Maree Menzel
Australian fashion designer
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Early life and education
Maree Menzel was born on 9 November 1949 in Dimboola, Victoria, Australia.[1] She developed an interest in design and modelling from a young age and commenced a Diploma of Art and Design at Prahran Technical School in 1967. After her first year Maree was awarded a Commonwealth Advanced Education Scholarship, based ‘on results obtained in first-year examinations’.[2] During her time at Prahran, she was mentored by Rowena Clark, a distinguished designer and educator. In 1983-5 Menzel studied a Bachelor of Fine Arts at the Victorian College of the Arts, focusing on printmaking.[3]
Career
From 1972, Menzel was both modelling and writing for the first Australian pop music newspaper Go-Set. Her titles included ‘A guide to tarting your face on the cheap’,[4] ‘Happy hats’,[5] and ‘Excessoreyesing’.[6]
Theatre
In the late 1970s, Menzel designed for the Melbourne Theatre Company including touring productions:
- 14 June 1977 The Wild Duck, Athenaeum Theatre Melbourne
- 24 January 1978 Dusa, Fish, Stas and Vi, Russell St Theatre Melbourne
- 10 March 1978 Dusa, Fish, Stas and Vi, The Playhouse Theatre Perth WA
- 26 April 1978 Dusa, Fish, Stas and Vi, Union Hall Adelaide SA
- 23 May 1978 Departmental, Russell St Theatre Melbourne
- 1 June 1978 Dusa, Fish, Stas and Vi, Theatre Royal Sydney
- 12 Dec 1978 Arsenic and Old Lace, Athenaeum Theatre Melbourne
- 8 February 1984 The Real Thing Athenaeum Theatre Melbourne[7]
At the age of 28, Menzel was described as the ‘brilliant young Maree Menzel’, joining Kenneth Rowell to form a duo of designers for The Victoria Opera.[8]
Menzel also designed costumes and sets for
- 10 September 1982 Void: In search of a dream St Martins South Yarra Vic
- 20 March 1992 Mistress Antill Theatre South Melbourne Vic
- 18 May 1994 Blithe Spirit Carmelite Hall Middle Park Vic
- 25 November 1994 Steel Magnolias Carmelite Hall Middle Park Vic
- 24 November 1995 Wildest Dreams Carmelite Hall Middle Park Vic [7]
Fashion
Menzel’s career as a fashion designer took off in the 1980s when she began working with Prue Acton, a prominent Australian fashion designer. As principal designer for Acton’s Melbourne Cup outfits, Menzel showcased Australian fashion on a world stage.[9] Her designs included the Titanium outfit (1983),[10] Mock Croc (1986),[11] and an embroidered navy linen suit for Derby Day 1987.[12] Menzel also designed Fantasy Head, a mask for a charity auction at the Metro Nightclub in the late 1980s, using green and gold fabric scraps to evoke sea and bush themes.[13] Snake Proof, a costume designed by Menzel and Marcos Davidson, was part of Australian Fashion: The Contemporary Art, an exhibition at the Powerhouse in Sydney and London's V&A Museum in 1989-1990.[14]
Interiors
Menzel's eye for colour and sense of humour led to several interior designs and window dressing commissions. Her Port Melbourne home, with a deep orange Moroccan-inspired lounge room and hand painted mandala ceiling rose, is featured in Places, a photographic book by Earl Carter and Jean Wright.[15]
Legacy
Menzel’s work continues to be appreciated for its artistic value and innovative approach to costume design. Her designs are preserved in collections such as Museums Victoria.[13]
Awards
- 2004 Victoria Law Foundation Best Illustration Award
