Lucie Lagerbielke

Both Lagerbielke and her younger sister Mary Karadja shared an interest in the occult and spiritualism, and both were rejected from joining the Edelweiss Society due to these interests.^[3] However, Lagerbielke disapproved of some aspects of spiritualism that her sister partook in, such as mediumship as she considered it unethical to attempt to make contact with the dead and to meddle with forces beyond their comprehension, and considered it spiritual rot. The sisters also disagreed politically; Karadja became involved with Nazism, while Lagerbielke was involved in socialism and Bolshevism.^[2]

In 1899, under the pseudonym Vitus she released the book Något om nervositet och naturkrafter: Om orsaker till en del nervös ora, hetta o.s.v., rumsångest, platsångest, och paralysi, samt hänvisningar till enkla – mångårigt pröfvade – skyddsmedel deremot [Essay on nervousness and natural forces: On the origins of some nervous unrests, heats, etc., ]. Her next book Lifvet och döden [Life and Death] was released in 1903, followed by Strid och frid [Conflict and Peace] in 1904. Both were published under the pseudonym Pax. She also frequently collaborated with Anna Maria Roos on books under the pseudonyms Carl Melcher, Tor Delling and Christina and Wilhelmina Terner. In 1911, Lagerbielke entered a public feud through the press with critic Poul Bjerre after he criticised her book Själens liv: en bok tillägnad de ensamma [The Life of the Soul: A Book for the Lonely], which lasted until 1912. From 1919 to 1922 and again from 1924 to 1925, she published the Framtidens Folk: tidning för andliga problem, psykisk forskning och social nydaning [People of the Future: Journal of Spiritual Problems, Psychic Research, and Social News] series, the majority of which she wrote herself.^[2]

Lagerbielke focused on psychic research with a scientific approach.^[2] She began to draw symbol-laden mediumistic artwork, which she claimed she drew under the influence of spirit guides. Her first few drawings were signed as Paula, a name she claimed she received from her spirit guide, Paul the Apostle, and was characterised by text, symbolism and allegorical occult elements, while her later works, published under the name Vitus, were more intense and freer in style.^[3]

In the last few years of her life, Lagerbielke suffered from ill health. She died on 16 June 1931 in Lidingö, at the age of 66. She was buried at Norra begravningsplatsen in Solna. Her grave monument depicts Lagerbielke naked and seated looking towards the skies, with engravings of the phrase ad astra (Latin for "towards the stars"), her name and her pseudonym (Förf Vitus, Swedish for "the writer Vitus").^[2]