Mathiya Chennai

2009 Indian film From Wikipedia, the free encyclopedia

Mathiya Chennai (transl.Central Chennai) is a 2009 Indian Tamil-language film directed by Vivekanand and Veerasingam. Produced by Rajesh J. Chandan, the film stars Jaivanth and Ramya Barna, while Prakash Raj, Sangeetha, Mahadevan, and Ganja Karuppu play supporting roles. The music was composed by Ilaiyaraaja. The film released on 27 November 2009.

Directed byVivekanand-Veerasingam
Produced byRajesh J. Chandan
CinematographySV
Quick facts Directed by, Produced by ...
Mathiya Chennai
Poster
Directed byVivekanand-Veerasingam
Produced byRajesh J. Chandan
StarringJaivanth
Ramya Barna
Prakash Raj
Sangeetha
Mahadevan
CinematographySV
Edited byArvin
Music byIlaiyaraaja
Production
company
Raaptor Media Films
Release date
  • 27 November 2009 (2009-11-27)
CountryIndia
LanguageTamil
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Plot

Saravanan loves films and dreams of becoming a director, but he accidentally gets in a brawl with a gangster, making his future difficult. However, Saravanan is in love with the gangster's daughter Maha. Later, Saravanan makes a movie with the help of Maha, but when the film is about to release, the gangster pulls out all the stops to prevent the film from screening.

Cast

Soundtrack

The music composed by Ilayaraja.[1] The audio launch was held in at Kamala Theatre, Chennai.[2] Rediff wrote "In fact, that's something that's valid for the whole album -- in many ways, its trademark Ilayaraja of olden times, minus the musical feats that some of his classic usually contain. Perhaps that might be a direct result of the project itself; this collection works best if you're a diehard fan".[3] Milliblog called it "decent enough soundtrack".[4]

More information Song, Singers ...
SongSingersLyrics
"Elaikku Intha"IlaiyaraajaMu. Metha
"Ennda Dai"Tippu, Vijay Yesudas, Rahul NambiarVaali
"Ilavayasu Pasanga"Na. Muthukumar
"Sullikuppam Ganapathy"Muthulingam
"Un Vaazhve"Sadhana SargamVaali
"Unnai Patri Sonnaal"RitaPalani Bharathi
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Critical reception

A critic from Koodal that if more attention had been paid to the screenplay, the entire film could have been enjoyed.[5] S. R. Ashok Kumar of The Hindu wrote, "The dialogues are powerful. Karthik Raja's camera work is commendable. You can't help but wonder why editor D.S.R. Subash has not scissored some of the unwanted scenes".[6]

References

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