Lovecraft in Brooklyn
From Wikipedia, the free encyclopedia
| "Lovecraft in Brooklyn" | ||||
|---|---|---|---|---|
| Single by The Mountain Goats | ||||
| from the album Heretic Pride | ||||
| Released | February 18, 2008  February 19, 2008  | |||
| Genre | Folk rock, indie rock | |||
| Length | 3:49 | |||
| Label | 4AD | |||
| Songwriter | John Darnielle | |||
| Producers | Scott Solter, John Vanderslice | |||
| The Mountain Goats singles chronology | ||||
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| Music video | ||||
| "Lovecraft in Brooklyn" on YouTube | ||||
"Lovecraft in Brooklyn" is the eighth track on the Mountain Goats' Heretic Pride album released in 2008 on 4AD.
The title refers to the fears of horror fiction writer H. P. Lovecraft during his residence in Red Hook, Brooklyn.
In an interview with io9's Charlie Jane Anders concerning the song's imagery, songwriter John Darnielle stated "Lovecraft in Brooklyn" "is not really about Lovecraft — it's sung by a guy who's identifying with Lovecraft at his most xenophobic and terrified. Why does that appeal? I think I'm just attracted to hermits in general — to people who don't feel like they're part of the world, who have a hard time feeling like they're really present in the same space as everybody else."[2]
Reception
Allmusic's Steve Leggett called "Lovecraft in Brooklyn" "odd (and) lysergic" and noted that it "feels like the screenplay for a campy B movie monster flick given musical form, only, of course, it might be something else entirely."[3] Crawdaddy!'s Jessica Gentile called "Lovecraft in Brooklyn" "muscular, electric, and imbued with paranoia" and "by far, the heaviest song the band’s ever recorded."[4] Pitchfork Media's Zach Baron called "Lovecraft in Brooklyn" (alongside songs "Sax Rohmer #1" and "In the Craters of the Moon") a "seething throwback [...] taut, propulsive, paranoid, furious."[5]
Slant Magazine's Dave Hughes found it to be "surprisingly assertive" and "awesomely angular."[6] Sputnikmusic's Ryan Flatley noted its "staccato, yet catchy bass-line and Kayo Dot-esque violins."[7] Tiny Mix Tapes's Judy Berman praised Darnielle's "talent for subtly coloring his lyrics with the voice of the frightened narrator", and in particular emphasized the line "woke up afraid of my own shadow / Like, genuinely afraid."[8] Cokemachineglow, however, found this same line to be "utterly, ridiculously superfluous" and "a bad line" that "rings false".[9]