Magic in Ithkar 3

As described in the introduction by co-editor Robert Adams (identical to that in the previous volumes), the world of which Ithkar is a part has suffered from some past holocaust which wiped out an earlier, higher civilization. Subsequently, the area which became Ithkar became a base for the explorations of three godlike visitors, who came to be worshiped as actual deities after their departure. A temple and priesthood dedicated to them developed over succeeding generations, which held a yearly fair on the anniversary of the visitors' first arrival. The city of Ithkar grew up about the temple on the strength of the commerce the fair attracted.

The historical background provided appears science fictional in nature; the war that destroyed the previous culture is related in terms which suggest a nuclear war, complete with radiation-derived mutations of life-forms in the vicinities of the nuclear strikes, while the story of the visitors resembles an expedition of interstellar explorers. Present-day Ithkar is, however, a fantasy setting, in which wizards and sorcerers are rife, and magic works.

• "Prologue" (Robert Adams)
• "Three Knives in Ithkar" (Gareth Bloodwine)
• "Were-Sisters" (Ann R. Brown)
• "The Magic Carpet" (James Clark)
• "The Amiable Assassin" (A. C. Crispin)
• "Guardians of the Secret" (Ginger Curry and Monika Conroy)
• "The Beggar and His Cat" (Gene DeWeese)
• "Flarrin Red-chin" (M. Coleman Easton)
• "Covenant" (P. M. Griffin)
• "What Little Girls Are Made Of" (T. S. Huff)
• "Eyes of the Seer" (Caralyn Inks and Georgia Miller)
• "Fiddler Fair" (Mercedes R. Lackey)
• "The Silverlord" (Morgan Llywelyn)
• "SunDark in Ithkar" (S. Lee Rouland)
• "Hair's Breath" (Susan M. Shwartz)
• "The Singing Eggs" (Kiel Stuart)
• "Biographical Notes" (Andre Norton)