Master of Margaret of York

The style of the master and its application vary according to the subject of the miniature, and according to the importance of the work ordered. Thus, the characters are more or less detailed according to their importance in the story, some being limited to simple sketches. The landscapes and the settings are generally not very detailed, and the artist shows little concern with their lifelikeness. On the other hand, he highlights the action evoked by the text and the main characters by embodied and expressive faces. His style is often reminiscent of that of Lieven van Lathem. He doubtless worked with assistants in an atelier, entrusting the decoration and other less important elements to them.^[1]

His production is so abundant and varied that historians tend to attribute part of it to his assistants, and have managed to distinguish certain artists such as the Master of Fitzwilliam 268 [fr], with a more tense and agitated style, the Master of the Genealogia Deorum of Bruges, with a looser style, the Master of the Jardin de vertueuse consolation or the Master of the Life of Saint Colette of Ghent.^[1][2] His style has also been compared to that of the Master of the Moral Treatises [fr], whom he influenced.^[3]

• Bousmanne, Bernard; Delcourt, Thierry, eds. (2011). Miniatures flamandes, 1404–1482 (in French). Paris: Bibliothèque nationale de France. ISBN 9782717724998. Retrieved 25 July 2021.
• Kren, Thomas; McKendrick, Scott (2003). Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe. Los Angeles: J. Paul Getty Museum. ISBN 9780892367047. Retrieved 25 July 2021.