Mirzya (soundtrack)

Critical

The soundtrack was critically acclaimed, with praise for its curation, composition, songwriting and other aspects, calling it as one of the best works of Shankar–Ehsaan–Loy. Devarsi Ghosh of India Today called it as "the most accomplished Bollywood music album of the year, which not just gives us new sounds, but also has incredible lyrical richness".^[23] Devesh Sharma of Filmfare gave 4.5 stars out of five calling it as "one of the most complete, most ambitious film albums to have come out this year".^[24] Sreeju Sudhakaran of Bollywood Life called it as the best album of the year "when it comes to experimentation, variety and judicious usage of brilliant singers and tunes" and also the trio's best since Dil Chahta Hai (2001).^[25] He reviewed it as "a sureshot treat to anyone who has a keen ear for great music".^[25]

Sankhayan Ghosh of Mint wrote "Mirzya achieves a beautiful balance rare in current film music. A melting pot of genres, there is a lot going on in the album. Yet SEL doesn’t let that overwhelm us by maintaining a touch of lightness, a hallmark of the composer trio. They have delivered an inspired album with a legendary poet and a musically passionate filmmaker."^[26] In his four-star review, Vipin Nair of Music Aloud (also for The Hindu) called it as "a rich, remarkably diverse set of songs from Shankar Ehsaan Loy".^[27][28] Rinky Kumar of The Times of India also gave the same rating to the album and wrote "album is lyrically rich and stands out from the kind of music that is being composed today. SEL, who are synonymous with tracks that have more of a western influence, surprise listeners by using traditional, folk sounds and fusing them with contemporary beats in this soundtrack. Clearly, this is one of their best works till date."^[29] Karthik Srinivasan of Milliblog wrote "From Katyar Kaljat Ghusli (2015), the trio take another giant leap ahead in Mirzya!"^[30]

Suanshu Khurana of The Indian Express wrote "Mirzya, musically, is an interesting experiment that has had SEL deliver some of their finest pieces ever. Barring a couple of ditties that should be ignored, Mirzya is a fascinating album that should be heard."^[29] Joginder Tuteja of Bollywood Hungama rated 3.5 stars saying "the music of Mirzya is different sure. While for purists it would be something to revel about, the masses would take some time to get used to its sound."^[31] Although being critical of the album's length due to the inclusion of several numbers, Swetha Ramakrishnan of Firstpost added that, "it takes serious talent and vision to have this kind of music in a commercial Hindi film, at a time when old indipop songs are given a Badshaah rap and re-released. For this, take a bow Shankar-Ehsaan-Loy."^[32] Manish Gaekwad of Scroll.in although praising the music "that pumps the heartbeat" he noted the absence of "a bona fide romantic anthem, the kind that will echo through the years, like the love story."^[33]

Commercial

In his year-ender review for The Hindu, Vipin Nair ranked Mirzya as the "Best Bollywood Album of 2016",^[34] and also in the decade-end analysis of Hindi film music, calling Mirzya as Shankar–Ehsaan–Loy's best works in his collaboration with Mehra along with Bhaag Milkha Bhaag (2013).^[35] Manish Gaekwad of Scroll.in also noted the album in his year-ender review but felt that the film's underperformance had impacted on the music's longevity.^[36] Sankhayan Ghosh of Mint also listed in its year-ender, calling the film's soundtrack as "a kaleidoscopic Hindi film musical given the Coke Studio Pakistan treatment";^[37] he ranked the film's box-office failure and the soundtrack's success to another similar film Bombay Velvet (2015), whose soundtrack by Amit Trivedi was appreciated.^[37]

The album was listed in several decade-ender lists, which included Devesh Sharma's article for Filmfare that was published on World Music Day (21 June 2021),^[38] Akshay Manwani's review for Firstpost^[39] and Sankhayan Ghosh's review for Film Companion.^[40] Tatsam Mukherjee's article for Huffington Post about "The Top 20 Bollywood Albums Since 2000" ranked it as their second-best album describing it as "Shankar-Ehsaan-Loy at their most evolved".^[41] Despite the film's commercial underperformance, Shankar–Ehsaan–Loy admitted the album as one of their best works in their career, ranking in the similar ways to Dil Chahta Hai (2001) or Kal Ho Na Ho (2003).^[2]

"Without being immodest, I don’t see any album in the last five years that has come out from this industry which is of the level of Mirzya . When the greatest writer in this country, Gulzar Saab, says that [working on] this album reminded him of the way he used to work with Pancham (Rahul Dev Burman), I think, we can’t get a bigger compliment than this."