Mardi Gras (album)

Unlike previous albums, on Mardi Gras, Stu Cook and Doug Clifford shared songwriting and production duties with John Fogerty, and they also provided their own lead vocal contributions for the first time. Due to the quality of what resulted when Fogerty ceded some of his control over the band to the other members, Jon Landau opened his original Rolling Stone review with the statement: "In the future, Mardi Gras may be known as Fogerty's Revenge."^[3] On October 16, 1972, six months after the release of the album, CCR and its record label, Fantasy Records, released a statement announcing the official disbanding of the group.

Except for "Sweet Hitch-Hiker" and "Door to Door", which were recorded in the spring of 1971, Mardi Gras was recorded in January 1972. John's older brother, Tom Fogerty, had departed the group in early 1971 following a dispute that was, in large part, caused by his desire to play a larger creative role and John's insistence on being the band's only singer/songwriter/business manager. John Fogerty only contributed three original songs to Mardi Gras and also sang lead on a fourth, a cover of the 1961 Ricky Nelson hit "Hello Mary Lou". According to Cook and Clifford, it was John Fogerty's idea for all of the remaining members to contribute an equal number of new songs, despite their reservations.^[4] They believed he was bitter over Tom Fogerty's departure and their own requests to have additional say in the group's musical decisions, and that he was looking for an excuse to break up CCR to pursue a solo career. When Clifford and Cook at first demurred at the idea of having to supply two-thirds of the album's material, they claimed John Fogerty threatened to quit the band, and that, when they agreed, he refused to contribute any vocals or instrumentation to their songs, except for guitar.^[4]

The album was a commercial success, peaking at number 12 on the Billboard Hot 100 and going gold, and contained two Top 40 singles: "Sweet Hitch-Hiker" and "Someday Never Comes" (both of which were written and sung by Fogerty), but mounting financial and legal woes compounded the fragile situation within the band, and CCR disbanded on October 16, 1972, shortly after the Mardi Gras tour ended.^[4] In 1976, John Fogerty told Rolling Stone: "I figured that Creedence made six albums. Let me count... the first one, Bayou Country, Green River, Willy and the Poor Boys, Cosmo's Factory, Pendulum... yeah, six. I wouldn’t even count Mardi Gras and neither would anybody else. I had no control over anything after that. The rest is horse manure. Baloney."^[5]

Professional ratings

Review scores
Source	Rating
AllMusic	[6]
Christgau's Record Guide	B[2]
Creem	A−[7]
Encyclopedia of Popular Music	[8]

Reviews for the album were mixed to poor,^[9] with Jon Landau writing in his May 25, 1972, review for Rolling Stone that it was, "relative to a group's established level of performance, the worst album I have ever heard from a major rock band."^[3] In a rare positive review, Gene Sculatti of Phonograph Record praised John Fogerty's performance on the record, but noted the absence of Tom Fogerty as a downside. He concluded: "It may not be Green River or Cosmo's Factory, but Mardi Gras offers some of Creedence's finest moments, and it's a damn good answer to any and all of those 'Rock is Dying' clowns."^[10]

Mardi Gras was not remastered and reissued on CD until 2000. A remastered version of the album was featured on the 40th anniversary CCR box set, but not as a stand-alone album. It was remastered and released on 180 Gram Vinyl by Analogue Productions in 2006. The album was re-released in remastered format as a Japan exclusive in January 2011.

Creedence Clearwater Revival

• Doug Clifford – vocals, drums, production, arrangement
• Stu Cook – vocals, bass, lead and rhythm guitars, keyboards, production, arrangement
• John Fogerty – vocals, lead and rhythm guitars, keyboards, harmonica, production, arrangement

Technical personnel

• Tamaki Beck – mastering supervision
• Bob Fogerty – photography
• Russ Gary – engineering
• George Horn – remastering
• Tony Lane – art direction, design, cover design
• Shigeo Miyamoto – mastering
• Craig Werner – liner notes on CD version
• Baron Wolman – photography