Malina Suliman
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Malina Suliman | |
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| Born | 1990 (age 35–36)[1] |
Malina Suliman (born 1990) is an Afghan graffiti artist, metalworker and painter. She was born in Kabul. As a child, she and her family were forced to flee her home province to live in Kandahar, Afghanistan. Her work is considered to challenge traditional Muslim culture like the burqa. According to Suliman, "The burqa is a way of controlling, but in the name of respect. Every culture or religion gives a different name for the burqa. It is honor, culture, and religion. Really, it just controls the woman and keeps her inside." Malina's work has gained the attention of the Taliban and traditional Muslims, resulting in having received threats from the Taliban towards Suliman and her family.[2] The artist was subject to physical threats, rocks have been thrown at her as she conducts her work.[3]
Not only does Malina worry about the Taliban, but her family who disagrees with her decision to create art. Creating art that displays the human body like Malina's motif, the skeleton in a burqa, is seen as idol worship. To the Taliban and other traditional Muslims, Malina's artwork is un-Islamic and Suliman's parents were embarrassed. Because of this her parents went the distance and locked Malina in their house for nearly a year, which had the opposite effect they were hoping for. Malina claimed that, “Today, whatever I am doing for art, it’s all because of that one year in which I was staying in a home.”[4] Suliman spends her time holding art exhibits around the world. In December 2019, Malina intended to hold a lecture on the colonization of art in Rome but it was canceled.
Suliman studied Realism Art in Pakistan, without the knowledge of her father, and eventually received her bachelor's degree at the Art Council Karachi of Fine Arts but her studies were cut short when her parents asked her to return home.[2] She was kept at home for year without access to internet. While she was in Kabul, she joined the Berang Arts Association where she picked up graffiti through workshops.[5]
In 2013, an attack on her father pushed the family to move to Mumbai, India. There, she studied at the Sir J.J School of Art. In 2014, She relocated to the Netherlands where she started her M.A at the Dutch Art Institute.[6]
Career
Malina had an interest in art since childhood. She described her interest as art attracting her instinctively so she could feel it inside her.[7] While Malina was home for the ten months, she felt she lost her identity, and it had a large impact. It wasn't until her sister's husband took her to an exhibit that she found her identity again. "I started shouting and crying, and I felt like I was back, and I existed again."-Malina Suliman.[8] It was then that began to do art despite the knowledge that she would receive resistance from her family and from other people. Her writing of the graffiti attracted comments from passersby. She would also get assaulted by people throwing rocks, who followed her if she tried to relocate. The Taliban was the most vocal against her work.[9] They have said that Suliman's work is idol-worshipping and anti-Islam. This resulted in violent actions taken against Suliman and her family. Once Malina started holding her exhibits, she received threats warning her not to attend her own exhibits. In one exhibit in Kandahar, she attracted the attention of the Governor, Tooryalai Wesa, who praised her work hoping that "more women would do the same."[10] Suliman's art earned her an invitation to President Hamid Karzai's palace to showcase her work in a private viewing. She also joined a local art group, the Kandahar Fine Arts Association, to bring an art scene that would be alive in her deeply conservative hometown.[11]
The group was all male and relatively small but has gained many female artists since. In 2015, Malina participated in a painting and sculpture exhibition at the French Cultural Center in Kabul. The same year, Suliman's work was the focus of a solo exhibition at the Art Represent gallery in Bethnal Green, London. The show, entitled 'Beyond the Veil: A Decontextualization', saw the installation of a number of burqas, each inscribed with the wishes and aspirations of Afghan citizens in a traditional form of calligraphy.[12] A movie released in 2016 called 'Tasting the Moon' featuring Malina Suliman, Shamsia Hassani, and Nabila Horakhsh. The movie is about First Generation of Afghan Female Contemporary Artists and contains a trilogy of impressionistic dream sequences inspired by re-occurring metaphors in each artist's work.
