Menendez: Blood Brothers

2017 TV film by Fenton Bailey and Randy Barbato From Wikipedia, the free encyclopedia

Menendez: Blood Brothers is a 2017 television film directed by Fenton Bailey and Randy Barbato and written by Abdi Nazemian. Starring Courtney Love, Nico Tortorella, Myko Olivier, and Benito Martinez, it is based on the lives of Lyle and Erik Menendez, two brothers who were convicted of murdering their parents in Beverly Hills, California in 1989.

Genre
  • Crime
  • drama
Written byAbdi Nazemian
Starring
Quick facts Genre, Written by ...
Menendez: Blood Brothers
Promotional artwork
Genre
  • Crime
  • drama
Written byAbdi Nazemian
Directed byFenton Bailey
Randy Barbato
Starring
Country of originUnited States
Original languageEnglish
Production
Executive producersFenton Bailey
Abdi Nazemian
Randy Barbato
ProducerJamie Goehring
EditorToby Yates
Running time120 minutes[1]
Production companyWorld of Wonder
Original release
NetworkLifetime
ReleaseJune 11, 2017 (2017-06-11)[2]
Close

The film aired on the Lifetime network in North America on June 11, 2017.[3][4]

Cast

Production

On January 31, 2017, it was announced that Courtney Love had joined the cast of the film.[6] Cooper Koch auditioned for the role of Erik Menendez before Myko Olivier was ultimately cast alongside Nico Tortorella as Lyle Menendez.[7][8] Koch would eventually portray Erik Menendez in the Netflix limited series Monsters: The Lyle and Erik Menendez Story (2024). The film was shot in Vancouver, British Columbia, Canada, between February and March 2017.[6]

Reception

Ken Tucker, writing for Yahoo! TV, found the film to be "a melodramatic mess" that "resembles a creepy high-school play" in quality.[9] Similarly, New York Post critic Robert Rorke lambasted the murder scene in Menendez: Blood Brothers as "creepy and amateurish" and felt the film generally lacked any insight.[10]

Broadly's Mitchell Sunderland, on the other hand, praised the film's tone and Love's performance in particular, stating that "Courtney Love's performance as Kitty holds the film together", highlighting her ability to be "over-the-top in one scene, and subtle the next, without the performance seeming disjointed."[11]

See also

References

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