Milton Moore
American cinematographer
From Wikipedia, the free encyclopedia
Milton Moore (1884–1956) was an American cinematographer of the silent era.[1] He also worked on several screenplays. He collaborated a number of times with the director Dallas M. Fitzgerald.
BornFebruary 8, 1884
DiedAugust 18, 1956 (aged 72)
Los Angeles, California, United States
OccupationsCinematographer, Writer
Yearsactive1915-1933 (film)
Milton Moore | |
|---|---|
| Born | February 8, 1884 |
| Died | August 18, 1956 (aged 72) Los Angeles, California, United States |
| Occupations | Cinematographer, Writer |
| Years active | 1915-1933 (film) |
| Spouse | Laura Oakley |
Selected filmography
- Love's Lariat (1916)
- The Vanishing Dagger (1920)
- Don't Get Personal (1922)
- The Guttersnipe (1922)
- Daughters of Today (1924)
- The Tomboy (1924)
- He Who Gets Slapped (1924)
- Passionate Youth (1925)
- Stella Maris (1925)
- The Goose Woman (1925)
- Josselyn's Wife (1926)
- That Model from Paris (1926)
- College Days (1926)
- Sin Cargo (1926)
- Redheads Preferred (1926)
- Lost at Sea (1926)
- The Earth Woman (1926)
- One Hour of Love (1927)
- Wilful Youth (1927)
- Out of the Past (1927)
- Web of Fate (1927)
- Woman's Law (1927)
- The First Night (1927)
- The Rose of Kildare (1927)
- The Girl He Didn't Buy (1928)
- Golden Shackles (1928)
- Maizie (1933)
