Margaret Traherne
British artist (1919–2006)
From Wikipedia, the free encyclopedia
Margaret Traherne (23 November 1919 — 30 June 2006)[1] was an Essex-born artist active in the twentieth century.[2] She was regarded as a leading artist of her generation.[3] Noted for her stained glass designs, she also worked in sculpture as well as embroidered textiles and mixed media, examples of which are held in the Victoria and Albert Museum.[4][5]
23 November 1919
Margaret Traherne | |
|---|---|
| Born | Hazel Wilkes 23 November 1919 Westcliff-on-Sea, England |
| Died | 30 June 2006 (aged 86) Brighton, England |
| Known for | Stained glass windows |
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Early life
Born in Westcliff-on-Sea, Essex, Traherne moved with her family to Long Island, New York in 1925, aged six.[1] She later attended Southend High School after returning from eight years spent in New York.[6]
Education
Traherne attended Croydon School of Art from 1936, where she studied under Ruskin Spear. It was here that she met her future husband, David Thomas, and the pair married in 1943.[3] Traherne joined the Kingston School of Art during the Second World War, before joining the Design School at the Royal College of Art in 1945.[1] In 1953-54 she spent a year of experimentation at the Central School of Arts and Crafts in the stained glass department run John Baker and Tom Fairs.[1][3]
Stained glass windows
Margaret Traherne's designs for stained glass appear across England, including the examples below,
- Fire Window, Manchester Cathedral (1966). The window was reconstructed using glass from Germany after it was destroyed by an IRA bomb in 1996.[7]
- Chapel of Reconciliation and The Lady Chapel, Liverpool Cathedral[8]
- Bapistry windows, St Peter's Church, Nottingham (1976)[9][10]
- Chapel of Unity, Coventry Cathedral[11]
- North chancel window, St Peter's Church, Chailey, East Sussex (1978)[12]
- St Cuthberts, Rye Park. Traherne wrote of this design, "I found St. Cuthbert a sympathetic character and one that people today will relate to. I hope that my feeling will come through the design."[13]
- Michelham Priory of Upper Dicker, Hailsham in Sussex features Traherne's earliest known glass design, a depiction of the Virgin and Child (1956).[14]
- St Kenelm window, St Peter's, Wootton Wawen (1958)[15]
- St Margaret Mary Church, Park Gate, Hampshire (1966)[16]
Works in public collections
A range of works by Margaret Traherne are held in public British collections, including the following,
| Title | Year | Medium | Gallery no. | Gallery | Location |
|---|---|---|---|---|---|
| Cope | 1950s | wool with appliquéd embroidery, padded, silk thread | CIRC.302-1961 | Victoria and Albert Museum | London |
| Fret | 1956 | jacquard-woven fabric | CIRC.680-1956 | Victoria and Albert Museum | London |
| Fret | 1956 | jacquard-woven fabric | CIRC.680A-1956 | Victoria and Albert Museum | London |
| Fret | 1956 | jacquard-woven fabric | CIRC.680B-1956 | Victoria and Albert Museum | London |
| Light Box | 1974 | glass & acrylic plastic | AH01527/75 | Abbot Hall Art Gallery | Cumbria, England |
| Light Box | 1974 | glass & acrylic plastic | AH01528/75 | Abbot Hall Art Gallery | Cumbria, England |
| Light Box | - | glass & perspex | L.F461.1976.0.0 | New Walk Museum & Art Gallery | Leicestershire, England |
| Poppy head on a blue ground | 1980 | watercolour | P.15-1981 | Victoria and Albert Museum | London |
| Standing Stones | c.1959 | moulded concrete | 008 | Loughborough University | Leicestershire, England |
| Yellow Nude Collage | 1974 | gouache & cut paper collage | P.16-1981 | Victoria and Albert Museum | London |