Manafon (album)

Manafon was recorded over a three-year period in Vienna, Tokyo and London.^[8] Of the recording process, Sylvian said:

"There was nothing written when we went into the studio – this was very much free improvisation. So, the selection of the group of musicians for each improvisation was paramount. I recognized on the day which pieces could work for me. The process was that I took the material away and then wrote and recorded the vocal line over in a couple of hours. So I couldn't analyze my contribution and that in a way was my form of improvisation – and I enjoyed the rapidity of response."^[9]

"I take the sessions and work on them at a later time. I attempt to 'improvise' lyrics and melodies as I go, writing and recording all in a matter of hours. The basic tracks themselves undergo little or no editing as such. The structure pretty much remains as given from the original sessions. I might add an introduction or overdub other elements onto the original take. Here's a couple of examples: "Senseless Violence": Recorded in Vienna with Rowe/Polwechsel/Fennesz. I added guitar parts then layered Tilbury's piano into the track then added the vocal and an introduction. "Greatest Living Englishman: Initial take" suggested acoustic guitar overdubs which I requested of Otomo and Tetuzi on the spot. I later cut and pasted some interesting turntable activity from an alternate take onto this track. I also added an introduction by cutting and pasting elements from an earlier take. Tilbury was added to the coda. Melody and vocals added. "Rabbit Skinner": no editing. Added acoustic guitar myself then vocals."^[10]

For the recording of Manafon, Sylvian was also inspired by the Welsh poet R. S. Thomas: lyrics often reflect the main themes written by the poet and the title of the album refers indeed to a Welsh namesake village (in north Powys) in which Thomas lived for a while.^[11]

"Manafon is indeed a village in Wales, a village in which Thomas lived for sometime and served as rector to the parish. In this small village, Thomas had trouble filling the pews of a Sunday but in a sense it was something of an idyllic spot in which to raise a child (a strict, taciturn and somewhat indifferent parent), master his profession and write his poetry. So, the physically real village became for me a metaphor for the poetic imagination.", said Sylvian.^[9]

The 7th track refers to Emily Dickinson,^[12] whose poems Sylvian would later use: "A Certain Slant Of Light"^[13] and "I Should not Dare (for N.O)"^[14] would be part of Died in the Wool in 2010, while "I Measure Every Grief I Meet" would appear on a 2024 recording read by Sylvian.^[15]

A limited edition boxed set came with a DVD of the album in 5.1 Surround Sound, and a feature-length making-of documentary, Amplified Gesture.