Mike Bernard (musician)
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March 17, 1875
Mike Bernard | |
|---|---|
 Mike Bernard | |
| Born | Michael Barnet Brown March 17, 1875 New York City, New York, U.S. |
| Died | June 27, 1936 (aged 61) New York City, New York, U.S. |
| Occupation | Pianist |
| Years active | 1895–1936 |
| Spouse(s) | May Agnes Convery (1898–1911) Florence "Flo" Courtney (1914–1916) |
Mike Bernard (né Michael Barnet Brown; March 17, 1875 – June 27, 1936) was an American musician who influenced the development of ragtime-era music.[1][2]
A musical child prodigy born in New York City's Manhattan, Michael Barnet Brown was the son of decorator and wallpaper dealer Julius S. Brown and his wife Eva Eisenberg. He had one older brother, Harry, born in 1873.[note 1][3][4] Michael studied at the Berlin Conservatory and once reportedly played before the Kaiser. At age twenty-one, back in New York, he heard Ben Harney (the self-proclaimed "inventor of ragtime") perform, and decided to compete against him. He soon became known as one of the best ragtime performers in the country, billing himself as the "Rag Time King of the World." A white musician with little exposure to the African-American roots of ragtime, he pioneered a style of music that appealed to the public but is often derided by purists as "pseudo-ragtime." He was one of the first to record ragtime piano styles, working for Columbia Records starting in 1912.
While he played in vaudeville pretty much continuously from the late 1890s through the late 1910s, his style mostly fell out of favor by the onset of the jazz age. He was considered for a spot with the Original Dixieland Jazz Band in 1918 after pianist Henry Ragas died in the Spanish influenza outbreak, but the job ended up going to J. Russell Robinson.[5] Mike still managed to work in increasingly smaller venues through the 1920s, last performing at Bill's Gay Nineties in Manhattan just weeks before his death.[6]
His style, flashy and fast, influenced the white ragtime composers of Tin Pan Alley but was often looked down upon by the admirers of the "genuine ragtime" that issued from African-American communities. Artists considered part of the "Mike Bernard school" include Pete Wendling, Lee S. Roberts, Max Kortlander, Frank Banta, Victor Arden, Phil Ohman, Zez Confrey, Charley Straight, and Roy Bargy.
Awards
Tony Paster's Theatre (sponsor)[7]
- January 23, 1900: Winner, Ragtime Piano Contest, Tammany Hall
- January 30, 1906: Winner, Ragtime Piano Contest
- Judges: Charlie Horwitz, Harry Von Tilzer, Gus Edwards[8]
Selected discography
Mike Bernard (solo piano)
- Columbia A-1266
- 38467-1 (matrix) — "Everybody two-step", by Wallie Herzer; OCLC 4536144
- Reissues (i) Vintage Jazz Mart (Europe) VLP2 & (ii) Smithsonian Folkways RF24
- Recorded in New York City December 2, 1912
- 38466 (matrix) — "Battle of San Juan Hill", composed by Mike Bernard; OCLC 4536129
- Recorded in New York City, probably December 2, 1912
- 38465-1 (matrix) — "Fantasy on Pilgrims' Chorus from Tannhauser", "Finale to Rubinstein's E Flat Concerto"; OCLC 84340026
- Recorded in New York City December 2, 1912
- 38474-1 (matrix) — "Fantasy On Mendelssohn's Spring Song", "Rubinstein's Melody In F"; OCLC 84487091
- Recorded in New York City December 4, 1912
- Columbia A-1313
- 38472-1 (matrix) — "That Peculiar Rag", by Barney Fagan; OCLC 807049659
- Recorded in New York City December 3, 1912
- 38478 (matrix) — "Medley Of Ted Snyder's Hits"; OCLC 79686914
- Intro to "My Sweet Italian", by Irving Berlin
- "When The Midnight Choo-Choo Leaves for Albam' ", by Irving Berlin
- "Ragtime Soldier Man", by Irving Berlin
- Recorded in New York City, December 4, 1912
- Columbia A-1427
- Side A: 38829-2 (matrix) — "Maori", A Samoan dance; OCLC 807061655, 82045305
- Recorded in New York City, May 8, 1913
- Reissues (i) Timeless Records (Netherlands) CBC1-035 (CD)[10]
- Side B: 38927-1 (matrix) — "1915 Rag", by Harry Tierney; OCLC 84374803
- Recorded in New York City, June 27, 1913
- Reissues (i) Smithsonian Folkways RF33 (ii) Timeless Records (Netherlands) CBC1-035 (CD)[10]
- Columbia A-1386
- 38925 (matrix) — "Medley of Berlin Songs"
- Recorded in New York City June 27, 1913
- 38928-1 (matrix) — "Tantalizing Tingles", by Sol Violinsky & Mike Bernard
- Reissues (i) Smithsonian Folkways RF23, Vintage Jazz Mart (Europe) VLP2[10]
- Recorded in New York City June 27, 1913
- Columbia A-1590
- Side A: 38475 (matrix) — "A Trip Across The Pond — Introducing Old Irish And Scotch Airs"; OCLC 81589694
- Columbia A-2577
- 77780-1 (matrix) — "Blaze Away"; OCLC 77894363
- Recorded in New York City April 25, 1918
- Reissues (i) Smithsonian Folkways RF23, Timeless Records (Netherlands) CBC1-035[10]
- 77783 (matrix) — "When Alexander Takes His Ragtime Band To France", "Some One Else May Be There While I'm Gone"; OCLC 77920863
- 77783-3 (matrix) — "They Were All Out of Step But Jim", by Irving Berlin[10]
- Recorded in New York City April 25, 1918
