Main Vaapas Aaunga

2026 Indian film by Imtiaz Ali From Wikipedia, the free encyclopedia

Main Vaapas Aaunga (transl.I Will Return) is a 2026 Indian Hindi-language romantic drama film directed by Imtiaz Ali. The film stars Diljit Dosanjh, Naseeruddin Shah, Sharvari, and Vedang Raina, alongside Banita Sandhu, Rajat Kapoor, Sanjay Suri, Anjana Sukhani and Danish Pandor in supporting roles.[4] Principal photography began in August 2025 and ended in December 2025.[5]

Directed byImtiaz Ali
Written byImtiaz Ali
Nayanika Mahtani
Produced by
  • Sameer Nair
  • Deepak Segal
  • Mohit Choudhary
  • Shibhasish Sarkar
Quick facts Directed by, Written by ...
Main Vaapas Aaunga
Theatrical release poster
Directed byImtiaz Ali
Written byImtiaz Ali
Nayanika Mahtani
Produced by
  • Sameer Nair
  • Deepak Segal
  • Mohit Choudhary
  • Shibhasish Sarkar
Starring
CinematographySylvester Fonseca
Edited byAarti Bajaj
Music byA. R. Rahman
Production
companies
Applause Entertainment
Birla Studios
Window Seat Films
Distributed byBirla Studios
Release date
  • 12 June 2026 (2026-06-12)
Running time
167 minutes[1]
CountryIndia
LanguageHindi
Budget₹70 crore[2]
Box office₹68.58 crore[3]
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The film was theatrically released on 12 June 2026. It received mostly positive reviews from critics and emerged as a sleeper hit.[6][7][8]

Plot

95-year-old Ishar Singh Grewal (Shah) suffers a stroke and is on his deathbed. Despite failing health and advanced dementia, he refuses to let go of life, desperately muttering about returning to his ancestral home in Sargodha, Pakistan. His grandson, Nirvair (Dosanjh), acts as his caregiver and attempts to make sense of his disjointed ramblings.

The story goes back 78 years to undivided India. A younger Ishar (played by Vedang Raina) falls passionately in love with a woman named Jia/Afsana (Sharvari). Their budding romance is abruptly shattered by the violence and mass migration of the 1947 partition of India, forcing them apart.

Nirvair investigates his grandfather’s past to give him peace, eventually locating Afsana’s family. He discovers a devastating truth: Afsana died 10 years prior, having spent her life waiting for Ishar to fulfill his promise to return. Through a video call, Ishar hallucinates a vision of a young Jia and finally asks her for "permission to leave." She grants it, allowing him to pass away peacefully.

Cast

Production

Development

The film was announced in June 2025, with Diljit Dosanjh, Naseeruddin Shah, Vedang Raina, Sharvari, and Banita Sandhu joining the cast.[10][11] It marks the second collaboration between director Imtiaz Ali and Diljit Dosanjh after Amar Singh Chamkila (2024).[12]

Filming

Principal photography for the film commenced in Punjab in October 2025.[13][14]

Soundtrack

Quick facts Soundtrack album by A.R. Rahman, Released ...
Main Vaapas Aaunga Movie
Soundtrack album by
Released11 June 2026
Recorded2025–2026
Length33:33
LanguageHindi
LabelTips Music
A.R. Rahman chronology
Gandhi Talks
(2026)
Main Vaapas Aaunga Movie
(2026)
Batwara 1947
(2026)
Official audio
Main Vaapas Aaunga – Full Album on YouTube
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The film's music is composed by A. R. Rahman, with lyrics written by Irshad Kamil.[15] The first single titled "Kya Kamaal Hai", was released on 17 April 2026. The second single "Maskara" was released on 5 May 2026.[16]

More information No., Title ...
Track listing
No.TitleSinger(s)Length
1."Kya Kamaal Hai"Diljit Dosanjh4:59
2."Maskara"Nilanjana Ghosh Dastidar, Vedang Raina3:53
3."Ishq Mastana"Mohit Chauhan, Nargis, Pooja Tiwari4:34
4."Vo Nahin"Adithya RK, Armaan Khan, Sameer Khan4:47
5."Dheere Dheere"Faheem Abdullah, Shilpa Rao, Antara Nandy, Heer4:11
6."Tere Paas Main - Female Version"Deepali Sahay4:04
7."Tere Paas Main - Male Version"Vipin Aneja2:48
8."Dariya"Armaan Khan4:17
Total length:33:33
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Marketing

On 13 March 2026, four first-look posters were unveiled.[17]

On 7 June 2026, A.R Rahman, Nilanjana Ghosh, Vedang Raina, Mohit Chauhan, and Pooja Tiwari performed live at Attari–Wagah border ceremony in Attari, Amritsar. Imtiaz Ali who was also present there along with cast and crew of the film, said, "I am privileged to be a part of this troupe, and it is magical that this event is around Main Vaapas Aaunga, a film that originates from the making of the border during the Partition of 1947. Not only homes and lives were lost, but hearts were broken as well. We bring a message of love because, ultimately, only love sustains us."[18]

Release

Main Vaapas Aaunga was released on 12 June 2026. It was earlier planned to release in April 2026, coinciding with Baisakhi.[19][20]

Reception

Shubhra Gupta of The Indian Express gave the film 3 out of 5 stars and described the film as "an astounding take on Partition trauma". She particularly praised Naseeruddin Shah's performance, calling it "superbly-judged".[21]

Aishani of Outlook India reviewed the film and gave 3.5 out of 5 stars and wrote that Diljit Dosanjh and Naseeruddin Shah anchor a moving story of memory, migration and longing. [22]

Anuj Kumar of The Hindu described the movie as "an evocative exploration of memory, loss and longing, praising Imtiaz Ali's storytelling and the performances of Naseeruddin Shah and Diljit Dosanjh".[23]

Reviewing for Hindustan Times, Rishabh Suri praised the film as emotional resonance and described it as "a film that transforms memory and longing into compelling cinema".[24]

Dhaval Roy of Times of India gave 3.5 out of 5 stars and praised its performances and emotional storytelling, while noting that the film successfully captures "the pain and human consequences of partition".[25]

Reviewing for NDTV, Saeed Naqvi gave the film 3.5 out of 5 stars and wrote that Naseeruddin Shah delivers a "masterclass" performance in a heartbreaking narrative.[26]

Rahul Desai of The Hollywood Reporter India calls it "a partition-era story worth falling for." [27] Nandini Ramnath of Scroll.in writes in her review that "The film boldly confronts the severe psychological repression that followed Partition. However, Main Vaapas Aaunga sticks to the conventional portrayal as Muslims as the aggressors in communal riots."[28]

Vineeta Kumar of India Today, rated it 2 out of 5 stars and described the film as Ali's weakest film, writing, "the film reaches for grief and belonging, but its pacing and politics blunt the impact."[29]

References

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