Lola Szereszewska wrote five books of poetry which were published, among others, by Gebethner i Wolff [pl] and the publishing house of Ferdynand Hoesick [pl].[1]: 87 Her works were reviewed in the press by such critics as Stanisław Czernik or Bolesław Dudziński.[1]: 87 She received an award in the 1917 literary competition run by the Sfinks magazine for a short story titled Amenophis IV, and in 1939 she was among the contestants for the title of the best book of the Skawa literary magazine.[1]: 88
In the 1930s Szereszewska joined the literary editorial staff of Chwila.[2]: 16 She was also a significant voice in Szpilki satirical magazine,[3] where she for example published a snappy quatrain about Zuzanna Ginczanka[4] and was later mentioned by Eryk Lipiński in his book Drzewo szpilkowe on the editorial staff of Szpilki.[1]: 88
By the end of the 1930s, Szereszewska's press texts developed a catastrophic tone incited by her fear for the future.[1]: 95 In the years 1937–1938 she wrote for the Warsaw newspapers Nowy Głos and Ster.[2]: 24 In the interwar period, she also published in Ewa,[1]: 91 Okolica Poetów, Kamena, Nasza Opinia, Ilustrowany Dziennik Ludowy and Merkuriusz Polski Ordynaryjny.[1]: 87 Her correspondence with Karol Wiktor Zawodziński is part of the National Library of Poland collection.[5]
Szereszewska's poems have been published, among others, in the anthology of interwar Polish-Jewish poetry titled Międzywojenna poezja polsko-żydowska. Antologia (1996), edited by Eugenia Prokop-Janiec.[1]: 90
