaborative relationships with theatre and performance artists Holly Hughes, Bloolips founded by Bette Bourne,[10] Curious,[11] and Stacy Makishi.[12]
Weaver's work, both in her solo performances and her work with Split Britches, is known for its imaginative use of text and image, which are juxtaposed for both serious and comic ends. She mixes fact and fiction to create ambiguous forms of autobiography.[4]
