Michael Jordan to the Max

2000 film directed by Don Kempf and James D. Stern From Wikipedia, the free encyclopedia

Michael Jordan to the Max is a 2000 American IMAX documentary film produced and directed by Don Kempf and James D. Stern.[2] The film is about the life and career of basketball player Michael Jordan, focusing mainly on his 1998 NBA Playoffs and other significant achievements in his career. It is narrated by Laurence Fishburne.

Directed byDon Kempf
James D. Stern
Written byJonathan Hock
Produced byDon Kempf
Steve Kempf
Estee Portnoy
James D. Stern
Quick facts Directed by, Written by ...
Michael Jordan to the Max
Directed byDon Kempf
James D. Stern
Written byJonathan Hock
Produced byDon Kempf
Steve Kempf
Estee Portnoy
James D. Stern
StarringMichael Jordan
Narrated byLaurence Fishburne
CinematographyJames Neihouse
Edited byJonathan Hock
Music byJohn Debney
Distributed byGiant Screen Films
Release date
  • May 5, 2000 (2000-05-05)
Running time
46 minutes
CountryUnited States
LanguageEnglish
Box office$21.5 million[1]
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The film includes appearances by numerous celebrities and professional athletes including Phil Jackson, Doug Collins, Bob Costas, Bill Murray, Ken Griffey Jr., Steve Kerr, Spike Lee, Willie Mays, Stan Musial, Ahmad Rashad, and Pat Riley.

Release

The film was released on May 5, 2000.[3] 20 years later, it was remastered and re-released to IMAX theaters.[4]

Reception

On the review aggregator website Rotten Tomatoes, 65% of 26 critics' reviews are positive.[5] Metacritic, which uses a weighted average, assigned the film a score of 57 out of 100, based on 15 critics, indicating "mixed or average" reviews.[6]

Robert Koehler of Variety wrote that the film is "an honorific but unmoving portrait of the Chicago Bulls' No. 23."[3]

Roger Ebert of the Chicago Sun-Times gave it two out of four stars and wrote, "Michael Jordan to the Max, like almost everything that has been filmed or written about Jordan, is essentially just a promotional film for Jordan as a product. It plays like a commercial for itself."[7]

A. O. Scott of The New York Times wrote, "It's an entertaining, intermittently thrilling 45 minutes, but nothing compared to what the man himself could do in 48."[2]

See also

References

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