Marina Zurkow

Much of Zurkow's recent work is informed by both a sense of impending environmental catastrophe and a variety of art historical sources. This includes the series "Crossing the Waters" (2006–2009), a collection of digital animations inspired by the threat of climate change. The same concerns can be seen in the more recent series "Friends and Enemies" (2011-ongoing), which includes animations, prints (both digital and letterpress), and performances. One work in the "Friends and Enemies" series is Mesocosm (Northumberland, UK) (2011), a 146-hour, black-and-white looping animation set in the titular location.^[13]

Zurkow has also incorporated both food and performance into recent works. This includes "Outside the Work: A Tasting of Hydrocarbons and Geological Time" (2013), a performance/meal at Boston University's 808 Gallery and the Center for Energy and Environmental Research in the Human Sciences at Rice University, which used food as a means to prompt reflection on humanity's effect on the environment (particularly, in this case, relating to petroleum).^[14]

Additionally, Zurkow has also worked with several artists and other colleagues to collaborate on several projects. In 2006, she worked with Katie Salen and Nancy Nowacek, on the work, Karaoke Ice. Later on, in 2011, she also began work on a set of instructions for 2013, titled, Survival Challenges in collaboration with Ruth Ozeki, Oliver Kellhammer, Una Chaudhuri, Fritz Ertl, and a PTSD specialist.^[5]

Moreover, Zukow created a work, "Whale Fall Feast," based on the theme of having a buffet inside a whale sculpture. There were three sections that people could visit inside, each with a menu plate stuck onto the wall with untangled fish nets. It sarcastically announces how endangered species like whales are getting harmed since Zurkow notifies people that “Whales are not dying from natural causes. They are often dying from unnatural causes: ship strikers, net entanglements, overfishing, noise pollution and sonar.”^[15]

• Official website