Microphone connector

From Wikipedia, the free encyclopedia

Many different electrical connectors have been used to connect microphones to audio equipment—including PA systems, radios, tape recorders, and numerous other devices.

2.5 mm mono (TS), 3.5 mm mono and stereo (TRS), and 14 inch (6.4 mm) stereo (TRS) phone connectors

The most common microphone connector in consumer use is the venerable phone connector, in 14 inch (6.4 mm), 3.5 mm, and 2.5 mm sizes, and in both mono and stereo configurations. Not all microphone plugs with 3-segment TRS (Tip-Ring-Sleeve) connectors are actually stereo. Most computer microphones use the third segment to carry bias power for the microphone.

Type "O" 1930s connectors

These round connectors are about 1 inch in diameter. They were in common use in the later 40's and thru the 50's at WELI, New Haven Connecticut. see: http://terryking.us/OldRadio/OP-4-RCA-RemoteAmplifier-1934-Rear.jpg The 3 connectors on the left are 1934 type "P" round microphone connectors. They look like this: http://terryking.us/OldRadio/P-CG-12S.jpg

Type "UA" 1950s–1960s professional connectors

These were D-shaped upgrades of the old P connectors, with gold-plated pins and sockets. They looked like this: http://terryking.us/OldRadio/UA-3-12.jpg

SwitchCraft 2501F/2501M

This is the part number for a Swichcraft connector used with high impedance microphones up through about 1980. It was intended for coax style cable up to 0.281 inches (7.1 mm) outside diameter.

Attachment is made with a 5/8-27 threaded ring that can be unthreaded over the body of the connector body allowing the female connector to become a male connector.

Wire connection was via solder. The center conductor is soldered to a hole resulting in a flat center contact. The cable shield is soldered to the strain-relief spring which is held in the body of the connector with a set screw.

With no provision for spring loading of the connection ring, vibration tends to loosen the threaded ring and create intermittent contact.

The Switchcraft 2501M coaxial connector

Amphenol 80 and 91 series

Popular microphone connector from 1930s to 1980s, originally manufactured by Amphenol. Amphenol sold this production to WPI Interconnect in early 1980s. The Amphenol 80-MC2M, which mates with the 80-PC2F, microphone connector was popular with American radio manufacturers (1950s to 1970s).

The Amphenol 80-PC2F connector, that mates with the 80-MC2M

XLR connectors (mid-50s to today)

XLR3 cable connectors, female on left and male on right

Most commonly used on professional microphones, the common 3-pin XLR connector is a standard for transferring balanced audio among professional audio equipment.

The 4-pin XLR is the standard connector for intercom headsets, such as systems made by Clear-Com and Telex. Two pins are used for the mono headphone signal and two pins for the unbalanced microphone signal.

The 4-pin XLR connector is also commonly used on amateur radio microphones, but transferring unbalanced audio instead, and using the 4th pin (with the common ground) for a push-to-talk (PTT) circuit activated by a button on the microphone. Some broadcast radio professionals also use these microphones, instead using the PTT circuit as a cough button (a momentary mute button) so that they may cough, clear their throat, or make comments to others in the studio without the sounds being broadcast. It is also used for dmx512 digital stage controls.

Multi-pin circular connector (Marushin, MCC, CBC series, Foster, GX-16)

Modular connectors

References

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